Update: Projects of Women and Art

Cover of Update: Projects of Women and Art
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Axolotl
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Artlink Subs Promo
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

A survey of current issues, events and projects with respect to women's art from around Australia.

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More from this Issue Full Issue Contents

Image Bank: The Feminist Project
Feature
Stephanie Britton

Presentation and artist statement by contemporary female art practitioners. Women looking as feminist, feminine, female, femme, feminal. Artists featured: Frances Joseph, Angela Stewart, Maryanne Coutts, Noela Hjorth, Jill Kempson, Maria Kuczynska, Rosslynd Piggott, Eugenia Raskopoulos, C. Moore Hardy, Alex Macfadyen, Janet Neilson, Deborah Paauwe, Virginia Barratt, Linda Dement, Susie Hansen, Janina Green, Joy Smith, Madeleine Winch, Kathie Muir, Libby Round, Pam Johnston, Merryn Eirth, Dee Jones, Di Barrett, Frances Phoenix and Ella Dreyfus.

Published March 1994
Printmaking and Optimism
Review
Sean Kelly

Exhibition review I'sland (I'l)n.
Exhibition of prints Long Gallery, Salamanca Arts Centre, Hobart, Tasmania
23 December - 2 January 1994

Published March 1994
More Light (Goethe's last words)
Review
Richard Grayson

Craig Andrae Miscellaneous Remarks
Contemporary Art Centre
Adelaide, South Australia
3 September - 3 October 1993

Published March 1994
The Art World: More Than a Foothold
Feature
Melissa Cater

Australian women artists still see grey skies when they look out of their studio windows. This study examines the experiences of women in the hierarchical Australian contemporary art scene.

Published March 1994
Fatal Attractions: Women and Technology: Norma Wight, Edite Vidins and Lyndall Milani
Feature
Nicholas Zurbrugg

Looks at the work of three Queensland artists working in different ways with computers.

Published March 1994
Porn Shop Art Adventures
Review
Mary Hutchison

Written with Barbara Holloway Exhibition review Joe Blow: A very erotic art exhibition by Jo Ernst
Adam and Eve Gallery Canberra
December 1993

Published March 1994
The Amazingness of Women to JUST DO IT
Review
Mara Mann

Rural Australia produces resolute women - astute, sensible, profound. This article examines the work of one of a woman from the south west of Western Australia - what influences and inspires her.

Published March 1994
Modest Perfection
Review
David Bromfield

Bunbury Regional Galleries
November 1993

Published March 1994
What Should We Do With The 'Women and Art' Elective?
Feature
Jude Adams

Women's courses since the 1970s have become a familiar if marginalised component of most art school curricula, their initial aim being to compensate for the absence of women in the Art History and Theory syllabus and to encourage the development of feminist art practices.

Published March 1994
Reaffirming Identity
Review
Janet Maughan

Fab art: Works by Kerry Giles (Kurwingie)
Gallerie Australis
Adelaide South Australia
23 November - December 1993

Published March 1994
Jillian Davey: Stories on Canvas
Feature
Jenni Dudley

Jillian Davey works at the Ernabella Arts Centre on the Pitjantjatjara Lands of the north west of South Australia.

Published March 1994
Sadomaschism, Art and the Lesbian Sexual revolution
Feature
Sheila Jeffreys

Black leather, blood, piercing and tattooing, glamourised dominance and submission should be approached with political discernment and discrimination.

Published March 1994
 
Pilbara Creative Forum
NAVA
PICA
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Joondalup