Maningrida: Traditions Open to Change

Cover of Maningrida: Traditions Open to Change
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Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
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'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
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Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
Riddoch
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First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
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Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature
Genevieve Grieves & Amy Spiers

Published 25 August 2021
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Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
Sydney Contemporary
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Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
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A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

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More from this Issue Full Issue Contents

Shane Pickett
Artist Profile
Alta Winmar

Looks at the works of West Australian artist Shane Pickett.

Published June 1990
Superstar or Generic
Feature
Michael Rae

Should art centres cater more for the few 'Top Quality' artists that each has or should they support and encourage artistic activities by all who are interested?

Published June 1990
Milpatjunanyi: Recent Pitjantjatjara Women's Painting
Feature
John Kean

The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

Published June 1990
Black Radio in Cairns
Feature
Margaret O+Shane

Explores Aboriginal radio in far north Queensland.

Published June 1990
Balance Stories
Feature
Michael Eather

Two alternative opinions on Australia's most obvious cultural exchange - Aboriginal and non-Aboriginal- was the original conception of Balance 1990 Views, Visions, Influences - a collaborative exhibition originally titled Balance 1988: Two views One Vision. Beginning by artists sitting and talking it became obvious that there were more than just two perspectives.

Published June 1990
Centre for Aboriginal Studies in Music
Feature
Ben L Yengi

Located in the University of Adelaide in South Australia the Centre for Aboriginal Studies in Music was set up in 1972 in order that many aboriginal people both urban and tribal may develp effective skills of communicating their cultural, social, political and economic feelings through music to Australian people and the world at large.

Published June 1990
Abie Jangala
Feature
Sharon Monty

Looks at the works of Abie Jangala from Lajamanu and the country about 500 kilometres north west of Alice Springs.

Published June 1990
Two Profiles from Cairns: Tatipai Barsa and Zane Saunders
Artist Profile
Anna Eglitis

Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.

Published June 1990
Tiwi Designs
Feature
Kathy Barnes

Bathurst and Melville Islands lie of the north coast of Australia about 100 kms from Darwin. They are the home to the Tiwi. As a result of the isolation of Tiwi people their culture has developed independently from others on the mainland. This is reflected in their art which is very bold.

Published June 1990
Keringke Arts
Feature
Cait Wait

Looks at the Santa Teresa Community 80 kilometres south of Alice Spring and home of the Arrernte people where the Keringke Arts Centre was established in 1987.

Published June 1990
Paddy Fordham Wainburranga
Feature
Sharon Monty

Paddy inherited his unique style of painting form his father and father before him. It is the old 'style'.

Published June 1990
Country in Mind
Feature
Jenny Green

In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.

Published June 1990
 
City of Unley 2
Guildhouse
MIFA
NAVA