Openwork patterns: Love Lace

Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.

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Australian Centre for Contemporary Art, Melbourne 21 December 2011 – 4 March 2012

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Threads: Contemporary Textiles and the Social Fabric

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Mesne: Pattern In(formation)

Tim Schork and Paul Nicholas founded MESNE Design Studio, an innovative architecture and urban design studio working globally as one office from London and Melbourne, to explore the relationship between architecture and divergent domains of knowledge through the use of computation in order to create innovative design strategies for novel spatial structures. They write about the back story of the project "Pricking', an interdisciplinary collaborative project between MESNE Design Studio, Ian Maxwell (supermanoeuvre) and Indae Hwang, which involves an interactive lace-making table with an infra-red based multi-touch interface.

Tim Schork and Paul Nicholas

The inchworm revisited

Artist, writer and honorary visiting Professor at the Centre for Computational Neuroscience and Robotics at the University of Sussex in England Paul Brown sketches out the long intertwining history of the relationship between C.P. Snow's two cultures - art and science, design and mathematics, beauty and computation, and extrapolates upon Lady Ada Lovelace's famous words: "We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves."

Paul Brown

Shadows of meaning in the Eko Chamber: Eko Nugroho

James Bennett

Editorial: Pattern & Complexity

Margot Osborne

Andre Lipscombe: BOO!

Nyisztor Studio 1 - 23 October 2011

Ron Nyisztor and Trevor Richards

Australian art abroad: Doing it better

Alison Carroll

In Action, Inaction: Dara Gill

MOP Projects Gallery 1 1 December - 17 December 2011

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Choreography of the elements: Janet Echelman

American artist Janet Echelman reshapes urban airspace with monumental, fluidly moving sculpture that responds to environmental forces including wind, water, and sunlight. The artist’s ongoing series of aerial net sculptures started in 1997 when she was in India as a Fulbright Scholar and became fascinated with the beauty and movement of traditional fishing nets. In 2011 her installation 'Tsunami 1.26' hung over the Town Hall traffic intersection in Sydney as a joint initiative of the Powerhouse Museum and Art and About Sydney.

Margot Osborne

Fractal food

John Walker is the founder of Autodesk, Inc. and co-author of AutoCAD. In Fractal Food he discusses the marvel of fractal forms (complex shapes which look more or less the same at a wide variety of scale factors) as they are seen in a rather wonderful vegetable - the chou Romanesco.

John Walker

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