In a Barbie World

Cover of In a Barbie World
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Subs Promo
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Riddoch
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Fictional Barbies (Mattel trademarked doll) are presented in the dark side of suburbia spinning a queer identity for Ken and Barbie.

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More from this Issue Full Issue Contents

Subject Declined: Swap Mail with Francesca Da Rimini
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Colin Hood

Explores Francesca Da Rimini's web site 'Dollspace' - extracts of an email interview.

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Cosie: She Decorated a House and Called it a Home
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Annette McKee and Helen Fuller Jam Factory Gallery Adelaide SA
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The Promise of Fruit: Kirsty Darlaston, Brenda Goggs, Lucia Pichler, Karen Russell
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Some Notes on Pornography, Contemporary Art and Social Politics
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Explores the 'pornographic' in the public domain. Art isn't an excuse for pornography, because pornography simpy exists. Art has remained a realm within which a vast range of ideas can be explored and tested. There are no questions of ethics or morality in art. This starts to get more exciting as art gets closer to life.

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Visual Culture, Pornography and Censorship
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Robert Crocker

Editorial: hypocrisy in our attitude to sex. It is both celebrated and maligned, and the censorship laws allow young people to view explicit violence while classifying sex for adults only, based on psuedo-scientific analysis of 'normal' or 'aberrant'. This history of public attitude from the Enlightenment on, libertinism a radical opposition to status quo, advertising and porn, and artists exercising self-censorship.

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Ecologies of Place and Memory and Time and Tide
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Diana Klaosen

Ecologies of Place and Memory (Lauren Berkowitz, Rosemary Burke, Torquil Canning, Lola Greeno, Ruth Hadlow, Sieglinde Karl and Louise Weaver)
Time & Tide (Rowena Gough, Gay Hawkes, Lin Li, Pilar Rojas and Catherine Truman)
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An Accelerated Life: Lydia Lunch
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Caroline Farmer

Women need to fight for an alternative pornography. Women need a pornography that addresses all the alternatives of our sexuality, in every format, so that there's something for everyone....Farmer interviewed porn star Lydia Lunch on her visit to the MRC in Adelaide.

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Andy's Idol
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Lutz Presser

Analysis of some of Andy Warhol's early works to demonstrate a direct link between his art and the homoerotic magazines which the author found in his Time Capsules in the archives of the Andy Warhol Museum in Pittsburgh, USA.

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The Painted Coast: Views of the Fleurieu Peninsula Coast of South Australia.
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Cath Kenneally

Art Gallery of SA
8 May to 16 August 1998
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The Museum, the Muslim and the Infidel: K L Revisited
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Pamela J Zeplin

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Masculinity Below the Surface: Pornography and Suppression in Images of Broken Hill Miners
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Murray Couch

Mines and mining provide underground settings for a sub-genre of gay male porn. Features the work of artists George Gittoes and Avis Smith.

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Garden of Earthly Delights: Erotica at Carrick Hill
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Gone from Carrick Hill before it became a public collection are three Stanley Spencer erotic paintings and William Dobell's 'The Duchess Disrobes' (two versions). Smith examines the nature of the collection of works by Sir Edward and Lady Ursula Haywood.

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