The art of climate change
More from this Issue
Shen Shaomin: The day after tomorrow
The Day After Tomorrow is Chinese-Australian Shen Shaomin’s first solo show in Australia in ten years. His visions of a warped natural world tap into anxieties about civilisation’s ghastly effects. “The space for our lives is shrinking,” Shen said in a recent interview. “The world is more and more dangerous because of the way that we live our lives.”
9th Shanghai Biennale: Re-Activation
Chief Curator: Qiu Zhijie Co-curators: Boris Groys, Jens Hoffmann, Johnson Chang Shanghai Power Station of Art and other venues 2 October 2012 – 31 March 2013
Evidence of a catastrophe: The weather reports of James Guppy
The cloud/explosion paintings of James Guppy's The Weather Report series of 2006 were made as a response to 9/11.
Bungaree: the First Australian
Curator: Djon Mundine Mosman Art Gallery, Sydney 1 September – 25 November 2012 then touring
Before and after: the haunted image in a post 9/11 era
From September 11, 2011 to January 8, 2012 an exhibition called September 11 curated by Peter Eleey was held at MoMA PS1 in New York. Charity Bramwell describes key works in this "shocking and intriguing" exhibition which commemorated the tenth anniversary of the historic attacks on the World Trade Centre Twin Towers.
Remarking | Remaking: Contemporary Australian Drawing Connections
Curators: Abdullah M. I. Syed and Wenmin Li Nicole Barakat, Denis Beaubois, Nick Brown, Muamer Cajic, Anie Nheu, Ana Pollack, Nusra Latif Qureshi, Marikit Santiago, Shay Tobin, Teo Treloar Remarking | Remaking Community Project Nicole Barrakat in collaboration with Blacktown Indian Subcontinent Women’s Group Blacktown Arts Centre 20 July – 1 September 2012
Jarragbu-nungu Warrambany: Flood in Warmun
On 13 March 2011 a deluge of water swept through the Warrmarn [Warmun] community. It rushed into Turkey Creek from the tributaries that flow northward from the Purnululu ranges and from the eastern hills. Assistant manager and curator at Warmun Arts Centre Cate Massola asks how much consultation with residents occurred around their evacuation and the rebuilding of their homes.
History of Cultural Responses to Disastrous Storms (1612-2012)
Jennifer Hamilton reviews English and European responses to big storms over time and suggests that even today we need "the more metaphysical dimensions of our existence – the cultural, social and political – to even begin to understand how thunder, lightning, strong winds and an abundance of water falling from the sky can still completely destroy a city and change the course of history."
Falling through time
In September 2011 at the UTS Gallery in an exhibition called The Fall before the Fall Elvis Richardson and Daniel Mudie Cunningham showed work reflecting on 9/11. Anna Gibbs analyses how their works make this trauma "articulable, shareable and ... to some extent, bearable."