TV Eye: Cinema in the Age of Video

Cover of TV Eye: Cinema in the Age of Video
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Metro Tunnel (Vic Gov)
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
1.126
Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
Artlink Subs Promo
1.126
Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

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More from this Issue Full Issue Contents

A Golden Threat: Feminisms
Review
David Bromfield

Exhibition review Feminisms
Curated by Niki Miller
Perth Institute of Contemporary Arts
Western Australia
November 1 - 28 1992

Published March 1993
Wizards of Oz: Into the 90s - Between Documentary and Fiction
Feature
Freda Freiberg

In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.

Published March 1993
Museum Screen Dreams
Feature
Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
The 7th International Video Festival
Feature
Jan Birmingham

Blotting paper, alchemy or potent cocktail. When radical European film-makers in the 1950s with the Nagra sound recorder and noiseless, hand held camera, the Eclair, launched what they called Cinema Verite, they thought they had discovered a way to film truth on the move.

Published March 1993
Domestic Noir Night Out
Feature
Peter Kemp

Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

Published March 1993
The Pure and The Impure: Shaun Kirby
Review
Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
Colonial Patterns Repeated: Robert Harrison
Review
Margaret Worth

Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992

Published March 1993
Come Again: Aldo Lacobelli
Review
John Neylon

Exhibition review Souvenirs Aldo Iacobelli
Experimental Art Foundation
South Australia
22 October - 15 November 1992

Published March 1993
Independent Distribution and Exhibition
Feature
Paul Kalina

In the decades prior to the expansion of art-house cinemas and television programming, 'independent distribution and exhibition' denoted a more specific activity than it does in the 1990s.

Published March 1993
"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
Feature
Audrey Yue

Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

Published March 1993
Film and Video
Editorial
Annette Blonski

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

Published March 1993
"Just Trust The Text, Don't Colour It"
Feature
Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993