Doris Gingingara

Cover of Doris Gingingara
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Desert Mob
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Article about the artist and her works from Western Australia.

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More from this Issue Full Issue Contents

Yolngu Women Artists
Feature
Margie West

If the 70s is remembered as a period of nurture for Aboriginal art, the 1980s will certainly be remembered as the decade of its dramatic development...there has been an eflorescence of community based enterprises in the remote areas of Australia.

Published June 1990
Shane Pickett
Artist Profile
Alta Winmar

Looks at the works of West Australian artist Shane Pickett.

Published June 1990
Vocational Arts Centre Cairns
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Mabel Edmund A M

The Aboriginal and Torres Strait Islander Art Education Centre in Cairns is a vocational school of Arts aimed at the development and realisation of Aboriginal artistic talent.

Published June 1990
Murris' Coming Out Show
Feature
Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
Two Profiles from Cairns: Tatipai Barsa and Zane Saunders
Artist Profile
Anna Eglitis

Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.

Published June 1990
From Yuendumu to Paris
Feature
Peter McKenzie

Explores a historic trip for six traditional artists from Australia for the exhibition 'Magicians of the Earth'. This global overview was created to "reveal the force of communication" and was true to its title.

Published June 1990
Sally Morgan Speaks
Feature
Sally Morgan

The artist speaks about her art practice.

Published June 1990
Centre for Aboriginal Studies in Music
Feature
Ben L Yengi

Located in the University of Adelaide in South Australia the Centre for Aboriginal Studies in Music was set up in 1972 in order that many aboriginal people both urban and tribal may develp effective skills of communicating their cultural, social, political and economic feelings through music to Australian people and the world at large.

Published June 1990
Robert Campbell Junior
Artist Profile
Robert Campbell Jnr

The artist talks about his art practice.

Published June 1990
Milpatjunanyi: Recent Pitjantjatjara Women's Painting
Feature
John Kean

The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

Published June 1990
Designer Aboriginals
Feature
Bronwyn Bancroft

Looks at her art practice and design issues, copyright and textiles.

Published June 1990
Balance 1990
Feature
Louise Dauth

Exhibition review Balance 1990 held at Queensland Art Gallery and curated by Michael Eather and Marlene Hall, March 1990.

Published June 1990
 
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