Published 25 August 2021
Looks at the art practice in Moree in north western NSW.
At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.
Published June 1990
Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.
Article by the artist about her art practice.
The Association of Northern and Central Australian Aboriginal Artists.
Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.
Dumbartung Aboriginal Corporation meaning 'we of the people' is a West Australian Aboriginal organization which aims to promote dance, drama, writing, painting, sculpture, craftwork, music and any other Aboriginal art...
Jujurrpa is a Warlpri word meaning Dreaming and it is the Dreamtime stories that are depicted on the canvases of a group of Warlpri, Pitjantjatjara, Luritja and Anmatyerre women from the Alice Springs area.
Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.
'Bangarra' is a Wiradjeri word meaing to make fire and the dance company so named has sparked enthusiasm for its performances in countries as far afield as Japan, New Guinea, the USA and Finland.
Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.
"I joined the Jabiru Cabaret in Cairns as one of the ten founding cast members in November 1988. The excitement for me as a performer, is to bridge the gap of understanding between various races, colours, cultures and countries. To witness the audience reaction to us as a group performing in three distinct areas makes us all feel very close to achieving the message of a minority through our art."
Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.
