Published 01 December 2020
Managing editor of RealTime Keith Gallasch describes what the web means to print journalism and how RealTime manages its website and its hardcopy in a careful adaptation to a changing and unpredictable publishing ecology.
Shelter: On Kindness
Curators: Suzanne Davies with Vanessa Gerrans and Sarah Morris
RMIT Gallery, Melbourne
25 September – 25 October 2009
Published December 2009
Milestones: Ken Orchard 1980-2009
Red Poles Gallery, McLaren Vale, South Australia
29 August – 27 September 2009
Adelaide-based Zinemeister Dr Ianto Ware discusses how prophecies of digital dominance are colosally wrong with regard to zine publishing a genre which remains exclusively hardcopy. He finds zines to be quintessential examples of Editor of Wired Magazine Chris Anderson's Long Tail in which tiny niches multiply and thrive.
Nyukana Baker : Retrospective
JamFactory Gallery, Adelaide
Curator: Diana Young
1 August - 7 September 2009
Bill Morrow, artist and legal expert in copyright law, sets out the current state of play. He says that some form of copyright is here to stay but it is in flux with regard to digital rights and the upcoming introduction of laws providing greater privacy protection.
Shih Chieh Huang : Cubozoa – L-09
Shed E @ Howard Smith Wharves, ARC Biennial of Art, Brisbane
9 October - 1 November 2009
talking it through:
publishing in a carbon neutral future
Amanda Matulick is the managing editor of the Australian Network for Art and Technology (ANAT)'s publication Filter magazine, which is hardcopy as well as online at http://filter.anat.org.au. Filter uses open source Creative Commons licensing for its contributors. This means free sharing of information and ideas or as she puts it: "creation for creation's sake".
Executive Director of the National Association for the Visual Art (NAVA) Tamara Winikoff looks at the recent situation in Australia regarding censorship, art, politics and the law.