Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani

Cover of Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
NAVA
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
UTS
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at the work of three Queensland artists working in different ways with computers.

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More from this Issue Full Issue Contents

Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines
Feature
Julie Ewington

Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.

Published March 1994
What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Sadomaschism, Art and the Lesbian Sexual revolution
Feature
Sheila Jeffreys

Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

Published March 1994
Reaffirming Identity
Review
Janet Maughan

Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
Adelaide South Australia
23 November - December 1993

Published March 1994
Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
Feature
Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

Published March 1994
The Changing Face of Australian Women
Feature
Anna Epstein

Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.

Published March 1994
Far Beyond First Impressions
Review
Lorraine Hepburn

Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

Published March 1994
The Price of Liberty
Feature
Merran Ricketson

The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.

Published March 1994
The Engagement of the Personal
Feature
Teri-Ann White

How do we define ourselves? What are the choices for women these days?

Published March 1994
Re-orienting Feminism in Aotearoa
Feature
Anne Kirker

During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.

Published March 1994
The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
Feature
Donald Brook

Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.

Published March 1994
En-Gendering Resistance: Opening Moves with Game Girl
Review
Deborah White

All New Gen Game Girl
by VNS Matrix
(Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation
Adelaide South Australia
21 October - 21 November 1993

Published March 1994
 
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