Places for Souls to Play

Cover of Places for Souls to Play
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Desert Mob
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
QAGOMA
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Looks at the work of Gabriel Poole with statements by Gabriel Poole.

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More from this Issue Full Issue Contents

Willmot Playspace Project
Feature
Marla Guppy

Willmot Play Space has taken place over a four year period and has involved the conversion of a disused football field inot a community park.

Published December 1991
Creating Livable Places
Feature
Robert McNulty

Affecting one's city, state or country requires wit, wisdom opportunity and a sense of fun. Robert McNulty, President of the extraordinarily successful Washington based 'Partners for Livable Places' gives a thumb-nail sketch of the last 15 years of the organisation and some of the tools they have used as operational forces for action.

Published December 1991
The Re-humanising of Water
Feature
Richard Clark

Ecologically sustainable development is a stated aim of our national and state governments. Unless we can stimulate a higher and more sustained level of discussion on what this means, our progressis likely to remain fitful and unfocussed. Hopefully this article will stimulate the debate!

Published December 1991
Juan Davila
Review
Paul Greenaway

Exhibition review Juan Davila
Contemporary Art Centre
Adelaide South Australia
9 August - 8 September 1991

Published December 1991
Artists and the Mt Leuseur Campaign
Feature
Ric McCracken

Artist's involvement in the Mt Lesueur Campaign -- 200 km north of Perth, Western Australia.

Published December 1991
Maleness
Review
Richard Grayson

Exhibition review Asunder: Works by Rick Martin and David Kerr Artspace Festival Centre
Adelaide South Australia
September - October 1991

Published December 1991
Community Architecture: High on People Power, Low on Fossil Fuels
Feature
Stephanie Britton

Gregory Burgess and Associates are a remarkable architectural practice which places high value on the collaborative design process with clients and users as well as low energy use now has three major community projects to its credit...

Published December 1991
Built Form for Well-Being, Not Just Comfort
Feature
Emilis Prelgauskas

Looks at issues of energy self sufficiency -- battery banks and photovoltaic solar collector panels.

Published December 1991
Andy Goldsworthy: Everything in the City is Nature
Feature
Stephanie Radok

British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.

Published December 1991
First Australian Jewellery Biennial
Review
Gerry Wedd

Exhibition review First Australian Jewellery Biennial
Jam Factory Craft and Design Centre
Adelaide South Australia
October 1991

Published December 1991
Hook's Mountain - The Environment as Theatre
Feature
Tim Thorne

Tasmanian theatre company Zootango's touring production Hook's Mountain.

Published December 1991
Aspects of Earth Building in New Zealand
Feature
Graeme North

New Zealand is not only snake less and nuclear free but also has a tradition of earth buildings. In pre European times, Maori utilised the ground's insulating properties by partially sinking thatched roofed houses into the ground.

Published December 1991
 
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