New Books on Richard Goodwin and Ari Purhonen

Cover of New Books on Richard Goodwin and Ari Purhonen
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Riddoch
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Review of new series of critical monographs Edited by Christopher Allen Ari Purhonen Richard Goodwin Australian Artists Series Oliver Freeman Editions 1992 RRP $49.95

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More from this Issue Full Issue Contents

Dimensions - Ground Painting in Papunya
Feature
Richard (Dick) Kimber

Extensive examination of the women's ground painting created at Tandanya (National Aboriginal Cultural Centre) for the Adelaide Festival in 1990.

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Gerry Wedd
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Cath Kenneally

Exhibition Review Scratch Works
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Jam Factory Centre of Art and Design
February 1993

Published June 1993
New Sculpture in Papua New Guinea
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Susan Cochrane

Re-evaluation of the current position of artworks from Papua New Guinea looking particularly at sculpture.

Published June 1993
Mildura - The Watershed for Sculpture: McCullough and Performance
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Daniel Thomas

The Mildura Sculpture Triennials directed by Tom McCullough seemed the liveliest and most ennjoyable art events held anywhere in Australia...

Published June 1993
Places for Sculpture and Sculptors: Perth
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Dorothy Erickson

Gomboc Gallery and Sculpture Park is an inspiring example of vision and dedication to an artform within the private enterprise system.

Published June 1993
The Advantages of Isolation
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Margaret Moore

Exhibition Review The Advantage of Isolation
Festival of Perth Artplace
Claremont Western Australia
28 January - 6 March 1993
and at the Blaxland Gallery
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11 February - 7 March 1993

Published June 1993
Dancing Sulka Masks
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Barry Craig

Examination of the role of dance masks in Papua New Guinea culture. The author was in the area to invite 2 Sulka men to Adelaide to dance hemlaut and susu masks at the Pacific Arts Symposium in April 1993. Coloured photos of the dance masks.

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Australian Humour in Sculpture
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Ken Scarlett

Does each country, race and cultural group have a particular sense of humour? And if so, is it possible to define their specific characteristics?

Published June 1993
Editor's Note: Sculpture
Editorial
Stephanie Britton

This special issue does not attempt to be a national survey of sculpture. It has focussed on various centres and given others less attention, partly to balance previous material in earlier issues of Artlink of which the following are notes by way of summary.

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Pat Brassington, Edward Colless, David McDowell
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Peter Hill

Exhibition review Book of Jonah 1932
Pat Brassington, Edward Colless, David McDowell
Private House, Mt Stuart, Hobart
May 1993

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A Fact, A Question
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Donald Brook

Sculpture is not like painting because it is not flat and does not raise the question of mimesis in the same way. A theory of sculpture must therefore be, somewhere at its deep foundations, different from a theory of painting. Not just a bit different: a lot different.

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To the Surface
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Deborah Wardrop (St Leger)

Exhibition Review To the Surface - Contemporary Landscape Plimsoll Gallery
Centre for the Arts Hobart Tasmania
10 - 24 January 1993
Curator Ray Arnold

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