The place you stay when you visit the future today

Cover of The place you stay when you visit the future today
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Subs Promo
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

In 2011 at Tin Sheds Gallery in Sydney as part of The Right To The City project an installation and performance by NZ/Australian artist D.V. Rogers called DISASTR explored the idea of shelter in times of disaster by building a functioning Hexayurt Hotel in the centre of Wadigal Green at Sydney University.

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Making a virtue out of adversity: Christchurch post-earthquake
Feature
Jenny Harper

Director of Christchurch Art Gallery Te Puna o Waiwhetu Jenny Harper writes about the resilience and the pioneering spirit of the many and varied achievements of the Gallery since the 2010 and 2011 earthquakes in Canterbury.

Published December 2012
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Beata Batorowicz - Tales within Historical Spaces
Review
Rainer Doecke

QUT Art Museum, Brisbane
1 September – 28 October 2012

Published December 2012
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Coming soon: Big mining and the question of scale
Feature
Ann Finegan

Ann Finegan raises the alarm on the fiendish short-sighted depradations of Big Coal open cut mining in the lower Hunter Valley and other places currently under threat. She describes the work done by artist/activists in response and asks: "How does one fight such incommensurables of scale and the slow unfold of food bowl and water disaster? Where do we start? With protective changes to State and Federal legislation? With commensurable economic data?"

Published December 2012
History of Cultural Responses to Disastrous Storms (1612-2012)
Feature
Jennifer Hamilton

Jennifer Hamilton reviews English and European responses to big storms over time and suggests that even today we need "the more metaphysical dimensions of our existence – the cultural, social and political – to even begin to understand how thunder, lightning, strong winds and an abundance of water falling from the sky can still completely destroy a city and change the course of history."

Published December 2012
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Conversations in ellipsis: an exercise in affect & association... time & (e)motion studies, or things unsaid
Review
Polly Dance

Curator: Lisa Harms
Adelaide Botanic Garden, FELTspace, SASA Gallery
31 July – 26 August 2012

Published December 2012
1.515789473684
Remarking | Remaking: Contemporary Australian Drawing Connections
Review
Grace Hughes

Curators: Abdullah M. I. Syed and Wenmin Li
Nicole Barakat, Denis Beaubois, Nick Brown, Muamer Cajic, Anie Nheu, Ana Pollack, Nusra Latif Qureshi, Marikit Santiago, Shay Tobin, Teo Treloar

Remarking | Remaking Community Project

Nicole Barrakat in collaboration with Blacktown Indian Subcontinent Women’s Group
Blacktown Arts Centre
20 July – 1 September 2012

Published December 2012
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Exhibitions to watch
Stephanie Radok

Published December 2012
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Contained fear: living in geological time: Ken & Julia Yonetani's uranium art
Feature
Doris McIlwain

The artwork Crystal Palace: The Great Exhibition of the Works of Industry of All Nuclear Nations consisting of elaborate chandeliers painstakingly made from uranium glass beads shown at Artereal Gallery in Sydney and at GV Art in London were the eloquent response of Ken and Julia Yonetani to the meltdown of the nuclear reactor Fukushima Daiichi on March 11, 2011. Senior lecturer in the Department of Psychology at Macquarie University Doris McIlwain examines the Yonetani's work in the context of psychological responses to disaster, in particular nuclear disaster.

Published December 2012
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HERE&NOW12
Review
Sheridan Coleman

Curator: Katie Lenanton
Lawrence Wilson Art Gallery, Perth
11 August – 6 October 2012

Published December 2012
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Cambodia and youth arts
Feature
Felicity Wright

Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.

Published December 2012
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Remembering Lidia Groblicka 1933 - 2012
Obituary
Stephanie Radok

Published December 2012
Promoting the long view
Feature
Malcolm McKinnon

Artist and filmmaker Malcolm McKinnon's current practice is focused around documentary filmmaking and social history, motivated by an appreciation of living memory and local vernacular. He writes about the Illuminated by Fire project, an initiative of Regional Arts Victoria, that involved a dozen artists working with eleven local communities in the wake of Black Saturday.

Published December 2012