Gretta Louw is an Australian artist, writer, and curator based in Munich, Germany. Her practice investigates the tensions between the technosphere and the biosphere. Her work has been exhibited widely in public institutions and galleries in Hong Kong, the USA, Switzerland, Germany, Spain, the UK and Australia.
The author extends her gratitude to Ruth Catlow and Dani Admiss for their support in the writing of this essay and love and thanks to Caspar Kupser, without whom this project would have been impossible.
