Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective

Cover of Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
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Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
Gallery Lane Cove
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
Guildhouse
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Kimberley Moulton is a Yorta Yorta woman and writer. She is Senior Curator, South Eastern Aboriginal Collections Museums Victoria at Melbourne Museum and Artistic Associate, RISING.

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The colours of sovereignty and Ron Hurley's gold
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Tribute: B. Marika (1954-2021)
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Lipstick and Land Rights: A poetic response
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Sovereign city, sovereign self and Warrior Woman Lane
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Nothing if not uncritical: Revisiting re-visions and Indigenous art criticism
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
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