Published 01 December 2019
Published 01 March 2019
Looks at the art practice of Milton Budge.
In every area of the arts where Aborigines are participating there is an intense surge of creative vitality. Once could call it a renaissance period. When I began writing poetry, Kath Walker (Oodgeroo Noonucul) was the only recognised poet.
Published June 1990
Examines the paintings of Les Griggs.
This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.
Looks at the works of Abie Jangala from Lajamanu and the country about 500 kilometres north west of Alice Springs.
Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.
This is a critical time in the history of the wider region of Cape York Peninsula.
Looks at the artist's co-operative Boomalli located in Sydney NSW.
Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.
It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.
Looks at her art practice and design issues, copyright and textiles.
Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.
Interview with Bluey Roberts.