Published 01 June 2020
The artist talks about his art practice.
Looks at the art practice in Moree in north western NSW.
Published June 1990
Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.
Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.
This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.
It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.
In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.
Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.
Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.
Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.
The Power Institute at the University of Sydney ran a 10 week program devised by Susan Simons and Bronwyn Bancroft of panel discussions, presentations, films/videos and seminars exploring many of the issues of Aboriginal art in Australian society.
Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.
Looks at the Canberra School of Art Print Workshop has played a key role in encouraging Aboriginal artist to make prints.
