The Future of Art
Issue 19:2 | June 1999
Speculations about art practice, art education, and questions of access to art are illustrated by case studies of five individual artists, and analyses of the state of play in our educational institutions and surveys of new media, regional and multicultural debates. Professionalism for artists is examined, tax and copyright, as well as e-commerce as a new direction for marketing. Curators address the changing role of art museums in relation to new work.
In this issue
The Future of Art
Polemic: The End of Art Schools as we know them?
Polemic: Practice Makes Perfect: Art Museums, Audiences and the Future.
A Worthwhile Investment: The Ceramics of Pippin Drysdale
The Rise and Rise of Michael Eather
Talking about Ethics: Marie Sierra takes on her audience
Striking a Chord: David Keeling's Postcolonial Tasmania
Hossein Valamanesh: Taking the Intuitive Path
Deschooling Art
Thin Red Pocket Lining: A Note on the Value of University Art Schools
How the Tail Now Wags the Dog
An Identity Crisis for Art Education?
The Traditional and the New - Artists and Teachers Please Note
Virtual Futures for New Media Art: A Report on dLux Media Arts' Immersive Conditions Forum
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
A Country Practice...
New Geographies of Knowledge
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Unheard Voices: Asian Artists in Australia
Art Teachers Hampered by Lack of Training
The Artist and the Critic
Hypothetical Product
The Good the Bad and the GST
Upping the Ante: SALA'99.Leter to the Editor
User-friendly Internet Options for the Arts
Immediate
Emblematic
Doll
Blak Beauty and Images from the Sea
Butcher Cherel Janangoo, Julie Dowling, Julie Gough
Riding on the Edge: Art, Identity and the Motorcycle