Maningrida: Traditions Open to Change

Cover of Maningrida: Traditions Open to Change
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Gallipoli Art Prize
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
Gallery Lane Cove
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

Maningrida Art and Craft is synonymous with the best of contemporary traditional Aboriginal bark painting and sculpture, both major individual works and important collections.

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More from this Issue Full Issue Contents

Vocational Arts Centre Cairns
Feature
Mabel Edmund A M

The Aboriginal and Torres Strait Islander Art Education Centre in Cairns is a vocational school of Arts aimed at the development and realisation of Aboriginal artistic talent.

Published June 1990
Peter Dabah
Artist Profile
Vincent Megaw

Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.

Published June 1990
Country in Mind
Feature
Jenny Green

In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.

Published June 1990
Birrukmarri
Feature
Mary Wright

Birukmarri is an exhibition gallery and retail outlet with a commitment to the professional retailing of Aboriginal art.

Published June 1990
Mural at Port Lincoln: Kerry Giles and Melanie Howard
Artist Profile
Felicity Wright

Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.

Published June 1990
From Yuendumu to Paris
Feature
Peter McKenzie

Explores a historic trip for six traditional artists from Australia for the exhibition 'Magicians of the Earth'. This global overview was created to "reveal the force of communication" and was true to its title.

Published June 1990
To Clean a Rusty ANCAA
Feature
Steve Anderson

The Association of Northern and Central Australian Aboriginal Artists.

Published June 1990
Yolngu Women Artists
Feature
Margie West

If the 70s is remembered as a period of nurture for Aboriginal art, the 1980s will certainly be remembered as the decade of its dramatic development...there has been an eflorescence of community based enterprises in the remote areas of Australia.

Published June 1990
Review of the Review
Feature
Tim Rowse

In 1989, Jon Altman, Chris McGuigan and Peter Yu were asked by the Minister for Aboriginal Affairs to look into the viability of the Aboriginal Arts and Crafts industry, to point to ways to improve its efficiency and effectiveness and to advise which government programs could give cost effective support to the industry and to recommend managing and marketing strategies.

Published June 1990
Boomalli
Feature
Brenda L Croft

Looks at the artist's co-operative Boomalli located in Sydney NSW.

Published June 1990
FAIRA: Cultural Heritage Initiatives in Queensland
Feature
Bob Weatherall

The Foundation for Aboriginal and Islander Research Action is an independent Aboriginal community based and controlled organisation located in Brisbane Queensland.

Published June 1990
Sally Morgan Speaks
Feature
Sally Morgan

The artist speaks about her art practice.

Published June 1990