The Aboriginal Copyright Cases

Cover of The Aboriginal Copyright Cases
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
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1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
NAVA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.

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More from this Issue Full Issue Contents

Mural at Port Lincoln: Kerry Giles and Melanie Howard
Artist Profile
Felicity Wright

Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.

Published June 1990
Aurukun and Comalco
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Peter Sutton

This is a critical time in the history of the wider region of Cape York Peninsula.

Published June 1990
Les Griggs
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Megan Griggs

Examines the paintings of Les Griggs.

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Isolation: Jimmy Pike and Patricia Lowe in the Great Sandy Desert
Feature
Patricia Lowe

There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Pitchat and Beyond
Feature
Neil Turner

Until recently, Pitjantjatjara communities had very limited acces to or influence from mainstream media, communications, technology and information systems. English is still a foreign language to most of the population and functional levels of literacy are very low.

Published June 1990
Designer Aboriginals
Feature
Bronwyn Bancroft

Looks at her art practice and design issues, copyright and textiles.

Published June 1990
Ellen Jose
Artist Profile
Ellen Jose

The artist writes about her art practice.

Published June 1990
Kurwingie
Artist Profile
Kerry Giles Kurwingie

Article by the artist about her art practice.

Published June 1990
Warlukurlangu Artists
Feature
Christine Lennard

Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.

Published June 1990
Narrangunnawali in Canberra
Feature
Sylvia Kleinert

Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.

Published June 1990
Utopia
Feature
Christopher Hodges

The people of Utopia have been making important visual images for thousands of years, on their bodies and ceremonial objects. In 1977 these images leapt onto lengths of silk via the batik technique and it was in this medium that the women of Utopia went on to establish a reputation for themselvs with their powerful images and distinctive style.

Published June 1990
 
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