New Books on Richard Goodwin and Ari Purhonen

Cover of New Books on Richard Goodwin and Ari Purhonen
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
NAVA
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Artlink Subs Promo
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Review of new series of critical monographs Edited by Christopher Allen Ari Purhonen Richard Goodwin Australian Artists Series Oliver Freeman Editions 1992 RRP $49.95

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More from this Issue Full Issue Contents

Locations
Review
Stephanie Radok

Exhibition review Location: Contemporary photo-based work from Australia University of South Australia Art Museum
4-27 March 1993

Published June 1993
Exhibitions for PAA
Review
Ruth Megaw

Written with Vincent Megaw Visual Arts Exhibitions and the Fifth Pacific Arts Association Symposium Great colour photos of works by indigenous Australians.

Published June 1993
New Sculpture in Papua New Guinea
Feature
Susan Cochrane

Re-evaluation of the current position of artworks from Papua New Guinea looking particularly at sculpture.

Published June 1993
Places for Sculpture and Sculptors: Perth
Feature
Dorothy Erickson

Gomboc Gallery and Sculpture Park is an inspiring example of vision and dedication to an artform within the private enterprise system.

Published June 1993
Australian Humour in Sculpture
Feature
Ken Scarlett

Does each country, race and cultural group have a particular sense of humour? And if so, is it possible to define their specific characteristics?

Published June 1993
To the Surface
Review
Deborah Wardrop (St Leger)

Exhibition Review To the Surface - Contemporary Landscape Plimsoll Gallery
Centre for the Arts Hobart Tasmania
10 - 24 January 1993
Curator Ray Arnold

Published June 1993
In Landscapes and Parks: Lake Districts, Yorkshire, Otterlo
Feature
Janice Lally

Looks at three locations Grizedale Forest (UK) Yorkshire Sculpture Park (UK) Rijksmuseum Kroller-Muller of Otterlo (Netherlands) where one can experience sculpture within the landscape.

Published June 1993
Places for Sculpture and Sculptors: Sydney
Feature
Cecily Briggs

Tony Bond, artistic director of the recent Sydney Biennale suggests that since the staging of the first Biennale in 1973 sculpture and other three dimensional art have been actively promoted in Sydney.

Published June 1993
Sculpture Flourishes in Western Australia
Feature
Robyn Taylor

This article is about sculpture in Western Australia and how efforts have been made in the recent past to establish the nature of its practice and the identity of its practitioners.

Published June 1993
Dimensions - Ground Painting in Papunya
Feature
Richard (Dick) Kimber

Extensive examination of the women's ground painting created at Tandanya (National Aboriginal Cultural Centre) for the Adelaide Festival in 1990.

Published June 1993
Spatial Shamanism
Feature
David Hansen

It is a brief sober guide to certain spatial (and therefore sculptural) behaviours as initially identified and described by Bronte Edwards, Commander in Chief of the Art Army.

Published June 1993
Mildura - The Watershed for Sculpture: 1975 Destablising Old Canons
Feature
Noel Sheridan

...It was therefore inevitable that by 1975 Tom McCullough's Mildura Sculpturescape would attract an increasing number of artists doing installation, process, earth and other forms of art that emerged when sculpture, as it were, left the pedestal, moved around the room and went outside.

Published June 1993
 
ACMI
Axolotl
Hazelhurst