Doris Gingingara

Cover of Doris Gingingara
0.662
The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
0.786
palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
0.786
Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
The Torch
0.786
Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
0.786
Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
0.786
Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
NAVA
0.786
Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
0.786
Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Article about the artist and her works from Western Australia.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Aboriginal Music; Broome Style: Towards Bran Nue Dae
Feature
Marion Granich

Broome, sleepy, dusty, sub-tropical country town on the north west of Western Australia, with a population of only 7,000 has at least 5 working bands including the well known bands Kuckles and Scrap Metal - a myriad of solo performers as well as traditional Aboriginal musicians.

Published June 1990
Power Institute Program on Aboriginal Art in Australian Society
Feature
Stephanie Britton

The Power Institute at the University of Sydney ran a 10 week program devised by Susan Simons and Bronwyn Bancroft of panel discussions, presentations, films/videos and seminars exploring many of the issues of Aboriginal art in Australian society.

Published June 1990
Warlukurlangu Artists
Feature
Christine Lennard

Emerging from the heart of central Australia is the most exciting and dynamic development in modern Australian art. The materials are modern -acrylic on canvas. But the content is traditional - mythical and ritual.

Published June 1990
Abie Jangala
Feature
Sharon Monty

Looks at the works of Abie Jangala from Lajamanu and the country about 500 kilometres north west of Alice Springs.

Published June 1990
Keringke Arts
Feature
Cait Wait

Looks at the Santa Teresa Community 80 kilometres south of Alice Spring and home of the Arrernte people where the Keringke Arts Centre was established in 1987.

Published June 1990
East to West: Land in Papunya Tula Painting
Feature
John Kean

Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.

Published June 1990
Milpatjunanyi: Recent Pitjantjatjara Women's Painting
Feature
John Kean

The Pitjantjatjara share a common heritage with Anangu (Aboriginal people) throughout the vast Western desert. They use the same rich vocabulary of visual symbols that has now become well known through the work of the Papunya Tula artists.

Published June 1990
Mural at Port Lincoln: Kerry Giles and Melanie Howard
Artist Profile
Felicity Wright

Kerry Giles and Melanie Howard talking to Felicity Wright about the mural in Port Lincoln South Australia.

Published June 1990
ANTT Aboriginal National Theatre Trust Limited
Feature
Vivian Walker

The Aboriginal National Theatre Trust Limited arose out of Forums of Aboriginal Performing Artists, Playwrights and Technicians attending the first National Black Playwrights Conference held at the Australian National University in Canberra 1987.

Published June 1990
Two Profiles from Cairns: Tatipai Barsa and Zane Saunders
Artist Profile
Anna Eglitis

Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.

Published June 1990
Copyright and Issues of Appropriation
Feature
Lin Onus

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

Published June 1990
Desert Designs
Feature
David Wroth

Examines the Desert Designs Company formed by Stephen Culley and David Wroth which began in the early 1980s.

Published June 1990
 
MGNSW
Artlink Promo
City of Melville
Artlink Subs Promo
UNSW