The Aboriginal Copyright Cases

Cover of The Aboriginal Copyright Cases
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
NAVA
1.126
A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
1.126
Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
1.126
Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
Metro Tunnel (Vic Gov)
1.126
Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

At the 1988 Conference in Broome the author spoke of the growing unlawful use of Aboriginal art by T shirt companies and the fashion industry generally.

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More from this Issue Full Issue Contents

ANTT Aboriginal National Theatre Trust Limited
Feature
Vivian Walker

The Aboriginal National Theatre Trust Limited arose out of Forums of Aboriginal Performing Artists, Playwrights and Technicians attending the first National Black Playwrights Conference held at the Australian National University in Canberra 1987.

Published June 1990
Waringarri Arts Centre
Feature
Joel Smoker

Located in Kununurra Western Australia Waringarri Arts was set up for artists in the Kimberley region.

Published June 1990
Country in Mind
Feature
Jenny Green

In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.

Published June 1990
Kurwingie
Artist Profile
Kerry Giles Kurwingie

Article by the artist about her art practice.

Published June 1990
Gayle Maddigan
Artist Profile
Natalie Greenwood

Looks at the art practice of Victorian artist Gayle Maddigan.

Published June 1990
Tandanya: Australia's First Aboriginal Cultural Institute
Feature
Kay Hannaford

Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.

Published June 1990
Money, Corruption and Authenticity
Feature
Philip Batty

Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.

Published June 1990
FAIRA: Cultural Heritage Initiatives in Queensland
Feature
Bob Weatherall

The Foundation for Aboriginal and Islander Research Action is an independent Aboriginal community based and controlled organisation located in Brisbane Queensland.

Published June 1990
Maningrida: Traditions Open to Change
Feature
Diane Moon

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

Published June 1990
A Playwrights Story
Feature
Raymond Kelly

"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."

Published June 1990
Aboriginal Arts in Australia 1990
Feature
Marlene Stewart

Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.

Published June 1990
Balance 1990
Feature
Louise Dauth

Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.

Published June 1990