Doris Gingingara

Cover of Doris Gingingara
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
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Nicholas Thomas

Published 01 September 2018
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Living and dying under surveillance: Xu Bing's Dragonfly Eyes
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Sasha Grbich

Published 01 September 2018
Artlink Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Artlink Subs Promo
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
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Clothilde Bullen with James Tylor

Published 01 June 2018
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Katie West: Living well
Feature
Katie West

Published 01 June 2018

Article about the artist and her works from Western Australia.

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More from this Issue Full Issue Contents

Maree Clarke
Artist Profile
Natalie Greenwood

Looks at the art practice of Maree Clarke.

Published June 1990
Milton Budge
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Leone Stanford

Looks at the art practice of Milton Budge.

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Abie Jangala
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Sharon Monty

Looks at the works of Abie Jangala from Lajamanu and the country about 500 kilometres north west of Alice Springs.

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The Bicentenary and Beyond: Recent Developments in Aboriginal Printmaking
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Christine Watson

The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.

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Peter Dabah
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Vincent Megaw

Dabah was the Aboriginal Artist in residence at the Flinders University 1989 - 1990.

Published June 1990
Aboriginal Arts in Australia 1990
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Marlene Stewart

Original dreaming. Aboriginal people believe that the spirit ancestors watch over us today to ensure the laws are kept and that punishment is inflicted if broken. Photograph of Yuendume women dancing.

Published June 1990
Bangarra
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Stephanie Britton

'Bangarra' is a Wiradjeri word meaing to make fire and the dance company so named has sparked enthusiasm for its performances in countries as far afield as Japan, New Guinea, the USA and Finland.

Published June 1990
Tandanya: Australia's First Aboriginal Cultural Institute
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Kay Hannaford

Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.

Published June 1990
Mecca for Printmakers
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Theo Tremblay

Looks at the Canberra School of Art Print Workshop has played a key role in encouraging Aboriginal artist to make prints.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
Warlukurlangu Artists
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Christine Lennard

Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
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Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
 
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