Daphne Williams: The Solid Core

It is the 3rd October, 2006, and Daphne and I have arranged to meet at the Araluen Centre in Alice Springs for a cup of tea and an interview. Although I arrive on time by my watch, she is already there, neatly dressed and groomed, and punctual and reliable as she always is.

More from this Issue

Louise Weaver

Taking a Chance on Love: Selected Works 1990 - 2006 Louise Weaver 9 July - 27 August 2006 McClelland Gallery + Sculpture Park, Langwarrin, Victoria

Kate Just

A Man's World

A Man's World John Beard, Gordon Bennett, Jon Campbell, Adam Cullen, Andrew Curtis, Dani Marti, Noel McKenna, Euan McLeod, James Mellon, Glenn Morgan, Ben Morieson, Charles Robb, Gareth Sansom, David Wadelton Curated by Frank McBride Museum of Brisbane 18 July - 19 November 2006

Tim Walsh

Clifford Frith: perpetuating the bloodlines

Pat Hoffie talked to Clifford Frith, about his life as an artist and a teacher, about where and how your essential focus is born and shaped and the possibility of passing some of this on to students and others. She has admired and watched his way of working and living for two decades and as Frith continues to outlive in energy and inventiveness so many younger than himself she probes into how this came to happen. He is a prolific artist, moving between painting, sculpture and drawing.

Pat Hoffie

video/performance nights at Downtown

Local Video & Performance Nights McKay/Siebert & Viv Miller; Shimmeeshok; Emma Northey & Stephen Roedel 6, 20, 27 September 2006 Downtown Artspace, Adelaide

Bridget Currie

Butcher Cherel Janangoo: Imanara

Butcher Cherel Janangoos birth took place around eighty-five years ago. His mother was a Gooniyandi and Kija woman and he cites this as his heritage. He is first and foremost a markmaker. The lexicon of dots, dashes, strokes, washes, lines and imprints of brush, carving tool and sponge that Butcher employs are played out on canvas and paper as well as on etching and lithography plates and lino blocks. He is happy to work in any of these media yet regardless of the form or content of Butchers works, the subjects are all spectres of the same country, his riwi or home country that he calls Imanara.

Karen Dayman

Rewards, Awards and Living Treasures

Thelma John provides an insight towards the National Trust Living Treasures Program, which recognises outstanding Australians that have contributed to our society with invaluable knowledge and experience within different disciplines such as visual art, acting and sport. John goes on the say that the program was initially for the elderly but has recently included more youthful luminaries. Although in retaliation to this John continues to elaborate on Australia's consistent movement towards a suitable Living Treasures program that includes awards that recognise such achievements within the Australian community.

Thelma John

Donald Horne: The Power to Transform

While Donald Hornes contributions as a writer and public intellectual are widely known, his contribution to our understanding of the importance of culture in the lives of ordinary people is less so. He was someone who was moved by symbolism and ideas. He publicly championed the importance of cultural life something no other chairman of the Australia Council, with the possible exception of Nugget Combes, has attempted. Artlink asked Deborah Mills to unpack the ways in which Horne operated in this arena.

Deborah Mills

Decorama at Inflight

Decorama at Inflight Fiona Lee Inflight Gallery, Hobart 2 - 30 September 2006

Andy Wear

Pioneering Gallerists: Bruce Pollard

The spirit of Pinacotheca burst forth in 1967 with Bruce Pollards opportunistic purchase of an elaborate seafront mansion at St Kilda, Melbourne. After three years Pollard was prompted and moved into a large raw, multi-level former factory in Richmond where Pinacothecas era erupted with an exhibition of large works by Peter Booth, Mike Brown, Peter Davidson, Bill Gregory, Dale Hickey, Robert Hunter, Kevin Mortensen, Ti Parks, Robert Rooney, Rollin Schlicht and Trevor Vickers. This article goes on to briefly explore the success of Pinacotheca and the many artists who emerged and blossomed here.

Trevor Fuller

Ernest Orel: Master of the Press

The relationship of the artworld with the world of mass production printing has always been a very important one. Graphic designers and their clients have been blessed in Adelaide by the presence here of Ernest Orel whose commitment to quality, attention to detail and willingness to experiment has helped and inspired many people and set a very high benchmark for the whole of Australia. Here Irene Previn looks at the prominent career of Ernest Orel now aged 74 and the outstanding achievements of his printing company Finsbury in the production of environmentally friendly products and processes.

Irene Previn

Daniel Thomas: Empathy and Understanding

Steven Miller talked to Daniel Thomas AM, much-loved curator and Emeritus Director of the Art Gallery of South Australia, at his house overlooking the wild north coast of Tasmania about what he has discovered about art and artists during his long career across three major Australian art museums.

Steven Miller

Donald Brook: Secret Agent

Ian North

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