Speaking the Ineffable: New Directions in Performance Art

Cover of Speaking the Ineffable: New Directions in Performance Art
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
ACMI
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Artlink Subs Promo
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The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.

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Nola Farman: The Challenge Continues
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Christine Sharkey

Examination of the art practice of Nola Farman.

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A Woman's Story: Hunting Grounds
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Fremantle Arts Centre, Western Australia
5 November - 10 December 1993

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Someday, Somewhere - Women and Nation in International Art
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Sue Rowley

However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.

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The Price of Liberty
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Merran Ricketson

The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.

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The Engagement of the Personal
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Teri-Ann White

How do we define ourselves? What are the choices for women these days?

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Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
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Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

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Sadomaschism, Art and the Lesbian Sexual revolution
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Sheila Jeffreys

Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

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The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
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Donald Brook

Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.

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Bush Women: Narrative Paintings from Outback Western Australia
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John Kean

Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.

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Far Beyond First Impressions
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Lorraine Hepburn

Order Australis
Dick Bett Gallery, Hobart, Tasmania
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Image Bank: The Feminist Project
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Presentation and artist statement by contemporary female art practitioners. Women looking as feminist, feminine, female, femme, feminal. Artists featured: Frances Joseph, Angela Stewart, Maryanne Coutts, Noela Hjorth, Jill Kempson, Maria Kuczynska, Rosslynd Piggott, Eugenia Raskopoulos, C. Moore Hardy, Alex Macfadyen, Janet Neilson, Deborah Paauwe, Virginia Barratt, Linda Dement, Susie Hansen, Janina Green, Joy Smith, Madeleine Winch, Kathie Muir, Libby Round, Pam Johnston, Merryn Eirth, Dee Jones, Di Barrett, Frances Phoenix and Ella Dreyfus.

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Memories of a Nebula
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Steve Wigg

Fountain installation by Derek Kreckler
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2-24 December 1993 and 11-23 January 1994

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NAVA
Dan McCabe
Japan Foundation
Crown Resorts