The place you stay when you visit the future today

Cover of The place you stay when you visit the future today
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Guildhouse
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Artlands 3
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

In 2011 at Tin Sheds Gallery in Sydney as part of The Right To The City project an installation and performance by NZ/Australian artist D.V. Rogers called DISASTR explored the idea of shelter in times of disaster by building a functioning Hexayurt Hotel in the centre of Wadigal Green at Sydney University.

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More from this Issue Full Issue Contents

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Ian Burns: In the Telling
Review
Juliette Peers

ACMI, Melbourne
24 July 2012 – 20 January 2013

Published December 2012
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Cambodia and youth arts
Feature
Felicity Wright

Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.

Published December 2012
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Coming soon: Big mining and the question of scale
Feature
Ann Finegan

Ann Finegan raises the alarm on the fiendish short-sighted depradations of Big Coal open cut mining in the lower Hunter Valley and other places currently under threat. She describes the work done by artist/activists in response and asks: "How does one fight such incommensurables of scale and the slow unfold of food bowl and water disaster? Where do we start? With protective changes to State and Federal legislation? With commensurable economic data?"

Published December 2012
Khmer pop-lock: saving kids through breaking
Feature
Annemarie Kohn

It's tough being a refugee, really tough for some. Cambodian Tuy 'KK' Sobil's story begins in a refugee camp in Thailand, travels to the US where he winds up in prison for eight years and more happily shifts to Phnom Penh where he landed as a deportee from the US and has since become an important role model teaching hiphop dancing and music to vulnerable children.

Published December 2012
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Before and after: the haunted image in a post 9/11 era
Feature
Charity Bramwell

From September 11, 2011 to January 8, 2012 an exhibition called September 11 curated by Peter Eleey was held at MoMA PS1 in New York. Charity Bramwell describes key works in this "shocking and intriguing" exhibition which commemorated the tenth anniversary of the historic attacks on the World Trade Centre Twin Towers.

Published December 2012
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Deadly ennui
Feature
Pat Hoffie

Published 01 December 2012
The cinemas of disaster
Feature
Danni Zuvela

Curator, film programmer and writer Danni Zuvela reviews the genre of disaster films since 1903 and finds that the most recent example 'Beasts of the Southern Wild' expresses a spirit of resilience that is both wild and magical.

Published December 2012
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Pat Brassington: Á Rebours
Review
Laura Castagnini

Australian Centre for Contemporary Art (ACCA), Melbourne
11 August - 23 September 2012

Published December 2012
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Bungaree: the First Australian
Review
Joanna Mendelssohn

Curator: Djon Mundine
Mosman Art Gallery, Sydney
1 September – 25 November 2012
then touring

Published December 2012
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In a silent way
Review
Claire Krouzecky

Curator: Matt Warren
Laura Altman, Monica Brooks, Nicolas Bullen, Darren Cook, Gail Priest, Lawrence English, Samaan Fieck, Joel Stern
Contemporary Art Spaces, Hobart
28 July – 26 August 2012

Published December 2012
Shen Shaomin: The day after tomorrow
Feature
Christen Cornell

The Day After Tomorrow is Chinese-Australian Shen Shaomin’s first solo show in Australia in ten years. His visions of a warped natural world tap into anxieties about civilisation’s ghastly effects. “The space for our lives is shrinking,” Shen said in a recent interview. “The world is more and more dangerous because of the way that we live our lives.”

Published 01 December 2012
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Falling through time
Feature
Anna Gibbs

In September 2011 at the UTS Gallery in an exhibition called The Fall before the Fall Elvis Richardson and Daniel Mudie Cunningham showed work reflecting on 9/11. Anna Gibbs analyses how their works make this trauma "articulable, shareable and ... to some extent, bearable."

Published December 2012
 
MGNSW
ACE Open
Country Arts SA
Darwin Aboriginal Art Fair
ACCA