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Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

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1 August 2023
Issue 43:2
After AI
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From the archive
Diena Georgetti’s Surgeon’s Playlist/Wilding The Neoteric project and three Adelaide painters Paint is a doing word: Anna Gore and Mary-Jean Richardson Tales of spirit painting, old and new: Contemporary artists materialising the spiritual
Perks Sydney Contemporary ANAT Bendigo Art Gallery

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Una Rey
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‘Privately public’ microtopias: Court, Brown, Carney and AI
Amy May Fischli
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AI and artist’s copyright: Stay tuned
Ian McDonald
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Techno-pessimism and virtual worlds: AI, sci-fi and the films of Jon Rafman
Sophie Knezic
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Mothering AI: Who’s up to the job?
Gretta Louw
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AI goes to art school
Jess Herrington
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Evidence wall
Roy Ananda
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The mind’s semblance

In The Economist recently, historian and philosopher Yuval Noah Harari claimed that ‘AI has hacked the operating system of human civilization.’ Highlighting the existential risk that artificial intelligence could possibly supersede the human mind and disrupt the order of human history, he proclaims: At first, AI will probably imitate the human prototypes that it was trained on in its infancy, but with each passing year AI culture will boldly go where no human has gone before. For millennia human beings have lived inside the dreams of other humans. In the coming decades we might find ourselves living inside the dreams of an alien intelligence.

Although Harari’s hypothesis reflects the complexity of our future with AI, throughout history technological innovations have raised concerns towards the new ‘other,’ whatever its form. So, in what way is this progression—or rather, regression—with ubiquitous AI different to any other tool humanity has previously crafted? 

Melissa Bianca Amore and Refik Anadol
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City of the gimmick: AI at Melbourne Now
Cameron Hurst
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Lament for photography

On the 15th of June, 2023, students from The Australian National University’s School of Arts and Design hosted a funeral and memorial service to celebrate the life (and death) of Photography at PhotoAccess, Canberra.

Lily Fowler
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Blind spots and possibilities: Exhibit A-i and fictional realism
Amanda Mwenda
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The Artlink Archive Project: Digital art from dial-up to AI
Julianne Pierce
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Connecting contemporary art, ideas and people.

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Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

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