Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
Looks at the work of three Queensland artists working in different ways with computers.
More from this Issue
Jillian Davey: Stories on Canvas
Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.
Sight Lines
Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75
The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.
Speaking the Ineffable: New Directions in Performance Art
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Different Dreaming
Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993
Printmaking and Optimism
Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994
More Light (Goethe's last words)
Craig Andrae Miscellaneous Remarks
Contemporary Art Centre
Adelaide, South Australia
3 September - 3 October 1993
Memories of a Nebula
Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994
En-Gendering Resistance: Opening Moves with Game Girl
All New Gen Game Girl
by VNS Matrix
(Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation
Adelaide South Australia
21 October - 21 November 1993
The Engagement of the Personal
How do we define ourselves? What are the choices for women these days?
The Art World: More Than a Foothold
Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.