Speaking the Ineffable: New Directions in Performance Art

Cover of Speaking the Ineffable: New Directions in Performance Art
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Subs Promo
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Promo
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.

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Sight Lines
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Jude Adams

Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75

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Re-orienting Feminism in Aotearoa
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During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.

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Bush Women: Narrative Paintings from Outback Western Australia
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Jillian Davey: Stories on Canvas
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Printmaking and Optimism
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Nola Farman: The Challenge Continues
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Examination of the art practice of Nola Farman.

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Memories of a Nebula
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Fountain installation by Derek Kreckler
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Sadomaschism, Art and the Lesbian Sexual revolution
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Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

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A Woman's Story: Hunting Grounds
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Trapped in Paradise - Some Women Artists in Tasmania
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Victoria Hammond

The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.

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More Light (Goethe's last words)
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Craig Andrae Miscellaneous Remarks
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Reaffirming Identity
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Fab art: Works by Kerry Giles (Kurwingie)
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