Former Head of Asialink Alison Carroll visited Touched the Liverpool Biennial and found 870 artists showing in 400 exhibitions over the 10 weeks of the event.
Senior Lecturer at the Power Institute, University of Sydney, Catriona Moore writes bout the recent work of Fiona MacDonald in terms of its connections to locality and history.
Stephanie Radok reviews eleven recent publications in a long celebration of the book: Before Time Today: Reinventing Tradition in Aurukun Aboriginal Art; Once Upon a Time in Papunya; John Davis: Presence; Ingo Kleinert: Two Decades; Joachim Froese: Photographs 1999-2008; Renata Buziak: Afterimage; Substance of Shadows: Jutta Feddersen; Khai Liew; Rounds (PICA); Barbara Hanrahan: A Biography; and Ken Bolton's Art Writing.
Joanna Mendelssohn examines a new book on photography, second in a series, this time juxtaposing German and Australian artists. Mendelssohn writes "What Germany and Australia have in common is a certain navel-gazing obsession about what it means to belong to their particular nationalities."
One of Artlink's London correspondents Jo Higgins visited EXPOSED : Voyeurism, Surveillance and the Camera at the Tate Modern, an exhibition of photography first developed at the San Francisco Museum of Modern Art, and found it overwhelmingly strong.
Artlink began thirty years ago in a corner of an office in Adelaide. Today it is available in the Tate Modern Bookshop purveying its unique brand of attention to important issues in contemporary art, mostly Australian, often international, wherever the ideas are sharp and the ideals are idealistic.
Curious Colony: A twenty first century Wunderkammer Curator: Lisa Slade Newcastle Region Art Gallery 11 July – 29 August 2010 Curious Colony will be touring to the SH Ervin Gallery, Sydney, 11 January – 20 February 2011.
Adjunct Professor at RMIT Kevin Murray contrasts the idea of Australians as xenophobic 'moat' people with the idea of 'poor craft' which uses detritus to alchemically create a new preciousness.