Doris Gingingara

Cover of Doris Gingingara
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
ACE Open
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Riddoch
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Article about the artist and her works from Western Australia.

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More from this Issue Full Issue Contents

Tandanya: Australia's First Aboriginal Cultural Institute
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Kay Hannaford

Article which looks at Tandanya - Australia's first Aboriginal Cultural Institute located in Adelaide South Australia.

Published June 1990
Art After the Controversy
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Stephanie Britton

Looks at the art practice in Moree in north western NSW.

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Power Institute Program on Aboriginal Art in Australian Society
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Stephanie Britton

The Power Institute at the University of Sydney ran a 10 week program devised by Susan Simons and Bronwyn Bancroft of panel discussions, presentations, films/videos and seminars exploring many of the issues of Aboriginal art in Australian society.

Published June 1990
ANTT Aboriginal National Theatre Trust Limited
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Vivian Walker

The Aboriginal National Theatre Trust Limited arose out of Forums of Aboriginal Performing Artists, Playwrights and Technicians attending the first National Black Playwrights Conference held at the Australian National University in Canberra 1987.

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The Bicentenary and Beyond: Recent Developments in Aboriginal Printmaking
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Christine Watson

The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.

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Aurukun and Comalco
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Peter Sutton

This is a critical time in the history of the wider region of Cape York Peninsula.

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Flinders University of South Australia: Aboriginal Artists in Residence Programme
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Vincent Megaw

Describes the vital and valuable Aboriginal artists in residence program at the Flinders University of South Australia.

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Dumbartung Aboriginal Corporation
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Dumbartung Aboriginal Corporation meaning 'we of the people' is a West Australian Aboriginal organization which aims to promote dance, drama, writing, painting, sculpture, craftwork, music and any other Aboriginal art...

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Radio Redfern - The Koori Voice in Sydney
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Wayne Costelloe

Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.

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Les Griggs
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Megan Griggs

Examines the paintings of Les Griggs.

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Shane Pickett
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Alta Winmar

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Boomalli
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