Pixel Perfect: The Craft of Photography in the Age of Digital Reproduction.

Cover of Pixel Perfect: The Craft of Photography in the Age of Digital Reproduction.
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Desert Mob
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Goulburn Regional Art Gallery
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

Walkling proclaims that something is being mourned that has to do with the physical object and its associated labour, in the meantime the distinction between amateur and professional photographer is lessening as this particular creative niche is becoming more automated.

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Ian McLean

The Bank, Midland, WA
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I Came to Japan Because of the Chopstick
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Patrick Hall's Cabinets of Everyday Curiosities
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For Hughes, Patrick Halls cabinets recall the great elaborately decorated cabinets of the 17th century. Rather than mere decoration, Halls cabinets express a poetry of the everyday that is neither a condescending celebration nor a critical analysis but a deeply personal response to his materiel.

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It's Not You, It's Me - I Just Don't, You Know, Think We're Compatible
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"It should go without saying that our responses to the handmade, the mass-produced and techno gadgetry are principally structured within and by fantasy worlds. Cook explores peoples relationships to objects in a world that is perpetually developing and enhancing itself materially, or so it seems.

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Christian de Vietri: The Nature of Things
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Goddard de Fiddes Gallery, Perth
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The Art of Outsourcing
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While our romantic inheritance imagines artists working in isolation, this is changing. Increasingly, successful artists are working with teams of technicians who contribute precious amounts of skill, time and experience to the final work. Harvey looks at the relationships between artists, apprentices and their creations within the realm of tactile, three-dimensional art and some of the apparent concerns associated.

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Getting Off Your Face With a Destructive Character
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Cliff Burtt

Yarra Sculpture Space, Melbourne
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The Sounds of Silence
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Disorientate: Colour, Geometry and the Body
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John Aslanidis, Paul Boam, John Dunkley-Smith, NeilHaddon, John Plapp, Wilma Tabacco
Plimsoll Gallery, University of Tasmania, Hobart
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