The Engagement of the Personal

Cover of The Engagement of the Personal
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Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
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Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
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The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
NAVA
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Crafty prepping
Feature
Sera Waters

Published 01 March 2020
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2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
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Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019

How do we define ourselves? What are the choices for women these days?

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More from this Issue Full Issue Contents

Memories of a Nebula
Review
Steve Wigg

Fountain installation by Derek Kreckler
Experimental Art Foundation
Adelaide South Australia
2-24 December 1993 and 11-23 January 1994

Published March 1994
Speaking the Ineffable: New Directions in Performance Art
Feature
Amanda King

Looks at Linda Sproul's 'Listen' and Barbara Campbell's 'Backwash'.

Published March 1994
En-Gendering Resistance: Opening Moves with Game Girl
Review
Deborah White

All New Gen Game Girl
by VNS Matrix
(Josephine Starrs, Francesca Da Rimini, Julianne Pierce, Virginia Barratt), Experimental Art Foundation
Adelaide South Australia
21 October - 21 November 1993

Published March 1994
Shedding Skins: Identity and 'Lesbian' Art Practice
Feature
Barbara Bolt

What does it mean to present as a 'lesbian' artist? The very identity categories 'gay', 'lesbian', 'heterosexual' are extremely problematic. Now that 'I' am out, I find that I am in - inside a category that reduces rather than expands possibilities for me, not just as an artist, but as a person.

Published March 1994
Making (A) Difference: Suffrage Year Celebrations and the Visual Arts in New Zealand
Feature
Christina Barton

Suffrage year celebrations and the visual arts in New Zealand.

Published March 1994
Bush Women: Narrative Paintings from Outback Western Australia
Feature
John Kean

Article written with Karen Dayman Works being produced by senior indigenous women artists around Western Australia use figurative elements as well as symbols to doucment their own histories during a period of unprecedented social and environmental upheaval.

Published March 1994
Jillian Davey: Stories on Canvas
Feature
Jenni Dudley

Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.

Published March 1994
Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
Feature
Nicholas Zurbrugg

Looks at the work of three Queensland artists working in different ways with computers.

Published March 1994
Sight Lines
Book Review
Jude Adams

Book review: Sight Lines Women's art and Feminist Perspectives in Australia Sandy Kirby Craftsman House Sydney 1992 RRP $75

Published March 1994
Nola Farman: The Challenge Continues
Feature
Christine Sharkey

Examination of the art practice of Nola Farman.

Published March 1994
The Amazingness of Women to JUST DO IT
Review
Mara Mann

Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.

Published March 1994
The Horror of the Prose: Some Reflection on a Paper entitled The Horror of the Gaze
Feature
Donald Brook

Some reflections on a paper entitled the Horror of the Gaze. Art criticism is, perhaps, an art form and not expected primarily to make sense. There is no consensus about what art is, but we do seem to share an urge to understand what critics say about it.

Published March 1994