Floral Tributes: The Flower

Cover of Floral Tributes: The Flower
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018
1.126
Brenda L. Croft: Heart-in-Hand | Amala Groom: Does She Know the Revolution is Coming?

Canberra Contemporary Art Space

Review
Virginia Rigney

Published 01 September 2018
1.3
My Monster: The Human-Animal Hybrid

RMIT Gallery

Review
Djoymi Baker

Published 21 August 2018
Artlink Promo
1.238
No Common Ground

Victoria University of Wellington

Review
Bruce E. Phillips

Published 31 August 2018
1.124
John Mawurndjul: I Am the Old and the New

Museum of Contemporary Art | Art Gallery of South Australia

Review
Ian McLean

Published 20 August 2018
1.128
Khaled Sabsabi: A Self Portrait

Perth Institute of Contemporary Arts

Review
John Mateer

Published 20 August 2018
UTS
1.126
Imants Tillers: Journey to Nowhere

Latvian National Museum of Art

Review
Ian McLean

Published 13 August 2018
1.126
From Here to There: Australian Art and Walking

Lismore Regional Gallery

Review
Wes Hill

Published 06 August 2018

Exhibition review The Flower Curated by Paul Zika Plimsoll Gallery, Centre for the Arts Hobart Tasmania

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A Tale of Reproduction and Dependency
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The interface between film and video education and the Independent film and video production.

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The Pure and The Impure: Shaun Kirby
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Colonial Patterns Repeated: Robert Harrison
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Journey by Proxy
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One Way Street
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Domestic Noir Night Out
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Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

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Wizards of Oz: Into the 90s - Between Documentary and Fiction
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Who Told You We Wanted To Make Our Own TV?
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Against 'Neofuturism': Women Artists in Technological Media
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Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
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Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

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Pretty as a Picture: Women Artists and the Heidelberg Era
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Perplexities: Experimenta 1992
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