Published 25 August 2021
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Fountain installation by Derek Kreckler Experimental Art Foundation Adelaide South Australia 2-24 December 1993 and 11-23 January 1994
Published March 1994
Craig Andrae Miscellaneous Remarks Contemporary Art Centre Adelaide, South Australia 3 September - 3 October 1993
Fremantle Arts Centre, Western Australia 5 November - 10 December 1993
However, feminist artists, curators and writers could collaborate in establishing alternative frameworks for international exhibitions that would render unthinkable the omission of female artists or the implicit erasure of gender as an interpretive key.
Suffrage year celebrations and the visual arts in New Zealand.
Bunbury Regional Galleries November 1993
Discussion of the work of Aboriginal artist Hope Neill
Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.
Looks at the art practice of 5 Western Australian women artists: Helen Taylor, Alison Rowley, Moira Doropoulos, Michelle Elliot and Linda Banazis.
Fab art: Works by Kerry Giles (Kurwingie) Gallerie Australis Adelaide South Australia 23 November - December 1993
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
All New Gen Game Girl by VNS Matrix (Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation Adelaide South Australia 21 October - 21 November 1993
