Lismore Regional Gallery
Published 08 February 2021
Wagga Wagga Art Gallery
Published 29 January 2021
Published 04 January 2021
Newmarch Gallery
ANCA Gallery, Canberra
Published 28 December 2020
The Riddoch Arts and Cultural Centre, Mount Gambier
Published 08 December 2020
Published 30 November 2020
Burnie Regional Art Gallery
Exhibition review The Flower Curated by Paul Zika Plimsoll Gallery, Centre for the Arts Hobart Tasmania
Exhibition review Feminisms Curated by Niki Miller Perth Institute of Contemporary Arts Western Australia November 1 - 28 1992
Published March 1993
Exhibition review Cultic Gloss: Shaun Kirby Contemporary Art Centre Adelaide, South Australia October 23 - November 24 1992
Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....
The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.
Review To Traverse Water IHOS Opera Hobart, Tasmania Constantine Koukias and Ann Wulff
To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.
Expressionism and modernism. Two old fashioned words in these days of post modernism.
It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.
Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.
"I am not a TV show, this is not a TV show." These are the oft-spoken words of Tony Tjamu, Chairperson of the Mutitjulu Community at Uluru (Ayers Rock) in the Pitjantjatjara Lands of Central Australia. Their repetition reveals something of the exasperation born of the visibility of being Aboriginal in a predominantly white Australia.
Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.
Exhibition review Architecture without Walls Robert Harrison University of South Australia Art Museum 10 September - 3 October 1992
