Pixel Perfect: The Craft of Photography in the Age of Digital Reproduction.

Cover of Pixel Perfect: The Craft of Photography in the Age of Digital Reproduction.
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Adelaide Festival Centre
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Walkling proclaims that something is being mourned that has to do with the physical object and its associated labour, in the meantime the distinction between amateur and professional photographer is lessening as this particular creative niche is becoming more automated.

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More from this Issue Full Issue Contents

Fine Art Graduate and Honours Exhibitions Beyond
Review
Vanessa McRae

Griffith University, Queensland College of Art
24 - 27 November 2004

GraduArt 2004
Toowoomba Regional Gallery
27 November 2004 - 30 January 2005

modus vivendi
Queensland University of Technology
3 - 5 November 2004

Published March 2005
The Art of Outsourcing
Feature
Nicola Harvey

While our romantic inheritance imagines artists working in isolation, this is changing. Increasingly, successful artists are working with teams of technicians who contribute precious amounts of skill, time and experience to the final work. Harvey looks at the relationships between artists, apprentices and their creations within the realm of tactile, three-dimensional art and some of the apparent concerns associated.

Published March 2005
Patrick Hall's Cabinets of Everyday Curiosities
Feature
Peter Hughes

For Hughes, Patrick Halls cabinets recall the great elaborately decorated cabinets of the 17th century. Rather than mere decoration, Halls cabinets express a poetry of the everyday that is neither a condescending celebration nor a critical analysis but a deeply personal response to his materiel.

Published March 2005
Christian de Vietri: The Nature of Things
Review
Simon Blond

Goddard de Fiddes Gallery, Perth
27 November - 18 December 2004

Published March 2005
Domestic Arts in the White Cube
Feature
Sue Green

There exists an increasing number of artists - mostly women - creating art using what have been known, somewhat disparagingly, as domestic arts: knitting, crochet, sewing, tatting, embroidery. For many of these artists the choice of method is integral to what the work is saying, the making - the journey - as important as the result, even if that journey is not immediately obvious to the viewer.

Published March 2005
Disorientate: Colour, Geometry and the Body
Review
Philip Watkins

John Aslanidis, Paul Boam, John Dunkley-Smith, NeilHaddon, John Plapp, Wilma Tabacco
Plimsoll Gallery, University of Tasmania, Hobart
15 October - 7 November 2004

Published March 2005
Hand to Mouse: Design and the Handmade
Feature
Grace Cochrane

There have always been cycles in the making of what we describe as art, crafts and design, where surges of new ideas have been followed by revivals of earlier values or reform movements that challenge both. The Powerhouse Museum, Sydney, is working on an exhibition for late 2006, on the interface between art, design, industry and the values of the handmade. Cochranes hope is that it will challenge audiences to look closely at some of the exciting working relationships that are possible.

Published March 2005
Australian Drawing Now: Labouring Lightly
Feature
Kit Wise

The on again/off again love affair between drawing and contemporary art practice seems to have been going on ad nauseam. From the sixties through to the present day, ongoing tensions between the apparent values of traditional and conceptual art have resulted in much of today's appreciation for the reworking of both aesthetics in what has become a new labour of love.

Published March 2005
Artifically Reconstructed Habitats: Finola Jones
Review
Anna Zagala

Canberra Contemporary Art Space
13 August - 25 September 2004

Gertrude Contemporary Spaces, Melbourne
29 October - 20 November 2004

Published March 2005
Parallel Universe: The Gray St. Workshops @ 20
Feature
Margot Osborne

Gray Street Workshop, which is this year celebrating its twentieth anniversary, has pursued a creative work ethic closely aligned to values of the handmade, not as an end per se but as a means to evolve a creative language grounded in the interplay between ideas and practice.

Published March 2005
For Nothing
Review
Ian McLean

The Bank, Midland, WA
26 November - 14 January 2005

Published March 2005
Mary Scott - Skirted
Review
Felix Ratcliff

Criterion Gallery, Hobart
28 October - 23 November 2004

Published March 2005
 
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