Australian Humour in Sculpture

Cover of Australian Humour in Sculpture
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Promo
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Artlink Subs Promo
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Does each country, race and cultural group have a particular sense of humour? And if so, is it possible to define their specific characteristics?

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More from this Issue Full Issue Contents

Pat Brassington, Edward Colless, David McDowell
Review
Peter Hill

Exhibition review Book of Jonah 1932
Pat Brassington, Edward Colless, David McDowell
Private House, Mt Stuart, Hobart
May 1993

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New Sculpture in Papua New Guinea
Feature
Susan Cochrane

Re-evaluation of the current position of artworks from Papua New Guinea looking particularly at sculpture.

Published June 1993
Bronwyn Platten and Cecelia Clarke
Review
Leon Marvell

Exhibition review Possible Clouds: Bronwyn Platten and Cecelia Clarke Experimental Art Foundation
Adelaide South Australia
12 February - 14 March 1993

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Gerry Wedd
Review
Cath Kenneally

Exhibition Review Scratch Works
By Gerry Wedd
Jam Factory Centre of Art and Design
February 1993

Published June 1993
Dimensions - Ground Painting in Papunya
Feature
Richard (Dick) Kimber

Extensive examination of the women's ground painting created at Tandanya (National Aboriginal Cultural Centre) for the Adelaide Festival in 1990.

Published June 1993
Exhibitions for PAA
Review
Ruth Megaw

Written with Vincent Megaw Visual Arts Exhibitions and the Fifth Pacific Arts Association Symposium Great colour photos of works by indigenous Australians.

Published June 1993
Places for Sculpture and Sculptors: Sydney
Feature
Cecily Briggs

Tony Bond, artistic director of the recent Sydney Biennale suggests that since the staging of the first Biennale in 1973 sculpture and other three dimensional art have been actively promoted in Sydney.

Published June 1993
Women Sculptors - A New Bread
Feature
Stephanie Radok

You could say that much of the most interesting and demanding artwork being done today is being done by women....There are many new languages in the work of contemporary women sculptors. Important overview of the Mildura Sculpture Triennials in terms of women's representation. Great photos!

Published June 1993
Ceremonial Work in Darwin
Feature
Gwendolyn Broug

Darwin has a burgeoning arts community which produces a unique body of visual art related to festivals and events. Aboriginal culture and proximity to Asia and the Pacific have influenced the work being produced by these artists.

Published June 1993
New Books on Richard Goodwin and Ari Purhonen
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Robert Nelson

Review of new series of critical monographs
Edited by Christopher Allen
Ari Purhonen
Richard Goodwin
Australian Artists Series
Oliver Freeman Editions 1992
RRP $49.95

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Richard Dunn: Beyond Dialectics
Feature
Ian North

Minimalism is still misunderstood, not only because its manifestations are so various as to strain the word's usefulness as a blanket term, but more importantly because it stood at the confused fissure between modernism and post-modernism; from this stems the lively contradictory implications of Richard Dunn's art practice.

Published June 1993
Mildura - The Watershed for Sculpture: 1975 Destablising Old Canons
Feature
Noel Sheridan

...It was therefore inevitable that by 1975 Tom McCullough's Mildura Sculpturescape would attract an increasing number of artists doing installation, process, earth and other forms of art that emerged when sculpture, as it were, left the pedestal, moved around the room and went outside.

Published June 1993
 
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