Who Told You We Wanted To Make Our Own TV?

Cover of Who Told You We Wanted To Make Our Own TV?
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Promo
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Riddoch
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

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More from this Issue Full Issue Contents

The Pure and The Impure: Shaun Kirby
Review
Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
Monica Pellizari's Short Black Look at the Italian-Australian Experience
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Rose Capp

The title of Monical Pellizari's recently completed short film has a characteristically wry double edge. 'Just Desserts (1993)' tempers an unfortunates Australian maxim with distinctive humour. This film is a delight, a consolidation of the stylistic and thematic concerns of her previous 3 films in 13 witty and evocative minutes.

Published March 1993
The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Brother Can You Spare a SP Betacam
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Russell Edwards

Discussion with George Mannix. If there is any form of expression that eats money it is the feature length movie. Camera, lights and actors all cost big bucks and many ideas have stopped at the drawing board simply because there wasn't enough money. Independent Producer George Mannix had other ideas.

Published March 1993
Delayed Voyage: George Popperwell
Review
Richard Grayson

Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992

Published March 1993
Digital Art
Feature
John Conomos

The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

Published March 1993
The End of Independence? Women's Film and Video in the 1990s
Feature
Sue Maslin

Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

Published March 1993
One Way Street
Feature
John Hughes

John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

Published March 1993
Film and Video
Editorial
Annette Blonski

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

Published March 1993
"Just Trust The Text, Don't Colour It"
Feature
Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Wild: Beyond the Deconstruction
Feature
Deane Williams

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Published March 1993
Journey by Proxy
Review
Dorothy Erickson

Exhibition review Crossings Mary Knott: Drawings and Sculptures 1988 - 1992
Curated by Tony Geddes
The Art Gallery of Western Australia
October 3 - December 13 1992
Geraldton Regional Gallery
December 18 -January 21 1993
Bunbury Art Galleries
January 30 - March 7 1993

Published March 1993
 
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