Who Told You We Wanted To Make Our Own TV?

Cover of Who Told You We Wanted To Make Our Own TV?
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Metro Tunnel (Vic Gov)
1.126
A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
1.126
Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
1.126
Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
NAVA
1.126
Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

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Pretty as a Picture: Women Artists and the Heidelberg Era
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Exhibition review Completing the Picture: Women artists and the Heidelberg era
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Against 'Neofuturism': Women Artists in Technological Media
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In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

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"Just Trust The Text, Don't Colour It"
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Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

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A Golden Threat: Feminisms
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Exhibition review Feminisms
Curated by Niki Miller
Perth Institute of Contemporary Arts
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November 1 - 28 1992

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One Way Street
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John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

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Journey by Proxy
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Exhibition review Crossings Mary Knott: Drawings and Sculptures 1988 - 1992
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Geraldton Regional Gallery
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Monica Pellizari's Short Black Look at the Italian-Australian Experience
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The title of Monical Pellizari's recently completed short film has a characteristically wry double edge. 'Just Desserts (1993)' tempers an unfortunates Australian maxim with distinctive humour. This film is a delight, a consolidation of the stylistic and thematic concerns of her previous 3 films in 13 witty and evocative minutes.

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Delayed Voyage: George Popperwell
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Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
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Wizards of Oz: Into the 90s - Between Documentary and Fiction
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Freda Freiberg

In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.

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Aleksi Vellis
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Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

Published March 1993
Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
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John McConchie

Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

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Come Again: Aldo Lacobelli
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