Published 01 September 2018
Published 01 December 2016
Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.
Cultural Iconographies is an exhibition of work by migrant and refugee artists who have been in Australia for a relatively short time. To take place in the Bondi Pavilion, Sydney during Carnivale October 1991.
Published June 1991
The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.
How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.
Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.
The Office of Multicultural Affairs talks for Artlink with James Mollison, Director of the National Gallery of Victoria March 1991.
Paul Borg, an artist of Maltese origin, speaks of his unusual working arrangements.
Exhibition Review: Josie Starrs, Margaret Worth, Fay Poole and Barbara Zerbini
Experimental Art Foundation
Adelaide South Australia
June 1990 and touring to regional galleries.
Hossein Valamanesh writes from Berlin hoping that this issue of Artlink will help in the understanding of the multicultural nature of Australian Culture and not assist in any way in making pigeon holes to safely classify the issue.
Colonial Ghettoes: the possibilities and limitations of new identity as vision.
Looks at the ceramic works of Zsuzsa Kollo which refer to Pre-historic, Eastern, and Christian works. includes b/w photo.
Standing between the mirrors of East and West, my art always gets an inverted image and a double interpretation. This is me.....
A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.