The Aboriginal Copyright Cases

Cover of The Aboriginal Copyright Cases
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
ACE Open
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Axolotl
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.

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More from this Issue Full Issue Contents

Flinders University of South Australia: Aboriginal Artists in Residence Programme
Feature
Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

Published June 1990
Wanjidari
Artist Profile
Libby Morgan

Looks at the art practice of Wanjidari.

Published June 1990
Money, Corruption and Authenticity
Feature
Philip Batty

Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.

Published June 1990
A Memorial for the Dead: John Mundine on a Project to Commemorate 200 Years of Loss
Feature
Djon Mundine

Howard Morphy interviews Djon Mundine about the Aboriginal Memorial - a collection of hollow log coffins made by artists of the community of Ramingining in the Northern Territory, to commemorate Aboriginal people who had died since the invasion of Australia in 1788

Published June 1990
Black Radio in Cairns
Feature
Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Radio Redfern - The Koori Voice in Sydney
Feature
Wayne Costelloe

Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
Feature
Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
Night Cries - A Rural Tragedy; A film by Tracey Moffatt
Feature
Anne Rutherford

Two people suspended in a soundscape - a space punctuated by a stark and corrosive sound. The wail of a dingo, an owl, the grating beat of an iron lung, a gasp, a cry for breath and above all a cacophony of memory.

Published June 1990
Jumbana Designs
Feature
David Kerr

John and Ros Moriarty of Jumbuna Designs in interview.

Published June 1990
Warlukurlangu Artists
Feature
Christine Lennard

Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.

Published June 1990
Robert Campbell Junior
Artist Profile
Robert Campbell Jnr

The artist talks about his art practice.

Published June 1990
Review of the Review
Feature
Tim Rowse

In 1989, Jon Altman, Chris McGuigan and Peter Yu were asked by the Minister for Aboriginal Affairs to look into the viability of the Aboriginal Arts and Crafts industry, to point to ways to improve its efficiency and effectiveness and to advise which government programs could give cost effective support to the industry and to recommend managing and marketing strategies.

Published June 1990
 
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