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It's Time

Issue 40:1 | March 2020

Editor: Eve Sullivan

This edition takes a broad view of the concept of time in art and the times we live in, prompted by social change and upheaval as a motivation for action and cultural adaptation. Concepts of living on borrowed or secondhand time are contrasted with astronomical or geological deep time, and new approaches to art history.

Above: James Darling and Lesley Forwood, Living Rocks: A Fragment of the Universe, 2019 installation view, Magazzini del Sale, La Biennale di Venezia, 2019. Cover: Nicholas Folland, Other Homes and Gardens, 2019 mixed media. Installation view, Adelaide Central School of Art Gallery Photo: Sam Roberts. Courtesy Tolarno Galleries, Melbourne © Nicholas Charles Folland/Copyright Agency, 2020
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In this issue

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Editorial: It's Time
Eve Sullivan
0.666
On hold in hard times
Eve Sullivan
0.77
Nicholas Folland: Secondhand time
Eve Sullivan
0.772
Duchamp and Australia: In opposition
Rex Butler and A.D.S. Donaldson
David Smerdon: Duchamp’s Opposition
David Smerdon and Rex Butler
0.768
Art in the time of the burning
Ian Milliss
0.786
Crafty prepping
Sera Waters
0.77
2019: The year of our cyberpunk future
Darren Jorgensen
0.77
Geological pit stops: Kate Hill and Isadora Vaughan
Abbra Kotlarczyk
0.77
The Brazilian moment: A picture gallery in transformation
John Mateer
0.77
Stuart Ringholt: Time pressures
Wes Hill
0.77
Time and transition in the work of Lee Harrop
Mandy Treagus
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Living rocks: A fragment of the universe
James Darling
Samstag NAVA Australian Body Art Festival Bendigo Art Gallery