Cambodia and youth arts

Cover of Cambodia and youth arts
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
NAVA
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
Guildhouse
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.

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More from this Issue Full Issue Contents

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Coming soon: Big mining and the question of scale
Feature
Ann Finegan

Ann Finegan raises the alarm on the fiendish short-sighted depradations of Big Coal open cut mining in the lower Hunter Valley and other places currently under threat. She describes the work done by artist/activists in response and asks: "How does one fight such incommensurables of scale and the slow unfold of food bowl and water disaster? Where do we start? With protective changes to State and Federal legislation? With commensurable economic data?"

Published December 2012
1.5
Beata Batorowicz - Tales within Historical Spaces
Review
Rainer Doecke

QUT Art Museum, Brisbane
1 September – 28 October 2012

Published December 2012
Somewhere: Manuwangku life with a nuclear waste dump
Feature
Catherine De Lorenzo

The current touring exhibition by Jagath Dheerasekara, Manuwangku: Under the Nuclear Cloud (2012) is a salutary reminder that the struggle for self-determination by Aboriginal people continues unabated. Jagath’s project dates back to July 2010 when Beyond Nuclear Initiative (BNI) organised a forum in Sydney to inform people of the impact of a decision made in mid 2005 by the Howard government to dump nuclear waste at Manuwangku, or Muckaty as it is popularly known, 120 km north of Tennant Creek.

Published December 2012
The cinemas of disaster
Feature
Danni Zuvela

Curator, film programmer and writer Danni Zuvela reviews the genre of disaster films since 1903 and finds that the most recent example 'Beasts of the Southern Wild' expresses a spirit of resilience that is both wild and magical.

Published December 2012
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In a silent way
Review
Claire Krouzecky

Curator: Matt Warren
Laura Altman, Monica Brooks, Nicolas Bullen, Darren Cook, Gail Priest, Lawrence English, Samaan Fieck, Joel Stern
Contemporary Art Spaces, Hobart
28 July – 26 August 2012

Published December 2012
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A Universe of Small Truths: Julie Henderson
Review
Artlink

AEAF (Australian Experimental Art Foundation), Adelaide
20 July – 18 August 2012

Published December 2012
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Contact lenses: Lloyd Godman's ecological art
Feature
Helen McDonald

New Zealand-born ecological artist, Lloyd Godman, who now lives in Australia, has in his own determined way for over thirty years, pondered and acted upon questions of how aesthetics might be involved in creating sustainable solutions to environmental problems. Historian Helen McDonald uses eco-critic Timothy Morton's notion of ambient aesthetics to examine three of Godman's multimedia projects.

Published December 2012
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Colour by number
Review
Angelita Howell

!Metro Arts, Brisbane
19 September – 6 October 2012

Published December 2012
Promoting the long view
Feature
Malcolm McKinnon

Artist and filmmaker Malcolm McKinnon's current practice is focused around documentary filmmaking and social history, motivated by an appreciation of living memory and local vernacular. He writes about the Illuminated by Fire project, an initiative of Regional Arts Victoria, that involved a dozen artists working with eleven local communities in the wake of Black Saturday.

Published December 2012
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Exhibitions to watch
Stephanie Radok

Published December 2012
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Bungaree: the First Australian
Review
Joanna Mendelssohn

Curator: Djon Mundine
Mosman Art Gallery, Sydney
1 September – 25 November 2012
then touring

Published December 2012
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Falling through time
Feature
Anna Gibbs

In September 2011 at the UTS Gallery in an exhibition called The Fall before the Fall Elvis Richardson and Daniel Mudie Cunningham showed work reflecting on 9/11. Anna Gibbs analyses how their works make this trauma "articulable, shareable and ... to some extent, bearable."

Published December 2012