Doris Gingingara

Cover of Doris Gingingara
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Artlink Subs Promo
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
ACMI
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Article about the artist and her works from Western Australia.

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More from this Issue Full Issue Contents

Copyright and Issues of Appropriation
Feature
Lin Onus

This is the text of the Copyright session given at the National Aboriginal Artists Forum Art Gallery of Western Australia February 1989.

Published June 1990
Australia to the World
Feature
Michael O+Ferrall

In the choice of Rover Thomas and Trevor Nickolls to echibit in the Australian Pavilion at the 1990 Venice Biennale, Australia will present a combination that challenges many conventional attitudes to Aboriginal art. Simultaneously the exhibition offers an appropriate platform to two important if highly idiosyncratic contemporary painters.

Published June 1990
Country in Mind
Feature
Jenny Green

In the 1940s the name Albert Namatjira became a household word and the skill of this Arrernte artist brought the vivid colours and beauty of the central Australian landscape into the galleries and living rooms of Australia. He and other painters who lived around Hermannsburg mission and in Alice Springs came to be known as the Arrernte watercolour school.

Published June 1990
Money, Corruption and Authenticity
Feature
Philip Batty

Whatever capital city one may visit these days, there will usually be an art gallery exhibiting works from the latest Aboriginal art movement. The demand for Aboriginal painting has probably doubled every year over the past decade and nowhere is this more evident than in central Australia.

Published June 1990
Two Profiles from Cairns: Tatipai Barsa and Zane Saunders
Artist Profile
Anna Eglitis

Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.

Published June 1990
Narrangunnawali in Canberra
Feature
Sylvia Kleinert

Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.

Published June 1990
Murris' Coming Out Show
Feature
Marshall Bell

Hello. My name is Marshall Bell. I live at Inala in Queensland. My father was from the famous Jiman Tribe of Hornet Hill massacre mob. My mother was from the Kamilaroi nation Gunedah/Kooma clans. I was born at the now defunct Charleville Aboriginal reserve in the desert of south west Queensland. Having been living off my art for the last 5 years in a suppressive Queensland environment, I think I know what it is like to be living in isolation.

Published June 1990
Tandanya: Australia's First Aboriginal Cultural Institute
Feature
Kay Hannaford

Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.

Published June 1990
Radio Redfern - The Koori Voice in Sydney
Feature
Wayne Costelloe

Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.

Published June 1990
Letter From Arnhem Land Where All the Real Art's Supposed To Be
Feature
Steve Fox

"How many people still think that up north or in the centre is the only place for real Aboriginal art. You know when you work with it, selling it, buying it, you hear it all the time."

Published June 1990
Robert Campbell Junior
Artist Profile
Robert Campbell Jnr

The artist talks about his art practice.

Published June 1990
Art After the Controversy
Feature
Stephanie Britton

Looks at the art practice in Moree in north western NSW.

Published June 1990
 
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