Published 01 September 2018
Published 01 December 2016
Looks at the works of West Australian artist Shane Pickett.
Contemplating the work of Lin Onus the artist, the arts administrator and the panel beating mechanic.
Published June 1990
Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.
Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.
This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.
Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.
Howard Morphy interviews Djon Mundine about the Aboriginal Memorial - a collection of hollow log coffins made by artists of the community of Ramingining in the Northern Territory, to commemorate Aboriginal people who had died since the invasion of Australia in 1788
Looks at the art practice of Maree Clarke.
Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.
At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.
Looks at the paintings of Judy Watson.
Looks at the art practice in Moree in north western NSW.
Looks at the art practice of Wanjidari.