The End of Independence? Women's Film and Video in the 1990s

Cover of The End of Independence? Women's Film and Video in the 1990s
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Braddon Snape: Internal pressures
Feature
Faye Neilson

Published 01 December 2020
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Looking on, listening in: Wendelien van Oldenborgh's Bete & Deise
Feature
John Mateer

Published 01 December 2020
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Butcher Joe's multiple world Stephen Muecke
Feature
Stephen Muecke

Published 01 December 2020
UTS
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Archie Barry: Entangled listening
Feature
Jacqui Shelton

Published 01 December 2020
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Meg Porteous: Dissociative bodies
Feature
Amy Weng

Published 01 December 2020
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Adam Cullen: Acute misanthropy
Feature
Wes Hill

Published 01 December 2020
Artlink Promo
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James Newitt: Working with the trouble
Feature
Sasha Grbich

Published 01 December 2020
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Hayley Millar-Baker: I will survive
Feature
Claire G. Coleman

Published 01 December 2020

Independent cinema may have been diverse in form, but its practitioners had in common a position of difference and marginality, working outside the mainstream and in opposition to it.

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More from this Issue Full Issue Contents

More Bangs for Bucks: Male Sexuality and Violence in Australian Film
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Chris Berry

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

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A Tale of Reproduction and Dependency
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The interface between film and video education and the Independent film and video production.

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Colonial Patterns Repeated: Robert Harrison
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University of South Australia Art Museum
10 September - 3 October 1992

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"Just Trust The Text, Don't Colour It"
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Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

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Who Told You We Wanted To Make Our Own TV?
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Philip Batty

The broadcasting in remote Aboriginal Communities Scheme and the failure of policy.

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TV Eye: Cinema in the Age of Video
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In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

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Pretty as a Picture: Women Artists and the Heidelberg Era
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Carrick Hill, South Australia
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Museum Screen Dreams
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Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

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Film and Video
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The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

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One Way Street
Feature
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John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

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"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
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Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

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Against 'Neofuturism': Women Artists in Technological Media
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Zoe Sofia

In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.

Published March 1993
 
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