Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani

Cover of Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
UTS
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
Artlink Subs Promo
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
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Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Looks at the work of three Queensland artists working in different ways with computers.

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More from this Issue Full Issue Contents

Porn Shop Art Adventures
Review
Mary Hutchison

Written with Barbara Holloway Exhibition review Joe Blow: A very erotic art exhibition by Jo Ernst
Adam and Eve Gallery Canberra
December 1993

Published March 1994
Jillian Davey: Stories on Canvas
Feature
Jenni Dudley

Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.

Published March 1994
Printmaking and Optimism
Review
Sean Kelly

Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994

Published March 1994
The Changing Face of Australian Women
Feature
Anna Epstein

Women from non-English speaking backgrounds are adding another dimension to the picture of women in Australian art. Informed by other cultures and dealing with issues of ethnic difference, the images on these pages create a broader idea of what it is to be an Australian woman.

Published March 1994
The Price of Liberty
Feature
Merran Ricketson

The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.

Published March 1994
Bad Girls: Institute of Contemporary Art London
Review
Suzanne Treister

Review Bad Girls: Institute of Contemporary Art London 7 October - 5 December 1993. Using glamour, virginity and stardom to attract as wide an audience as possible to a show of supposedly anarchic women artists all hoping to confront notions of sexuality and gender was a smart, if questionable, move....

Published March 1994
The Amazingness of Women to JUST DO IT
Review
Mara Mann

Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.

Published March 1994
More Light (Goethe's last words)
Review
Richard Grayson

Craig Andrae Miscellaneous Remarks
Contemporary Art Centre
Adelaide, South Australia
3 September - 3 October 1993

Published March 1994
Memorial to the Survivors
Review
Stephanie Britton

Discussion of the work of Aboriginal artist Hope Neill

Published March 1994
Far Beyond First Impressions
Review
Lorraine Hepburn

Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

Published March 1994
Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten
Feature
Stephanie Radok

Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.

Published March 1994
Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
Feature
Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

Published March 1994
 
IMA
ACE Open
Australian Body Art Festival
NAVA