The Engagement of the Personal

Cover of The Engagement of the Personal
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
ACMI
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

How do we define ourselves? What are the choices for women these days?

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More from this Issue Full Issue Contents

The Art World: More Than a Foothold
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Melissa Cater

Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.

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Memorial to the Survivors
Review
Stephanie Britton

Discussion of the work of Aboriginal artist Hope Neill

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Different Dreaming
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Jyanni Steffensen

Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993

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The Price of Liberty
Feature
Merran Ricketson

The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.

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What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Memories of a Nebula
Review
Steve Wigg

Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994

Published March 1994
Bush Women: Narrative Paintings from Outback Western Australia
Feature
John Kean

Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.

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Revelations of a decade
Review
Christine Sharkey

Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia

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Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
Feature
Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

Published March 1994
Nola Farman: The Challenge Continues
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Christine Sharkey

Examination of the art practice of Nola Farman.

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Sadomaschism, Art and the Lesbian Sexual revolution
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Sheila Jeffreys

Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

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Modest Perfection
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David Bromfield

Bunbury Regional Galleries
November 1993

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