Published 01 June 2019
State Library of NSW
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Published March 1994
During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.
Suffrage year celebrations and the visual arts in New Zealand.
Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.
Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.
Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.
Bunbury Regional Galleries
Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75
A survey of current issues, events and projects with respect to women's art from around Australia.
Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.
Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994
Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.