Communique: Positive profile
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Marg Hooper at WAM
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Out From Under the Bed: Helen de Prynter and Elisa Hall
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Artnotes: Artists/Craftspeople working in schools
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Recent Australian Painting: A Survey 1970-1983
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An open letter to John Bannon, Minister for the Arts
Annette Bezor, Heather Ellyard, Chris Bryant, Peter Surguy, Sara Sims, Pam Connelly, Steve Griffin, Bill Morrow, Albert Gillison, Jos Jensen, David Cannell, Jeffrey Harris, Clifford Frith, Barrie Goddard, Geoffrey Brown, Max Lyle, Kay Lawrence, Ian Chandler, Cecil Hardy, Vitas Kapciunas, Pamela Harris, Christine Ross, Peter McWilliams, Roger Noakes, Marcus Champ, John Wood, Greg Johns, Greg Hooper, Tony Flynn, Hossein Valamanesh, Cornelis (Casey) Van Sebille, Antonio Colangelo, Nigel Murray-Harvey, van den Wildenberg Henny, Helen Davis, Roland Thomas, Phil Noone, Mary Franks, Karen King, C. M. Tucker, Vera Trust, Gerhard Schurer, Lyndon Whaite, Zig Kepelis, Steve Wigg, Chris Conventry, Tim Waller, Fiona Hall, Rosemary Brooks, Rod Taylor, Heather Nicholson, Lawrence Bendle, Kirsi Hiltula, Dianne Longley, James Moss, Pam Waite, Jane Kent, Anne Marsh, Noel Waite, Gill Redman, Kay Johnston, John Austin, Kate Breakey, Annette Brock, Gwen Harris, Craig Marvell, Ed Douglas, Richardson Rowland, Ben Kypridakis, David Braun, Carol Liepins, Alison Douglas, Anne-Marie Brookman-Zwart, Trevor Golding, Mike Thorp, Barrie Wraith, Simon Biggs, Mark Urizar, Tim Folland, Graham Oades, Mark Folland, David Shannon, Ooi Sian, Kim Yong Chew, Eddie Typek, Andrew Vorassi, Paul Curran, Yap Lee, Elizabeth Watkins, Lynette Drake, Kym Pitman, John Young, T. Kearns, Felicity Nixon, Wendy Fairclough, Suzy Fagan, John Forbister, Chris Reynolds, Jayne Kovacs, Terrence Hollow, Helen Sosnowski and John Peplow
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Corporate sponsorship: The facts
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A word from our sponsor: The Museum and the Market
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I have to get my rocks off: An interview with Hans Haacke
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Socially engaged art in Adelaide, October 1983
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Ways of printmaking
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Performing with technology
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Reaching stasis: Thoughts on the recent work of Hossein Valamanesh
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The same tune but a different song: Greg Hooper at Roundspace
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Art of a suburb: Artists in St Peters & Somewhere in St Peters
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Domestic politics: Is your cutlery showing?
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Art and Working Life
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Middle White Major: Fattening up
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Film: The forsaken media?
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Tribute to David Kerr
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Protest for a representative press
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Contemporary Art Society: Upcoming exhibitions
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Artsinfo at the Experimental Art Foundation
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Navigator, edited by Simon Penny
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The image of struggle: Polly Sumner photography
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John Bannon: Justifying public money
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Brook seminar: Question time
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Two photographers: Fiona Hall and Kate Breakey
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Predictable actions: Auto Atak
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Daughters on the stage
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The world of the marvellous
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New venue for Women's Art Movement
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Designing human environments
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Wind, ice & fire: An exhibition of adventure
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Computers and artists
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Mixing it Anzart-Style
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Open Sandwich: Provisions for the future
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I Love Lithography: Eight graduating printmakers
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Drawing with light: Clifford Frith public sculpture
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We regret to inform you: Ideas on Ice
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On staying healthy and safe: Artist Beware by Michael McCann
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All Out Ensemble, Right on: Situation Normal...Cut Up
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Adolescents ignoring the issues: Matriculation Art Show
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Warm welcome for new music: The Sensual Avant-Garde
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A feeling for environment: Prue Bonnin and Karen Genoff at Contemporary Art Society
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International photography: 100 images from the collection of the National Gallery of Victoria
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An Art Gallery Service - Option on a Dream
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Mr Freud and Painting in Britain
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Ideas on Ice: The Union Tells
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Terrific North Terrace
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Women's Performance Art from Australia to Japan
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Visual's Arts Board's Overseas Studios
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Contemporary Music-a New Move
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Promising 'Promises': Land of Promises, An exhibition of silkscreen prints by migrants
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The Meaning of a White Carnation: Learning and Visual Communication by David Sless, Croom Helm, London
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Arbitrary Review: Australian Art Review edited by Leon Paroissien, Warner Associates
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A Fuller Theory of Art
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84 year old, first one-man show
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Shock Waves in Prospect
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Art History in the Making: SA Sculpture Survey
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Bodies and Branches: Coming Into Contact, works by David Thorp
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Callow Camera: Eight Graduating Photographers from the SA School of Art
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Two Painters: Not Still Lives, Home Cooking Theatre Company, Troupe, February 1983, director Barbara Ciszewska.
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Lawrence Daws by Neville Weston, Reed, Sydney.
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The Proper Study of Art as Nature
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1982, Action Packed Year
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Some notes on New Zealand
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Some recent shows
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Exemplary Objects: Robert Hughes on the New Australian National Gallery
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Alternative Art School- Real at Last
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Through a Left Lens, Darkly: Thinking Photography edited by Victor Burgin, Macmillan
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The Visual Artist and the Law by Shane Simpson, Law Book Company Ltd
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Children's Spontaneous Drawings: an Introduction
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Contemporary British Drawing
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Issues in Black and White
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Ed Douglas: Views of the Earth
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Politics of Art or an Aesthetic for Women? Part 4 (Final)
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