Cambodia and youth arts

Cover of Cambodia and youth arts
0.562
Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Artshub
0.8
The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
0.8
Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
NAVA
0.8
Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
0.8
A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.

Buy   or   Subscribe
Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

The place you stay when you visit the future today
Feature
Zanny Begg

In 2011 at Tin Sheds Gallery in Sydney as part of The Right To The City project an installation and performance by NZ/Australian artist D.V. Rogers called DISASTR explored the idea of shelter in times of disaster by building a functioning Hexayurt Hotel in the centre of Wadigal Green at Sydney University.

Published December 2012
The cinemas of disaster
Feature
Danni Zuvela

Curator, film programmer and writer Danni Zuvela reviews the genre of disaster films since 1903 and finds that the most recent example 'Beasts of the Southern Wild' expresses a spirit of resilience that is both wild and magical.

Published December 2012
0.667202572347
Conversations in ellipsis: an exercise in affect & association... time & (e)motion studies, or things unsaid
Review
Polly Dance

Curator: Lisa Harms
Adelaide Botanic Garden, FELTspace, SASA Gallery
31 July – 26 August 2012

Published December 2012
0.665882352941
Editorial: Art in the face of disaster
Editorial
Stephanie Britton

Humanity seems to be on the brink of annihilating the natural world on which we depend. Our quarrelsome species has built a gigantic web of capitalism, connecting global corporations, consumerism, the markets, the military, rhetoric machines called politicians and the organisations and institutions that now include, tragically, the universities.

Published 01 December 2012
Shen Shaomin: The day after tomorrow
Feature
Christen Cornell

The Day After Tomorrow is Chinese-Australian Shen Shaomin’s first solo show in Australia in ten years. His visions of a warped natural world tap into anxieties about civilisation’s ghastly effects. “The space for our lives is shrinking,” Shen said in a recent interview. “The world is more and more dangerous because of the way that we live our lives.”

Published 01 December 2012
Making a virtue out of adversity: Christchurch post-earthquake
Feature
Jenny Harper

Director of Christchurch Art Gallery Te Puna o Waiwhetu Jenny Harper writes about the resilience and the pioneering spirit of the many and varied achievements of the Gallery since the 2010 and 2011 earthquakes in Canterbury.

Published December 2012
Promoting the long view
Feature
Malcolm McKinnon

Artist and filmmaker Malcolm McKinnon's current practice is focused around documentary filmmaking and social history, motivated by an appreciation of living memory and local vernacular. He writes about the Illuminated by Fire project, an initiative of Regional Arts Victoria, that involved a dozen artists working with eleven local communities in the wake of Black Saturday.

Published December 2012
1.515789473684
Remarking | Remaking: Contemporary Australian Drawing Connections
Review
Grace Hughes

Curators: Abdullah M. I. Syed and Wenmin Li
Nicole Barakat, Denis Beaubois, Nick Brown, Muamer Cajic, Anie Nheu, Ana Pollack, Nusra Latif Qureshi, Marikit Santiago, Shay Tobin, Teo Treloar

Remarking | Remaking Community Project

Nicole Barrakat in collaboration with Blacktown Indian Subcontinent Women’s Group
Blacktown Arts Centre
20 July – 1 September 2012

Published December 2012
0.743333333333
Before and after: the haunted image in a post 9/11 era
Feature
Charity Bramwell

From September 11, 2011 to January 8, 2012 an exhibition called September 11 curated by Peter Eleey was held at MoMA PS1 in New York. Charity Bramwell describes key works in this "shocking and intriguing" exhibition which commemorated the tenth anniversary of the historic attacks on the World Trade Centre Twin Towers.

Published December 2012
0.666
Exhibitions to watch
Stephanie Radok

Published December 2012
0.666172106825
9th Shanghai Biennale: Re-Activation
Review
Maya Kramer

Chief Curator: Qiu Zhijie
Co-curators: Boris Groys, Jens Hoffmann, Johnson Chang

Shanghai Power Station of Art
and other venues
2 October 2012 – 31 March 2013

Published December 2012
0.715
Inflight ARI in partnership with Queenstown Heritage Festival
Review
Lucy Hawthorne

Queenstown
12 - 14 October 2012

Published December 2012
 
The David Roche Foundation
ACE Open
Desert Mob