Published 01 December 2019
Published 01 March 2019
Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.
Jujurrpa is a Warlpri word meaning Dreaming and it is the Dreamtime stories that are depicted on the canvases of a group of Warlpri, Pitjantjatjara, Luritja and Anmatyerre women from the Alice Springs area.
Published June 1990
Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.
Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.
If the 70s is remembered as a period of nurture for Aboriginal art, the 1980s will certainly be remembered as the decade of its dramatic development...there has been an eflorescence of community based enterprises in the remote areas of Australia.
Looks at the works of West Australian artist Shane Pickett.
Supplementary bibliography to the major work by Adrian Marrie 1987 'A Topical bibliography of Australian Aboriginal Visual Arts 3' ed ASTEC SA College of Advanced Education (now the University of South Australia) Underdale SA.
Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.
This is a critical time in the history of the wider region of Cape York Peninsula.
Gordon Bennett interviewed on the development of his work.
Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.
Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.
Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?