The Aboriginal Copyright Cases

Cover of The Aboriginal Copyright Cases
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
NAVA
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Country Arts SA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.

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More from this Issue Full Issue Contents

Narrangunnawali in Canberra
Feature
Sylvia Kleinert

Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.

Published June 1990
Isolation: Jimmy Pike and Patricia Lowe in the Great Sandy Desert
Feature
Patricia Lowe

There can be few artists who live and work in such isolation as does Jimmy Pike. His isolation is not merely geographical, though our camp on the edge of the Great Sandy Desert is two and a half hours' drive in dry weather from Fitzroy Crossing and inaccessible in dry weather, but also social and artistic.

Published June 1990
Ellen Jose
Artist Profile
Ellen Jose

The artist writes about her art practice.

Published June 1990
Mecca for Printmakers
Feature
Theo Tremblay

Looks at the Canberra School of Art Print Workshop has played a key role in encouraging Aboriginal artist to make prints.

Published June 1990
Jukurrpa
Feature
Dorothea Philips

Jujurrpa is a Warlpri word meaning Dreaming and it is the Dreamtime stories that are depicted on the canvases of a group of Warlpri, Pitjantjatjara, Luritja and Anmatyerre women from the Alice Springs area.

Published June 1990
Copyright and Issues of Appropriation
Feature
Lin Onus

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

Published June 1990
Black Radio in Cairns
Feature
Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Lin Onus - Cultural Mechanic
Artist Profile
Michael Eather

Contemplating the work of Lin Onus the artist, the arts administrator and the panel beating mechanic.

Published June 1990
To Clean a Rusty ANCAA
Feature
Steve Anderson

The Association of Northern and Central Australian Aboriginal Artists.

Published June 1990
Paddy Fordham Wainburranga
Feature
Sharon Monty

Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.

Published June 1990
Superstar or Generic
Feature
Michael Rae

Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?

Published June 1990
Peter Dabah
Artist Profile
Vincent Megaw

Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.

Published June 1990
 
ACE Open
Australian Dance Theatre
Darwin Aboriginal Art Fair
Ballarat Foto Biennale
Artlands 3