The Engagement of the Personal

Cover of The Engagement of the Personal
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
UNSW
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Artlink Subs Promo
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

How do we define ourselves? What are the choices for women these days?

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More from this Issue Full Issue Contents

The Art World: More Than a Foothold
Feature
Melissa Cater

Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.

Published March 1994
Surviving the first 12 months: Swing Bridge Art Gallery Dunally
Review
Joerg Andersch

Published March 1994
The Price of Liberty
Feature
Merran Ricketson

The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.

Published March 1994
Revelations of a decade
Review
Christine Sharkey

Tangerine Dreams: a matter of Western Australian Style 1970 - 1980 Lawrence Wilson Art Gallery
University of Western Australia

Published March 1994
Reaffirming Identity
Review
Janet Maughan

Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
Adelaide South Australia
23 November - December 1993

Published March 1994
Far Beyond First Impressions
Review
Lorraine Hepburn

Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

Published March 1994
A Woman's Story: Hunting Grounds
Review
S Lavinia Hartley

Fremantle Arts Centre, Western Australia
5 November - 10 December 1993

Published March 1994
Different Dreaming
Review
Jyanni Steffensen

Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993

Published March 1994
Printmaking and Optimism
Review
Sean Kelly

Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994

Published March 1994
En-Gendering Resistance: Opening Moves with Game Girl
Review
Deborah White

All New Gen Game Girl
by VNS Matrix
(Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation
Adelaide South Australia
21 October - 21 November 1993

Published March 1994
What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Speaking the Ineffable: New Directions in Performance Art
Feature
Amanda King

Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.

Published March 1994
 
Darwin Aboriginal Art Fair
NAVA
The Torch
Artlink Promo
MGNSW