Melbourne When?

Cover of Melbourne When?
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
NAVA
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
AFF
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

Din Heagney saw Melbourne Now at the NGV and found both maturity and parochialism.

Buy Now   or   Subscribe
Artlink App in iTunes

Din Heagney is a freelance writer and editor.

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

0.688333333333
On Men
Review
Adelé Sliuzas

Curator: Eleanor Scicchitano
FELTspace, Adelaide
4 September – 21 September 2013

Published March 2014
0.75
Future hardware wildstyle: Clemens Behr
Feature
James Dodd

Published March 2014
0.667142857143
The Plimsoll Inquiry

Plimsoll Gallery, Tasmanian College of the Arts, Univeristy of Tasmania

Review
Eliza Burke

Published March 2014
0.666
(in)destructible
Feature
Alison Young

Published March 2014
Melbourne Now: The defining moment for a century of art schools?
Feature
Juliette Peers

Juliette Peers looks at the big picture of the NGV homegrown blockbuster Melbourne Now and finds its origins reach back in time.

Published March 2014
1.3875
21st Century Portraits
Book Review
Margot Osborne

Foreword by Andrew Graham-Dixon
National Portrait Gallery, London, 2013

Freelance curator and scholar Margot Osborne reviews a new book on portraiture published by the National Portrait Gallery of London and featuring three Australian artists among others from around the world.

Published March 2014
1.294
Transplantation: A Sense of Place and Culture British and Australian Narrative Jewellery

WEBB Gallery, Queensland College of Art

Review
Tristan Stonhill

Published March 2014
0.75
The hand that feeds: Graffiti and authenticity in contemporary brand culture
Feature
Sebastian Moody

Published March 2014
1.5
2013 Singapore Biennale: If the World Changed
Review
Pat Hoffie

26 October 2013 – 16 February 2014

Published March 2014
1.334
The vandalisation of art: (de)commissioning art in public space
Feature
Giles Thomson

Published March 2014
0.666
GRAFFITIDOWNUNDERGROUND
Feature
Lachlan MacDonald

Published March 2014
0.75
Written on our neighbours' walls: graffiti in Asia
Feature
Tarun Nagesh

Published March 2014
 
Dan McCabe
ACE Open
ACMI
Japan Foundation
Crown Resorts