0
Favs
Login
Menu
Close
Connecting contemporary art, ideas and people.
  • Current Issue
  • Reviews
  • Archive
  • Tributes
  • Extras
  • Shop / Subscribe
  • Join Mailing List
  • Stockists
  • Future Issues
  • Submissions
Posthuman Energy Nano Art Dissent Verbal Art Innovation indigenous culture Community Building Shopping
  • About
  • Advertising
  • Donate
  • Contact
  • Search
  • Log in
  • Favourites

Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Terms & Conditions Privacy Policy

1 September 2001
Issue 21:3
E-volution of New Media
Artrave
Share
From the archive
Artrave Artrave Artrave Artrave
Perks ANAT Bendigo Art Gallery Sydney Contemporary

Artrave

Politics

Buy   or   Subscribe   or   Login

More from this Issue

0.668
Do Art-droids Dream Of Electric Sheep?
Peter Robinson and Jacqueline Fraser were the first two New Zealand artists ever to be included in the Venice Biennale. Both were chosen as a result of their work, rich in conceptual layering and with roots in Maori culture, but wrapped in appealingly conventional presentation styles with plenty of hooks for an international audience. This fact leads Butt to the discussion surrounding the support for New Zealand's arts and culture sectors, pointing to a few examples such as Cuckoo, The Physics Room web project series and artists such as Sean Kerr and Warren Olds.
Danny Butt
0.8
The Shed
Contemporary Art Services Tasmania April 6 - 29 2001
D L Hume
0.656
Inframedia Audio: Glitches and Tape Hiss
This article focuses on that which is known as sound art, new media art or if a label is required the best might be simply audio. It is not so much a sound as a transparent substrate for organised expression but rather sound being mediated, synthesised, generated, collaged. Furthermore this article looks at the in-between sounds - the glitches, clicks, pops, and CD-skips - with many artists drawing on these entropic internal workings of audio processing systems. Artists include Nam June Paik, Minit, David Haines, Vicky Browne, Andrew Gadow and Netochka Nezvanova.
Mitchell Whitelaw
0.838
Melinda Rackham's Online Installations
Time is the key. They say that the only law of physics that absolutely requires time is the second law of thermodynamics, the law that says systems tend towards entropy. That tendency is time's arrow, the ineluctable winding down of the universe. Except, of course, for life.
Sean Cubitt
0.798
Creating a Place: Western Australian Women Artists 1920 - 1960
Art Gallery of WA 12 April - 4 June 2001
Robyn Taylor
0.8
Winterbodies
Agnieska Golda, Zofia Sleziak, Stephanie Radok, Frances Phoenix, India Flint, Lisa Harms, Julie Robinson Wayville Showgrounds Adelaide 17-24 June 2001
Cath Kenneally
1.008
Out of Australia: International Exposure
This article poses the question of what new media art exhibitions, as international exports, can offer to us as a nation, as a new media community and as individual artists, and of how they can function in terms of the transmission and propagation of certain ideas and images into what might be called the world brain. To discuss this Wallace looks at the structure and outcomes of PROBE, the first large-scale exhibition of contemporary, new media art ever held in Beijing which featured the work of Patricia Piccinini, Justine Cooper, Leon Cmielewski/Josephine Starrs, Brenda L. Croft, Zen Yipu and Jen Seevink, as well as including a range of internet sites.
Linda Wallace
0.8
Between Phenomena
curated by Raymond Arnold Plimsoll Gallery Centre for the Arts Hobart 30 March - 22 April 2001
David Hansen
0.8
Allure: The Feminine in Print and Memoryware
Allure: the Feminine in Print: Wendy Hutchison, Deborah Klein, Marion Manifold, Heather Shimmen

Memoryware: Ceramics by Pamela Irving Maroondah Art Gallery, Ringwood, Vic 29 March - 13 May 2001
Juliette Peers
1.36
Yorga Moorntuk/Joyce Winsley 1938-2001
Yorga Moorntuk/Joyce Winsley 1938 - 2001
Nalda Searles and Vivonne Thwaites
0.798
Genius of Place: The Work of Kathleen Petyarre
9 May - 22 July 2001 Museum of Contemporary Art, Sydney
Kiersten Fishburn
1.356
Australian New Media: An Active Circuit
Through a process of active lobbying by various people around the country in the mid-eighties, the funding and institutional support for art and technology practice in Australia began to materialise. Some key figures in this push were Stephanie Britton, Louise Dauth and Gary Warner who saw the Australian Network for Art and Technology (ANAT) come into existence. The progress of the Australian new media arts scene is here documented from these early years and the various initiatives and supportive programs and events through to what is now the fundamental arts and cultural practice of the twentieth century. Artists Maria Miranda, Norie Neumark and Mari Velonaki are featured.
Julianne Pierce
View all articles in this issue

Connecting contemporary art, ideas and people.

Artlink
Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

  • Current Issue
  • Reviews
  • Archive
  • Tributes
  • Extras
  • Shop / Subscribe
  • Join Mailing List
  • Stockists
  • Future Issues
  • Submissions
  • About
  • Advertising
  • Donate
  • Contact
  • Search

Australia Council for the Arts

Registered Charity Tick

Copyright Artlink Magazine. Terms and Conditions. Artlink wishes to acknowledge the copyright of the artists whose images appear on this website.
Please note that images cannot be copied by users of this site and copyright remains with the artist or the rights holder at all times.