Adjunct Professor at RMIT Kevin Murray contrasts the idea of Australians as xenophobic 'moat' people with the idea of 'poor craft' which uses detritus to alchemically create a new preciousness.
Former Head of Asialink Alison Carroll visited Touched the Liverpool Biennial and found 870 artists showing in 400 exhibitions over the 10 weeks of the event.
'Unlimited Asia Pacific' is a platform for the Queensland state government to join Victoria as a leading force in Australia’s emergent design economy. It coincides with the birth of the Australian Design Alliance as a lobbying group to promote design as a capacity across government.
Senior Lecturer at the Power Institute, University of Sydney, Catriona Moore writes bout the recent work of Fiona MacDonald in terms of its connections to locality and history.
Chief Curator at the National Institute for Experimental Arts (NIEA) at the College of Fine Arts, Uni of NSW, Felicity Fenner discusses the HotHouse Symposium the launch event of a longer-term research project called 'Curating Cities' being conducted by NIEA in association with Object: Australian Centre for Craft and Design and the City of Sydney. Other research partners include the Melbourne-based group, Carbon Arts, which facilitates opportunities for artists to generate awareness and action on climate change. The central premise of the project is that we can no longer simply curate art, but need to think more holistically, instead curating space in ways that are environmentally sustainable.