Pretty as a Picture: Women Artists and the Heidelberg Era

Cover of Pretty as a Picture: Women Artists and the Heidelberg Era
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Karla Dickens: A Dickensian Sideshow

Lismore Regional Gallery

Review
Djon Mundine OAM

Published 08 February 2021
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Hardenvale: Our Home in Absurdia

Wagga Wagga Art Gallery

Review
Sam Bowker

Published 29 January 2021
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David Keeling: Stranger
Review
Seán Kelly

Published 04 January 2021
NAVA
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Opening remarks: Ann Newmarch Survey

Newmarch Gallery

Review
Janet Maughan

Published 04 January 2021
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Bryan Foong: The ladder is now a ...

ANCA Gallery, Canberra

Review
Shaune Lakin

Published 28 December 2020
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Video art during and after the pandemic: 2020 Limestone Coast Video Art Festival

The Riddoch Arts and Cultural Centre, Mount Gambier

Review
Eve Sullivan

Published 08 December 2020
ACE Open
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I want a world
Review
Tara McDowell

Published 30 November 2020
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In review: The Partnershipping Project

Burnie Regional Art Gallery

Review
Pat Hoffie interviews Greg Lehman

Published 30 November 2020

Exhibition review Completing the Picture: Women artists and the Heidelberg era Carrick Hill, South Australia 8 November - 6 December 1992

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More from this Issue Full Issue Contents

The End of Independence? Women's Film and Video in the 1990s
Feature
Sue Maslin

Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

Published March 1993
"Just Trust The Text, Don't Colour It"
Feature
Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Wild: Beyond the Deconstruction
Feature
Deane Williams

To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

Published March 1993
Digital Art
Feature
John Conomos

The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

Published March 1993
Independent Distribution and Exhibition
Feature
Paul Kalina

In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.

Published March 1993
Wizards of Oz: Into the 90s - Between Documentary and Fiction
Feature
Freda Freiberg

In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.

Published March 1993
Redemptive Moments Through Utter Despair: The Films of Brian McKenzie
Feature
Marcus Breen

Expressionism and modernism. Two old fashioned words in these days of post modernism.

Published March 1993
Selected Shorts: Oppositionality, Postmodernity and the Australian Short Film
Feature
John McConchie

Despite my distrust of the postmodern, the possibility of disruption, the disturbance of vision that postmodernity is capable of providing within the cultural framework needs to be investigated. That such disturbances fail to deliver the most popular short films may be because they unsettle the comfortable fictions with which we seek to live....

Published March 1993
Delayed Voyage: George Popperwell
Review
Richard Grayson

Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992

Published March 1993
Floral Tributes: The Flower
Review
Peter Hill

Exhibition review The Flower
Curated by Paul Zika
Plimsoll Gallery, Centre for the Arts
Hobart Tasmania

Published March 1993
Museum Screen Dreams
Feature
Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
Cinema or Death
Feature
Anna Epstein

What is the effect on film when the maker's background is utterly different from the culture in which he now works. Anna Epstein talked to a film-maker who brings fresh vision to the Australian film industry.

Published March 1993
 
Gallipoli Art Prize
Artlink Promo
UTS
Guildhouse
MGNSW