Published 01 June 2019
State Library of NSW
Looks at the work of three Queensland artists working in different ways with computers.
Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.
Published March 1994
Looks at the art practice of 5 Western Australian women artists: Helen Taylor, Alison Rowley, Moira Doropoulos, Michelle Elliot and Linda Banazis.
Presentation and artist statement by contemporary female art practitioners. Women looking as feminist, feminine, female, femme, feminal. Artists featured: Frances Joseph, Angela Stewart, Maryanne Coutts, Noela Hjorth, Jill Kempson, Maria Kuczynska, Rosslynd Piggott, Eugenia Raskopoulos, C. Moore Hardy, Alex Macfadyen, Janet Neilson, Deborah Paauwe, Virginia Barratt, Linda Dement, Susie Hansen, Janina Green, Joy Smith, Madeleine Winch, Kathie Muir, Libby Round, Pam Johnston, Merryn Eirth, Dee Jones, Di Barrett, Frances Phoenix and Ella Dreyfus.
Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.
Bunbury Regional Galleries
Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia
Discussion of the work of Aboriginal artist Hope Neill
Fremantle Arts Centre, Western Australia
5 November - 10 December 1993
Dick Bett Gallery, Hobart, Tasmania
The artists were selected because their work embraces not only questions of gender, but also addresses the distinctive duality between the superficial look of things and the complex web of underlying meaning, desire, fear, experience, and memory that they have located and interpreted for us. Featured artists are Jane Eisemann, Jacqui Stockdale, K.T. Prescott, Helen Wright and Megan J Walch.
Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994
Suffrage year celebrations and the visual arts in New Zealand.