Ancestral memory: out of the shadows

Cover of Ancestral memory: out of the shadows
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Promo
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

University of Melbourne Research Fellow Fran Edmonds along with Victorian artists Lee Darroch, Maree Clarke and Vicki Couzens looks at the story of Aboriginal art in Victoria as a determined reclamation of the past, a cross-generational celebration in the present and a visionary guide for the future.

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For architecture and country
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Kevin O'Brien

Torres Strait Islander Kevin O'Brien, who is commissioning and directing an independent exhibition called 'Finding Country' at the Venice Architecture Biennale 2012 running from August to 25 November 2012, writes about an Aboriginal architecture that is not about buildings shaped like native animals.

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FotoFreo 2012: The City of Fremantle Festival of Photography
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Into Cosmos: Adelaide Festival Artists' Week 2012
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Archie Moore: drilling deep
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Freelance curator and writer Tim Morrell studies the art practice of Brisbane-based Archie Moore which is emphatically free from any signature style and is concerned with sharing his experience as an Indigenous Australian in order to put viewers 'in his shoes'.

Published June 2012
Tu Di Shen Ti, Our Land Our Body: the Ngaanyatjarra poetic goes to China
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The exhibition 'Tu Di Shen Ti – Our Land Our Body, Masterworks of the Warburton Collection', was seen in China by about a quarter of a million people, across seven venues, throughout 2011. Director of the Warburton Arts Project Gary Proctor describes how the exhibition came about, what it looked like and what its goal are.

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Parallel Collisions: 2012 Adelaide Biennial of Australian Art
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2 March to 29 April 2012
Art Gallery of South Australia
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Presences in the land: Nici Cumpston
Artist Profile
Una Rey

Adelaide-based artist and curator Nici Cumpston's work is examined by Newcastle-based artist and curator Una Rey. Cumpston's work studies her family and ancestral history as well as being inextricably concerned with environmental issues.

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Artefacts of Authenticity
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Garry Jones

Artist and lecturer Garry Jones is undertaking a Phd at the Australian National University School of Art in Canberra. In this article he reveals some of his investigations of Aboriginal artefacts in museum collections and questions notions of authenticity, reclamation and reinvigoration of the past in contemporary Aboriginal art.

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Exhibitions to Watch
Stephanie Radok

Published June 2012
The Ballad of Jimmy Governor
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Djon Mundine

Emeritus Indigenous curator Djon Mundine wrote this essay on the occasion of a production of Posts in the Paddock a play about Jimmy Governor by the company My Darling Patricia. The performance included members of the both families involved. Mundine addresses questions of familial and national forgiveness.

Published June 2012
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®ECLAIMED Closing the gap of radical apathy
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Daniel Browning

Daniel Browning takes a long hard look at the gap of apathy in Australia.

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Big wave: Desert Country
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John Kean

Legendary curator John Kean looks at three recent large exhibitions of Aboriginal art - Tjukurrtjanu: Origins of Western Desert Art, Desert Country and Living Water, and questions whether the same spirit sings in all of them.

Published June 2012