Floral Tributes: The Flower

Cover of Floral Tributes: The Flower
1.126
From the Inside [Tokuremoar]

Praxis Artspace

Review
Chris Reid

Published 05 June 2019
1.126
Tom Nicholson: Public Meeting

Australian Centre for Contemporary Art

Review
Ian McLean

Published 05 June 2019
1.22
Quilty

Art Gallery of South Australia

Review
Rebecca Freezer

Published 16 May 2019
ACE Open
1.124
The National 2019: New Australian Art
Review
Craig Judd

Published 15 May 2019
1.126
Heysen Sculpture Biennial 2019

24 February – 30 April 2019

Review
Kirsty Darlaston

Published 17 April 2019
0.886
Yurtu Ardla

South Australian Museum

Review
Darren Jorgensen

Published 16 April 2019
The Japan Foundation
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019

Exhibition review The Flower Curated by Paul Zika Plimsoll Gallery, Centre for the Arts Hobart Tasmania

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Aleksi Vellis
Feature
Deb Verhoeven

Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

Published March 1993
Brother Can You Spare a SP Betacam
Feature
Russell Edwards

Discussion with George Mannix. If there is any form of expression that eats money it is the feature length movie. Camera, lights and actors all cost big bucks and many ideas have stopped at the drawing board simply because there wasn't enough money. Independent Producer George Mannix had other ideas.

Published March 1993
The End of Independence? Women's Film and Video in the 1990s
Feature
Sue Maslin

Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

Published March 1993
The Last Days of Chez Nous: Love Stories and Girls' Blouses
Feature
Leonie Naughton

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

Published March 1993
"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
Feature
Audrey Yue

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

Published March 1993
Delayed Voyage: George Popperwell
Review
Richard Grayson

Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992

Published March 1993
Perplexities: Experimenta 1992
Feature
John Cumming

Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.

Published March 1993
Against 'Neofuturism': Women Artists in Technological Media
Feature
Zoe Sofia

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

Published March 1993
Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
Feature
Marcus Breen

Expressionism and modernism. Two old fashioned words in these days of post modernism.

Published March 1993
The Pure and The Impure: Shaun Kirby
Review
Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
A Golden Threat: Feminisms
Review
David Bromfield

Exhibition review Feminisms
Curated by Niki Miller
Perth Institute of Contemporary Arts
Western Australia
November 1 - 28 1992

Published March 1993
 
Riddoch
NAVA
UTS
Churchie
Artlink Subs Promo