New Books on Richard Goodwin and Ari Purhonen

Cover of New Books on Richard Goodwin and Ari Purhonen
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
UTS
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Review of new series of critical monographs Edited by Christopher Allen Ari Purhonen Richard Goodwin Australian Artists Series Oliver Freeman Editions 1992 RRP $49.95

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More from this Issue Full Issue Contents

Places for Sculpture and Sculptors: Sydney
Feature
Cecily Briggs

Tony Bond, artistic director of the recent Sydney Biennale suggests that since the staging of the first Biennale in 1973 sculpture and other three dimensional art have been actively promoted in Sydney.

Published June 1993
Bronwyn Platten and Cecelia Clarke
Review
Leon Marvell

Exhibition review Possible Clouds: Bronwyn Platten and Cecelia Clarke Experimental Art Foundation
Adelaide South Australia
12 February - 14 March 1993

Published June 1993
A Fact, A Question
Feature
Donald Brook

Sculpture is not like painting because it is not flat and does not raise the question of mimesis in the same way. A theory of sculpture must therefore be, somewhere at its deep foundations, different from a theory of painting. Not just a bit different: a lot different.

Published June 1993
Ceremonial Work in Darwin
Feature
Gwendolyn Broug

Darwin has a burgeoning arts community which produces a unique body of visual art related to festivals and events. Aboriginal culture and proximity to Asia and the Pacific have influenced the work being produced by these artists.

Published June 1993
Richard Dunn: Beyond Dialectics
Feature
Ian North

Minimalism is still misunderstood, not only because its manifestations are so various as to strain the word's usefulness as a blanket term, but more importantly because it stood at the confused fissure between modernism and post-modernism; from this stems the lively contradictory implications of Richard Dunn's art practice.

Published June 1993
In Landscapes and Parks: Lake Districts, Yorkshire, Otterlo
Feature
Janice Lally

Looks at three locations Grizedale Forest (UK) Yorkshire Sculpture Park (UK) Rijksmuseum Kroller-Muller of Otterlo (Netherlands) where one can experience sculpture within the landscape.

Published June 1993
Mildura - The Watershed for Sculpture: An Enchanted Garden
Feature
Tom McCullough

1993 is the 20th annniversary of Sculpturscape '73 an outdoor exhibition that happened in Mildura, a small city on the Victorian side of the Murray River, distant from the state capitals of eastern Australia.

Published June 1993
The Advantages of Isolation
Review
Margaret Moore

Exhibition Review The Advantage of Isolation
Festival of Perth Artplace
Claremont Western Australia
28 January - 6 March 1993
and at the Blaxland Gallery
Sydney New South Wales
11 February - 7 March 1993

Published June 1993
Pacific Arts Association Symposium
Review
Brenda L Croft

Conference review Pacific Arts Association
5th International Symposium
University of South Australia
Aboriginal and Torres Strait and Pacific Islander Visual Arts Week - Tandanya Aboriginal Cultural Centre
Adelaide
12 -17 April 1993

Published June 1993
Mildura - The Watershed for Sculpture: 1975 Destablising Old Canons
Feature
Noel Sheridan

...It was therefore inevitable that by 1975 Tom McCullough's Mildura Sculpturescape would attract an increasing number of artists doing installation, process, earth and other forms of art that emerged when sculpture, as it were, left the pedestal, moved around the room and went outside.

Published June 1993
Dimensions - Ground Painting in Papunya
Feature
Richard (Dick) Kimber

Extensive examination of the women's ground painting created at Tandanya (National Aboriginal Cultural Centre) for the Adelaide Festival in 1990.

Published June 1993
Mildura - The Watershed for Sculpture: McCullough and Performance
Feature
Daniel Thomas

The Mildura Sculpture Triennials directed by Tom McCullough seemed the liveliest and most ennjoyable art events held anywhere in Australia...

Published June 1993
 
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