The Engagement of the Personal

Cover of The Engagement of the Personal
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Subs Promo
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

How do we define ourselves? What are the choices for women these days?

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Reaffirming Identity
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Janet Maughan

Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
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Re-orienting Feminism in Aotearoa
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During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.

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Different Dreaming
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Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
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Modest Perfection
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David Bromfield

Bunbury Regional Galleries
November 1993

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A View from the Other Side - Five Women West Australian Artists
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Looks at the art practice of 5 Western Australian women artists: Helen Taylor, Alison Rowley, Moira Doropoulos, Michelle Elliot and Linda Banazis.

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Far Beyond First Impressions
Review
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Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

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What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

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Nola Farman: The Challenge Continues
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Examination of the art practice of Nola Farman.

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The Amazingness of Women to JUST DO IT
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Mara Mann

Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.

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Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten
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Stephanie Radok

Looks at the work of Heather Ellyard, Annette Bezor, Janette Moore, Anna Platten.

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Porn Shop Art Adventures
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Written with Barbara Holloway Exhibition review Joe Blow: A very erotic art exhibition by Jo Ernst
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Printmaking and Optimism
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Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994

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