Floral Tributes: The Flower

Cover of Floral Tributes: The Flower
1.126
Heysen Sculpture Biennial 2019

24 February – 30 April 2019

Review
Kirsty Darlaston

Published 17 April 2019
0.886
Yurtu Ardla

South Australian Museum

Review
Darren Jorgensen

Published 16 April 2019
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
The Japan Foundation
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019
1.128
Unhallowed Arts

Various venues, Perth

Review
Darren Jorgensen and Gemma Weston

Published 18 January 2019
1.126
The Partnershipping Project

Burnie Regional Art Gallery

Review
Seán Kelly

Published 18 January 2019
ACE Open
1.174
6th Guangzhou Triennial

Guangdong Museum of Art

Review
Darren Jorgensen and Tami Xiang

Published 18 January 2019
1.266
Jude Adams: Narratives from the Family Album

artroom5

Review
Zoe Freney

Published 10 December 2018

Exhibition review The Flower Curated by Paul Zika Plimsoll Gallery, Centre for the Arts Hobart Tasmania

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More from this Issue Full Issue Contents

Against 'Neofuturism': Women Artists in Technological Media
Feature
Zoe Sofia

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

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Digital Art
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The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

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A Golden Threat: Feminisms
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Exhibition review Feminisms
Curated by Niki Miller
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November 1 - 28 1992

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Wild: Beyond the Deconstruction
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To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

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Come Again: Aldo Lacobelli
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Experimental Art Foundation
South Australia
22 October - 15 November 1992

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Independent Distribution and Exhibition
Feature
Paul Kalina

In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.

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The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

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More Bangs for Bucks: Male Sexuality and Violence in Australian Film
Feature
Chris Berry

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

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"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
Feature
Audrey Yue

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

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Memory and Image: The Multiculturalism in Film Project
Feature
Cecelia Cmielewski

It is diversity, and the celebration of the marginal which makes Australian film innovative. Diversity provides the opportunity for people in Australia to enjoy and reflect on the cultural heterogeneity rather than on the alienating myth with which we are so familiar.

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"Just Trust The Text, Don't Colour It"
Feature
Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Pretty as a Picture: Women Artists and the Heidelberg Era
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Exhibition review Completing the Picture: Women artists and the Heidelberg era
Carrick Hill, South Australia
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