Published 01 June 2019
State Library of NSW
Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.
The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?
Published June 1994
Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.
The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.
Review The Festival of Perth presented two major exhibitions of Western Australian Aboriginal art Bush Women at the Fremantle Arts Centre and This is my country at the exciting new exhibition venue 'Artplace' in Claremont.
Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.
The transforming role of local government. More enlightened attitudes towards art making are coming from all levels of government and from property developers and others - often at the urging of those various levels of government.
Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.
Review Adelaide Installations
South Australia Various locations
25 February - 13 March 1994
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.
Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.
How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?
"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."