Pretty as a Picture: Women Artists and the Heidelberg Era

Cover of Pretty as a Picture: Women Artists and the Heidelberg Era
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I want a world
Review
Tara McDowell

Published 30 November 2020
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In review: The Partnershipping Project

Burnie Regional Art Gallery

Review
Greg Lehman

Greg Lehman reflects on his participation in The Partnershipping Project on its conclusion at the Burnie Regional Art Gallery in an interview with Pat Hoffie.

Published 30 November 2020
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Unfinished Business: The Art of Gordon Bennett

Queensland Art Gallery | Gallery of Modern Art

Review
Wes Hill

Published 30 November 2020
NAVA
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Tarnanthi: Open Hands

Art Gallery of South Australia

Review
Ali Cobby Eckermann

Published 30 November 2020
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Material Sound

Manning Regional Gallery, Taree

Review
Ann Finegan

Published 05 November 2020
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Bodywork

Fremantle Arts Centre

Review
Gemma Weston

Published 05 November 2020
MGNSW
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Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
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If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020

Exhibition review Completing the Picture: Women artists and the Heidelberg era Carrick Hill, South Australia 8 November - 6 December 1992

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Wizards of Oz: Into the 90s - Between Documentary and Fiction
Feature
Freda Freiberg

In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.

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A Tale of Reproduction and Dependency
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The interface between film and video education and the Independent film and video production.

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"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
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Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

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The Pure and The Impure: Shaun Kirby
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Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
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Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
Feature
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Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

Published March 1993
Colonial Patterns Repeated: Robert Harrison
Review
Margaret Worth

Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992

Published March 1993
"Just Trust The Text, Don't Colour It"
Feature
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Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Transformation of the Real: Constantine Koukias and Ann Wulff
Review
Jane Deeth

Review To Traverse Water
IHOS Opera Hobart, Tasmania
Constantine Koukias and Ann Wulff

Published March 1993
Who Told You We Wanted To Make Our Own TV?
Feature
Philip Batty

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

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Journey by Proxy
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Dorothy Erickson

Exhibition review Crossings Mary Knott: Drawings and Sculptures 1988 - 1992
Curated by Tony Geddes
The Art Gallery of Western Australia
October 3 - December 13 1992
Geraldton Regional Gallery
December 18 -January 21 1993
Bunbury Art Galleries
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Published March 1993
Wild: Beyond the Deconstruction
Feature
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To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Published March 1993
The Last Days of Chez Nous: Love Stories and Girls' Blouses
Feature
Leonie Naughton

In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

Published March 1993
 
ACE Open
UTS
Guildhouse 2
Artlink Promo
PICA