Published 01 March 2019
Published 01 September 2018
Interview with Bluey Roberts.
The artist speaks about her art practice.
Published June 1990
If the 70s is remembered as a period of nurture for Aboriginal art, the 1980s will certainly be remembered as the decade of its dramatic development...there has been an eflorescence of community based enterprises in the remote areas of Australia.
Contemplating the work of Lin Onus the artist, the arts administrator and the panel beating mechanic.
Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.
In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.
At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.
Article about the artist and her works from Western Australia.
Located in Kununurra Western Australia Waringarri Arts was set up for artists in the Kimberley region.
Looks at the art practice of Donna Leslie.
Interview with Djon Mundine and Howard Morphy at Ramingining in Arnhem Land, Northern Territory (with assistance from Luke Taylor).
Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.
Looks at her art practice and design issues, copyright and textiles.