The Sounds of Silence

Through traditional method, an explicit residue of manual labour, and a constructed subject, Ricky Swallows wooden work suggests a past tense, which leads the viewer backwards through the material history of the work. The Defining aspects of Swallows approach are distinctly framed in the western tradition of the artisan and the language of figuration.

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It's Not You, It's Me - I Just Don't, You Know, Think We're Compatible

"It should go without saying that our responses to the handmade, the mass-produced and techno gadgetry are principally structured within and by fantasy worlds. Cook explores peoples relationships to objects in a world that is perpetually developing and enhancing itself materially, or so it seems.

Robert Cook

Life is Very Long

Yarra Sculpture Space, Melbourne 28 August - 12 September 2004

Cliff Burtt

Pixel Perfect: The Craft of Photography in the Age of Digital Reproduction.

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The Hand in Making

The Tamworth Fibre Textile Biennial began in 1975 and every two years a collection of contemporary fibre textile work tours nationally to metropolitan and regional audiences. For Attiwill, guest curator of the 16th Biennial, the spark for the exhibition A Matter of Time came from Sue Rowleys wisdom: it is useful to think of craft in terms of multiple temporalities, A Matter of Time is an exploration of this usefulness.

Suzi Attiwill

Calling all Anti-Capitalist Pashtivists, fluxus reincarnators and Crafty Billboard Operators: Documenting the Uncollectable

Royce W. Smith

Mary Scott - Skirted

Criterion Gallery, Hobart 28 October - 23 November 2004

Felix Ratcliff

Vivienne Westwood

National Gallery of Australia, Canberra 12 November 2004 - 30 January 2005

Joanna Mendelssohn

For Nothing

The Bank, Midland, WA 26 November - 14 January 2005

Ian McLean

Artifically Reconstructed Habitats: Finola Jones

Canberra Contemporary Art Space 13 August - 25 September 2004 Gertrude Contemporary Spaces, Melbourne 29 October - 20 November 2004

Anna Zagala

Patrick Hall's Cabinets of Everyday Curiosities

For Hughes, Patrick Halls cabinets recall the great elaborately decorated cabinets of the 17th century. Rather than mere decoration, Halls cabinets express a poetry of the everyday that is neither a condescending celebration nor a critical analysis but a deeply personal response to his materiel.

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Living Together is Easy

National Gallery of Victoria: Ian Potter Centre, Melbourne 27 August - 7 November 2004 Contemporary Art Center, Art Tower Mito, Japan 24 January - 28 March 2004 Curated by Jason Smith and Eriko Osaka

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Nurturing the Handmade

In interacting with an object, its physical properties are paramount; as a result, the power of objects to affect us becomes identified with their physical attributes, leading to an emphasis on making, and so linking making with authorship. Sorzano explores the process of object-making as the work in our minds, the work in our hands, and the work as a result....

Rigel Sorzano

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