Published 30 March 2022
Review of new series of critical monographs Edited by Christopher Allen Ari Purhonen Richard Goodwin Australian Artists Series Oliver Freeman Editions 1992 RRP $49.95
Exhibition review Point of View: Carol Rudyard selected works 1968 -1992 Lawrence Wilson Art Gallery Perth Western Australia 29 January - 28 March 1993
Published June 1993
Exhibition review Book of Jonah 1932 Pat Brassington, Edward Colless, David McDowell Private House, Mt Stuart, Hobart May 1993
Tony Bond, artistic director of the recent Sydney Biennale suggests that since the staging of the first Biennale in 1973 sculpture and other three dimensional art have been actively promoted in Sydney.
Exhibition Review Scratch Works By Gerry Wedd Jam Factory Centre of Art and Design February 1993
With commissions over the past year at Southgate, the Great Southern Stand at the Melbourne Cricket Ground, the Swanston Walk and others, Melbourne's image is undergoing change. Renowned for its Victorian buildings and innumerable memorial sculptures of kings, queens, politicians and military leaders, Melbourne is now seeing contemporary sculpture in unexpected places. (Ken Scarlett)
Re-evaluation of the current position of artworks from Papua New Guinea looking particularly at sculpture.
Conference review Pacific Arts Association 5th International Symposium University of South Australia Aboriginal and Torres Strait and Pacific Islander Visual Arts Week - Tandanya Aboriginal Cultural Centre Adelaide 12 -17 April 1993
Exhibition review Location: Contemporary photo-based work from Australia University of South Australia Art Museum 4-27 March 1993
Minimalism is still misunderstood, not only because its manifestations are so various as to strain the word's usefulness as a blanket term, but more importantly because it stood at the confused fissure between modernism and post-modernism; from this stems the lively contradictory implications of Richard Dunn's art practice.
Does each country, race and cultural group have a particular sense of humour? And if so, is it possible to define their specific characteristics?
This article is about sculpture in Western Australia and how efforts have been made in the recent past to establish the nature of its practice and the identity of its practitioners.
Examination of the role of dance masks in Papua New Guinea culture. The author was in the area to invite 2 Sulka men to Adelaide to dance hemlaut and susu masks at the Pacific Arts Symposium in April 1993. Coloured photos of the dance masks.
