The Engagement of the Personal

Cover of The Engagement of the Personal
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Promo
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Riddoch
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

How do we define ourselves? What are the choices for women these days?

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Filipina Migranteng Manggagawa: Feminism, Art and Advocacy in the Philippines
Feature
Julie Ewington

Overseas contract workers from the Philippines support their families and their country as whole through many lonely years of exile.

Published March 1994
Update: Projects of Women and Art
Feature
Stephanie Britton

A survey of current issues, events and projects with respect to women's art from around Australia.

Published March 1994
Artrave
Artrave
Edblog

Published March 1994
What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Far Beyond First Impressions
Review
Lorraine Hepburn

Order Australis
Dick Bett Gallery, Hobart, Tasmania
August 1993.

Published March 1994
Modest Perfection
Review
David Bromfield

Bunbury Regional Galleries
November 1993

Published March 1994
Sadomaschism, Art and the Lesbian Sexual revolution
Feature
Sheila Jeffreys

Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

Published March 1994
Different Dreaming
Review
Jyanni Steffensen

Lap : an installation view. Keitha Phelps
Five Different Homes. Louise Haselton
Contemporary Art Centre
19 November- 12 December 1993

Published March 1994
Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
Feature
Nicholas Zurbrugg

Looks at the work of three Queensland artists working in different ways with computers.

Published March 1994
Reaffirming Identity
Review
Janet Maughan

Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
Adelaide South Australia
23 November - December 1993

Published March 1994
The Price of Liberty
Feature
Merran Ricketson

The Women's Art Register contains a public access slide library of 20,000 slides, 14,000 information folders representing (as at 1994) 2,400 Australian based women artists.

Published March 1994
Re-orienting Feminism in Aotearoa
Feature
Anne Kirker

During the past 8 years or so there have been two distinctive strands of activity which women artists have pursued in Aotearoa/New Zealand. Both are concerned with questions of identity. Artists Fiona Pardington, Emily Karaka, Shona Davies, Christine Webster and Robyn Kahukiwa.

Published March 1994
 
ACE Open
NAVA
Art Nocturne
Churchie
UTS