Spatial Shamanism

Cover of Spatial Shamanism
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
UTS
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Art Nocturne
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

It is a brief sober guide to certain spatial (and therefore sculptural) behaviours as initially identified and described by Bronte Edwards, Commander in Chief of the Art Army.

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More from this Issue Full Issue Contents

Craft in Society by Noris Loannou
Book Review
Anne Brennan

Book Review Craft in Society: An Anthology of Perspectives Noris Ioannou (ed.)
Fremantle Arts Centre Press, 1992
312 pp, RRP $24.95

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The Advantages of Isolation
Review
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Exhibition Review The Advantage of Isolation
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Claremont Western Australia
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and at the Blaxland Gallery
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11 February - 7 March 1993

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A Fact, A Question
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Sculpture is not like painting because it is not flat and does not raise the question of mimesis in the same way. A theory of sculpture must therefore be, somewhere at its deep foundations, different from a theory of painting. Not just a bit different: a lot different.

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Dancing Sulka Masks
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Examination of the role of dance masks in Papua New Guinea culture. The author was in the area to invite 2 Sulka men to Adelaide to dance hemlaut and susu masks at the Pacific Arts Symposium in April 1993. Coloured photos of the dance masks.

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Australian Humour in Sculpture
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Does each country, race and cultural group have a particular sense of humour? And if so, is it possible to define their specific characteristics?

Published June 1993
Carol Rudyard
Review
Nikki Miller

Exhibition review Point of View: Carol Rudyard selected works 1968 -1992
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Places for Sculpture and Sculptors: Perth
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Gomboc Gallery and Sculpture Park is an inspiring example of vision and dedication to an artform within the private enterprise system.

Published June 1993
Ceremonial Work in Darwin
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Darwin has a burgeoning arts community which produces a unique body of visual art related to festivals and events. Aboriginal culture and proximity to Asia and the Pacific have influenced the work being produced by these artists.

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Mildura - The Watershed for Sculpture: 1975 Destablising Old Canons
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...It was therefore inevitable that by 1975 Tom McCullough's Mildura Sculpturescape would attract an increasing number of artists doing installation, process, earth and other forms of art that emerged when sculpture, as it were, left the pedestal, moved around the room and went outside.

Published June 1993
In Landscapes and Parks: Gasworks Park Melbourne
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Looks at the 5 year sculpture development program at the Gasworks 3.46 hectares of open space in Melbourne - close to the city, accessible with strong community focus and an emphasis on contemporary art.

Published June 1993
New Sculpture in Papua New Guinea
Feature
Susan Cochrane

Re-evaluation of the current position of artworks from Papua New Guinea looking particularly at sculpture.

Published June 1993
Mildura - The Watershed for Sculpture: McCullough and Performance
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The Mildura Sculpture Triennials directed by Tom McCullough seemed the liveliest and most ennjoyable art events held anywhere in Australia...

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