The place you stay when you visit the future today

Cover of The place you stay when you visit the future today
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Joondalup
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
PICA 2
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

In 2011 at Tin Sheds Gallery in Sydney as part of The Right To The City project an installation and performance by NZ/Australian artist D.V. Rogers called DISASTR explored the idea of shelter in times of disaster by building a functioning Hexayurt Hotel in the centre of Wadigal Green at Sydney University.

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Colour by number
Review
Angelita Howell

!Metro Arts, Brisbane
19 September – 6 October 2012

Published December 2012
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Calamity Japan: grieving artists respond to quake, tsunami and nuclear crisis
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Edan Corkill

Former editor of Japanese Art Scene Monitor and the current Arts, Entertainment and Features Division Chief at The Japan Times, Edan Corkill looks at the wide variety of sensitive works produced by Japanese artists in the wake of the Great East Japan Earthquake and the subsequent Fukashima Daiichi nuclear Power Plant disaster.

Published December 2012
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Remarking | Remaking: Contemporary Australian Drawing Connections
Review
Grace Hughes

Curators: Abdullah M. I. Syed and Wenmin Li
Nicole Barakat, Denis Beaubois, Nick Brown, Muamer Cajic, Anie Nheu, Ana Pollack, Nusra Latif Qureshi, Marikit Santiago, Shay Tobin, Teo Treloar

Remarking | Remaking Community Project

Nicole Barrakat in collaboration with Blacktown Indian Subcontinent Women’s Group
Blacktown Arts Centre
20 July – 1 September 2012

Published December 2012
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Cambodia and youth arts
Feature
Felicity Wright

Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.

Published December 2012
Khmer pop-lock: saving kids through breaking
Feature
Annemarie Kohn

It's tough being a refugee, really tough for some. Cambodian Tuy 'KK' Sobil's story begins in a refugee camp in Thailand, travels to the US where he winds up in prison for eight years and more happily shifts to Phnom Penh where he landed as a deportee from the US and has since become an important role model teaching hiphop dancing and music to vulnerable children.

Published December 2012
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Pat Brassington: Á Rebours
Review
Laura Castagnini

Australian Centre for Contemporary Art (ACCA), Melbourne
11 August - 23 September 2012

Published December 2012
Promoting the long view
Feature
Malcolm McKinnon

Artist and filmmaker Malcolm McKinnon's current practice is focused around documentary filmmaking and social history, motivated by an appreciation of living memory and local vernacular. He writes about the Illuminated by Fire project, an initiative of Regional Arts Victoria, that involved a dozen artists working with eleven local communities in the wake of Black Saturday.

Published December 2012
Merilyn Fairskye: Precarious
Feature
Gina Fairley

Merilyn Fairskye's work on Chernobyl was serendipitous in the beginning as she visited Reactor No. 4 in 2009 as a sidetrip from Kiev to get a single video shot. She returned a year later to film Precarious which was previewed to Sydney audiences to coincide with the 25th anniversary of Chernobyl just a few days before 11 March 2011 when the world witnessed the Fukushima Daiichi disaster unfold.

Published December 2012
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Editorial
Editorial
Stephanie Britton

Humanity seems to be on the brink of annihilating the natural world on which we depend. Our quarrelsome species has built a gigantic web of capitalism, connecting global corporations, consumerism, the markets, the military, rhetoric machines called politicians and the organisations and institutions that now include, tragically, the universities.

Published December 2012
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A Universe of Small Truths: Julie Henderson
Review
Artlink

AEAF (Australian Experimental Art Foundation), Adelaide
20 July – 18 August 2012

Published December 2012
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Falling through time
Feature
Anna Gibbs

In September 2011 at the UTS Gallery in an exhibition called The Fall before the Fall Elvis Richardson and Daniel Mudie Cunningham showed work reflecting on 9/11. Anna Gibbs analyses how their works make this trauma "articulable, shareable and ... to some extent, bearable."

Published December 2012
Jarragbu-nungu Warrambany: Flood in Warmun
Feature
Cate Massola

On 13 March 2011 a deluge of water swept through the Warrmarn [Warmun] community. It rushed into Turkey Creek from the tributaries that flow northward from the Purnululu ranges and from the eastern hills. Assistant manager and curator at Warmun Arts Centre Cate Massola asks how much consultation with residents occurred around their evacuation and the rebuilding of their homes.

Published December 2012
 
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