Doris Gingingara

Cover of Doris Gingingara
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Bill Morrow
0.788
The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
0.786
On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
ACE Open
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
0.786
Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Article about the artist and her works from Western Australia.

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More from this Issue Full Issue Contents

Shane Pickett
Artist Profile
Alta Winmar

Looks at the works of West Australian artist Shane Pickett.

Published June 1990
Jumbana Designs
Feature
David Kerr

John and Ros Moriarty of Jumbuna Designs in interview.

Published June 1990
Bangarra
Feature
Stephanie Britton

'Bangarra' is a Wiradjeri word meaing to make fire and the dance company so named has sparked enthusiasm for its performances in countries as far afield as Japan, New Guinea, the USA and Finland.

Published June 1990
Aurukun and Comalco
Feature
Peter Sutton

This is a critical time in the history of the wider region of Cape York Peninsula.

Published June 1990
Kurwingie
Artist Profile
Kerry Giles Kurwingie

Article by the artist about her art practice.

Published June 1990
Kinship and the Dreaming
Feature
Neva Grzybowicz

Looks at a family history project beginning with the Koonibba Mission in South Australia.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
An Artist's Project: Banduk Marika
Feature
Margie West

Margie West talks to NE Arnhem Land artist Banduk Marika about artists working in Yirrkala, an Aboriginal community. She addresses traditional ceremonies today, the appropriate use of traditional designs, payment for work, copyright, and working to redress environmental damage to the beaches and lands by regenerating native trees and plants.

Published June 1990
Murris' Coming Out Show
Feature
Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
A Playwrights Story
Feature
Raymond Kelly

"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."

Published June 1990
Bibliography
Feature
Vincent Megaw

Supplementary bibliography to the major work by Adrian Marrie 1987 'A Topical bibliography of Australian Aboriginal Visual Arts 3' ed ASTEC SA College of Advanced Education (now the University of South Australia) Underdale SA.

Published June 1990
A memorial for the dead: Commemorating 200 years of loss
Feature
Djon Mundine

In 1998 the artists of Ramingining, a remote Central Arnhem Land community, were responsible for perhaps the most-moving political statement made during Australia’s bicentenary year. Djon Mundine tells UK-based anthropologist Howard Morphy, how this extraordinary monument came to be made.

Published 01 June 1990
 
CAT
Desert Mob
NAVA
MGNSW
UNSW