The Enduring Moment

Cover of The Enduring Moment
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Desert Mob
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Goulburn Regional Art Gallery
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

It is arguable that temporary public art is a more valid response to the transitory, dynamic and complex nature of the city and public life, more available to be critical and exploratory, than its permanent counterpart.

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More from this Issue Full Issue Contents

Marking the 2000 Moment: Sydney Pulls Out the Stops
Feature
Gene Sherman

Sculpture is often considered a difficult medium. Public art is frequently controversial. Yet, public sculptural art offers the widest possible audience and the greatest opportunity (by far) to experience, within the increasingly intense landscape of our cities, the humanising and deeply satisfying impact of art and culture.

Published June 1998
Local Government and Public Art
Feature
Jacke Ohlin

Increasingly, local governments at the cutting edge are recognising the need to carefully define their role in public art and more broadly cultural development.

Published June 1998
The Vision not so Splendid
Feature
Pamela J Zeplin

Prominent gallerist Paul Greenaway and influential educator Pamela J Zeplin speculated recently about the depths to which confidence in the management of Adelaide's Public Domain has sunk. Who is to blame for the rash of mediocrity -- consultants, governments, artists themselves. Interview.

Published June 1998
How the 'Art in Public Places' Debate Shackles Creative Genius
Feature
David Engwicht

Buckle your seatbelts for a wild, multi-disciplinary ride to explore why all urban space is art... why every individual entering public space is an artist.... how the design of public space either feeds or inhibits this artist.... how professional artists involved in the production of 'public art' should therefore respond.

Published June 1998
For Arts Sake a Fair Go
Feature
Sharon Theedar

The status quo of moral rights of artists in Australia today in respect of site specific works.

Published June 1998
The Public Interest: Is There Any?
Feature
Juliette Peers

"Living a few hundred metres away from a community arts project has clarified my doubts about the standard and the value of such projects and what they achieve for their supposed audience." Peers explores the current issues facing the production of community and public art looking at 'The Bridge, Construction in Process' an event and exhibition which took place in Melbourne over March- April 1998.

Published June 1998
The SCIP Project: The Making of Memories in Amnesia Land
Feature
Pat Hoffie

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

Published June 1998
Five Hundred Sculptors in Melbourne!
Feature
Ken Scarlett

Whether Melbourne can support 500 or more sculptors is yet to be proven, but the talent is there and architects, developers and city councils seem to be much more receptive to the concept of public art.

Published June 1998
What do THEY make of it?
Feature
Tamara Winikoff

Jenny Holzer shared some thoughts with Tamara Winikoff during Artist's Week in Adelaide in March 1998 about her relationship with the public, who over the years and in various countries, has been the audience for her artworks in the public arena.

Published June 1998
Putting Art in the Landscape
Feature
Alex Selenitsch

Looks at Herring Island Environmental Sculpture Park, Victoria and the issues which surround putting art into parks and public spaces. Unlike the specialised designs of the contemporary art gallery, the 'environment' is a bundle of concepts distributed across the city and suburbs.

Published June 1998
Artists' Week... Walk that Walk
Review
Stephanie Radok

Review of Artists week for the Adelaide Festival of Arts
1998

Published June 1998
Public Art Practical Guidelines
Book Review
Andra Kins

Book review Public Art Practical Guidelines
Authors Pip Sawyer, Malcolm McGregor, Robyn Taylor
Published by the Ministry for Culture and the Arts
September 1997
$40.00 + $5.00 p&h from the
Artists Foundation of WA

Published June 1998
 
The David Roche Foundation
ACE Open
NAVA
Artshub