The Aboriginal Copyright Cases

Cover of The Aboriginal Copyright Cases
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
SALA
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Curiocity Brisbane (Mulberry Seed Comms)
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.

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More from this Issue Full Issue Contents

Les Griggs
Artist Profile
Megan Griggs

Examines the paintings of Les Griggs.

Published June 1990
Paddy Fordham Wainburranga
Feature
Sharon Monty

Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.

Published June 1990
Murris' Coming Out Show
Feature
Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
Warlukurlangu Artists
Feature
Christine Lennard

Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.

Published June 1990
To Clean a Rusty ANCAA
Feature
Steve Anderson

The Association of Northern and Central Australian Aboriginal Artists.

Published June 1990
A memorial for the dead: Commemorating 200 years of loss
Feature
Djon Mundine

In 1998 the artists of Ramingining, a remote Central Arnhem Land community, were responsible for perhaps the most-moving political statement made during Australia’s bicentenary year. Djon Mundine tells UK-based anthropologist Howard Morphy, how this extraordinary monument came to be made.

Published 01 June 1990
The Bicentenary and Beyond: Recent Developments in Aboriginal Printmaking
Feature
Christine Watson

The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.

Published June 1990
Flinders University of South Australia: Aboriginal Artists in Residence Programme
Feature
Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

Published June 1990
Aboriginal Music; Broome Style: Towards Bran Nue Dae
Feature
Marion Granich

Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Judy Watson
Artist Profile
Margriet Bonnin

Looks at the paintings of Judy Watson.

Published June 1990
Mural at Port Lincoln: Kerry Giles and Melanie Howard
Artist Profile
Felicity Wright

Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.

Published June 1990
 
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