In a Barbie World

Cover of In a Barbie World
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Artlink Promo
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
Artlink Subs Promo
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Fictional Barbies (Mattel trademarked doll) are presented in the dark side of suburbia spinning a queer identity for Ken and Barbie.

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More from this Issue Full Issue Contents

The Painted Coast: Views of the Fleurieu Peninsula Coast of South Australia.
Review
Cath Kenneally

Art Gallery of SA
8 May to 16 August 1998
Curated by Jane Hylton

Published September 1998
Censor and be Damned
Feature
Julie Robb

Julie Robb is the executive director of the Arts Law Centre of Australia. The centre advises artists and those involved in exhibitions and publication of risky material of the cultural responsibilities to make efforts to find ways of exercising their privileges. Looks at the current practices.

Published September 1998
Dying Frightened: Gasps of Old Men in Suits
Feature
Linda Dement

Explores the nature of censorship, how it is applied and the consequences of repression in artistic expression. Analyses the issues from a feminist perspective. "Censorship is about as effective as prohibition". Examines the censorship applied to the exhibition by Jasmine Hirst.

Published September 1998
Sustained Contemplative Images: Atlas Exhibition Cathy Blanchflower
Review
Mary Livesey

Goddard de Fiddes Gallery, Perth
1 - 22 May 1998.
Reviewed by Mary Livesey

Published September 1998
Porn Again
Feature
George Alexander

Porn is a safety valve, big business, a cabinet of curiosities, a staging theatre for many contradictions and inversions: male submission, female dominance, intricate identity and gender crossings, and the validity of female desire. Pleasure is misunderstood in a society where is commodified, exchanged and consumed displaced into food, wine, cars....Discusses the works of Jane Burton, Mary Fallon, Catherine Mackinnon, Marcia Pally and W.H.Auden.

Published September 1998
The Prying Game
Feature
Stephanie Britton

Explores the difficult issues surrounding artistic expression and censorship (both self censorship and public) with the associated threat of legal action.

Published September 1998
Ecologies of Place and Memory and Time and Tide
Review
Diana Klaosen

Ecologies of Place and Memory (Lauren Berkowitz, Rosemary Burke, Torquil Canning, Lola Greeno, Ruth Hadlow, Sieglinde Karl and Louise Weaver)
Time & Tide (Rowena Gough, Gay Hawkes, Lin Li, Pilar Rojas and Catherine Truman)
Both curated by Bridget Sullivan
Plimsoll Gallery, Centre for the Arts, Hobart
May 22 - June 14 (Ecologies)
June 19 - July 12 (Time)

Published September 1998
Cosie: She Decorated a House and Called it a Home
Review
Lisa Harms

Annette McKee and Helen Fuller Jam Factory Gallery Adelaide SA
16 May- 5 July 1998

Published September 1998
Fetish: So what's your Fetish?
Feature
Serena Kuhl

The artist writes about her interest in feminism and much of what is written seems intrinsically fetishistic. Her aim was to try to create a democratic, woman friendly fetish language.

Published September 1998
Visual Culture, Pornography and Censorship
Editorial
Robert Crocker

Editorial: hypocrisy in our attitude to sex. It is both celebrated and maligned, and the censorship laws allow young people to view explicit violence while classifying sex for adults only, based on psuedo-scientific analysis of 'normal' or 'aberrant'. This history of public attitude from the Enlightenment on, libertinism a radical opposition to status quo, advertising and porn, and artists exercising self-censorship.

Published September 1998
The Promise of Fruit: Kirsty Darlaston, Brenda Goggs, Lucia Pichler, Karen Russell
Review
Janene Pellarin

North Adelaide School Of Art Gallery
13 May - 4 June 1998

Published September 1998
8 X Tables by Steve Tepper
Review
Robyn Taylor

Moore's Building, Fremantle
May 14 - 28, 1998
Reviewed by Robyn Taylor

Published September 1998
 
Amended 2020
Guildhouse 2
MGNSW
NAVA
PICA