Maningrida: Traditions Open to Change

Cover of Maningrida: Traditions Open to Change
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The Artlink Archive Project: Inside the 'Outsider' issue
Feature
Juliette Peers

Published 01 August 2022
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The SubMerge Project: Autistic embodiment and the extended bodymind
Feature
Alison Bennett and Dean Walsh

Published 01 August 2022
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Arts Project Australia: Raising the bar through collaborative partnerships
Feature
Sim Luttin

Published 01 August 2022
SALA
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Staying the distance, closing the distance: Graeae Theatre UK and DADAA, WA
Feature
Jenny Sealey

Published 01 August 2022
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Exquisite interplay: Accessible art workshops for emerging artists
Feature
M. Sunflower

Published 01 August 2022
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Other Body Knowledge: Sophie Cassar, Lara Chamas, Fayen d'Evie, Sam Petersen, Jane Trengove
Feature
Olga Bennett and Jane Trengove

Published 01 August 2022
NAVA
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What do you do at Studio A?
Feature
Emily Crockford, Guy Fredericks, Emma Johnston, Daniel Kim, Jaycee Kim, Adam Mandarano, Catherine McGuiness, Gabrielle Mordy, Meagan Pelham, Skye Saxon, Lisa Scott, Damian Showyin, Philip Sidney, Thom Roberts and Chloe Watfern

Published 01 August 2022
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Thinking without fear: Ruark Lewis
Feature
Marielle Soni

Published 01 August 2022

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

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More from this Issue Full Issue Contents

Balance Stories
Feature
Michael Eather

Two alternative opinions on Australia's most obvious cultural exchange - Aboriginal and non-Aboriginal- was the original conception of Balance 1990 Views, Visions, Influences - a collaborative exhibition originally titled Balance 1988: Two views One Vision. Beginning by artists sitting and talking it became obvious that there were more than just two perspectives.

Published June 1990
Black Radio in Cairns
Feature
Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Bibliography
Feature
Vincent Megaw

Supplementary bibliography to the major work by Adrian Marrie 1987 'A Topical bibliography of Australian Aboriginal Visual Arts 3' ed ASTEC SA College of Advanced Education (now the University of South Australia) Underdale SA.

Published June 1990
Aboriginal Community College - Port Adelaide
Feature
Charlie Schiavone

The broad aims of the Aboriginal Community College in Port Adelaide, South Australia, are to provide time, space, and resources to Aboriginal people that will allow them to make discoveries about themselves, their heritage and their environment, and to move in directions that they establish as relevant to themselves and/or their community.

Published June 1990
To Clean a Rusty ANCAA
Feature
Steve Anderson

The Association of Northern and Central Australian Aboriginal Artists.

Published June 1990
ANTT Aboriginal National Theatre Trust Limited
Feature
Vivian Walker

The Aboriginal National Theatre Trust Limited arose out of Forums of Aboriginal Performing Artists, Playwrights and Technicians attending the first National Black Playwrights Conference held at the Australian National University in Canberra 1987.

Published June 1990
Shane Pickett
Artist Profile
Alta Winmar

Looks at the works of West Australian artist Shane Pickett.

Published June 1990
Aboriginal Rock Festival
Feature
Andy Kiwat

It's now early September 1989 and Aboriginal Rock Bands from the Northern Territory and interstate are travelling by any means possible to Darwin for the Sing Loud Play Strong 2nd Festival of Aboriginal Rock Music.

Published June 1990
Donna Leslie
Artist Profile
Natalie Greenwood

Looks at the art practice of Donna Leslie.

Published June 1990
Money, Corruption and Authenticity
Feature
Philip Batty

Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.

Published June 1990
Birrukmarri
Feature
Mary Wright

Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
 
Artshub
Goulburn Regional Art Gallery
QAGOMA
ACE Open
Desert Mob