Gerry Wedd

Cover of Gerry Wedd
1.22
Quilty

Art Gallery of South Australia

Review
Rebecca Freezer

Published 16 May 2019
1.124
The National 2019: New Australian Art
Review
Craig Judd

Published 15 May 2019
1.126
Heysen Sculpture Biennial 2019

24 February – 30 April 2019

Review
Kirsty Darlaston

Published 17 April 2019
Riddoch
0.886
Yurtu Ardla

South Australian Museum

Review
Darren Jorgensen

Published 16 April 2019
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019
Crown Resorts
1.128
Unhallowed Arts

Various venues, Perth

Review
Darren Jorgensen and Gemma Weston

Published 18 January 2019
1.126
The Partnershipping Project

Burnie Regional Art Gallery

Review
Seán Kelly

Published 18 January 2019

Exhibition Review Scratch Works By Gerry Wedd Jam Factory Centre of Art and Design February 1993

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More from this Issue Full Issue Contents

Exhibitions for PAA
Review
Ruth Megaw

Written with Vincent Megaw Visual Arts Exhibitions and the Fifth Pacific Arts Association Symposium Great colour photos of works by indigenous Australians.

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Sculpture Flourishes in Western Australia
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This article is about sculpture in Western Australia and how efforts have been made in the recent past to establish the nature of its practice and the identity of its practitioners.

Published June 1993
Craft in Society by Noris Loannou
Book Review
Anne Brennan

Book Review Craft in Society: An Anthology of Perspectives Noris Ioannou (ed.)
Fremantle Arts Centre Press, 1992
312 pp, RRP $24.95

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Places for Sculpture and Sculptors: Melbourne
Feature
Simeon Kronenberg

With commissions over the past year at Southgate, the Great Southern Stand at the Melbourne Cricket Ground, the Swanston Walk and others, Melbourne's image is undergoing change. Renowned for its Victorian buildings and innumerable memorial sculptures of kings, queens, politicians and military leaders, Melbourne is now seeing contemporary sculpture in unexpected places. (Ken Scarlett)

Published June 1993
Pacific Arts Association Symposium
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Brenda L Croft

Conference review Pacific Arts Association
5th International Symposium
University of South Australia
Aboriginal and Torres Strait and Pacific Islander Visual Arts Week - Tandanya Aboriginal Cultural Centre
Adelaide
12 -17 April 1993

Published June 1993
Pat Brassington, Edward Colless, David McDowell
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Peter Hill

Exhibition review Book of Jonah 1932
Pat Brassington, Edward Colless, David McDowell
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Places for Sculpture and Sculptors: Perth
Feature
Dorothy Erickson

Gomboc Gallery and Sculpture Park is an inspiring example of vision and dedication to an artform within the private enterprise system.

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Dimensions - Ground Painting in Papunya
Feature
Richard (Dick) Kimber

Extensive examination of the women's ground painting created at Tandanya (National Aboriginal Cultural Centre) for the Adelaide Festival in 1990.

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In Landscapes and Parks: Gasworks Park Melbourne
Feature
Philippa Burne

Looks at the 5 year sculpture development program at the Gasworks 3.46 hectares of open space in Melbourne - close to the city, accessible with strong community focus and an emphasis on contemporary art.

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A Fact, A Question
Feature
Donald Brook

Sculpture is not like painting because it is not flat and does not raise the question of mimesis in the same way. A theory of sculpture must therefore be, somewhere at its deep foundations, different from a theory of painting. Not just a bit different: a lot different.

Published June 1993
Mildura - The Watershed for Sculpture: An Enchanted Garden
Feature
Tom McCullough

1993 is the 20th annniversary of Sculpturscape '73 an outdoor exhibition that happened in Mildura, a small city on the Victorian side of the Murray River, distant from the state capitals of eastern Australia.

Published June 1993
Dancing Sulka Masks
Feature
Barry Craig

Examination of the role of dance masks in Papua New Guinea culture. The author was in the area to invite 2 Sulka men to Adelaide to dance hemlaut and susu masks at the Pacific Arts Symposium in April 1993. Coloured photos of the dance masks.

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Churchie
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