Thinking Craft, Crafting Thought
Issue 12:2 | June 1992
A special issue which in arguing the old art/ craft debate is proposing usable theories for practice. What is the future for craft? Re-evaluating 'women's work', craft, science and technology. Reviews
In this issue
Parables of Criticism
Toward a Typology of Small Objects
The Floating Web
Why Craftwork Does Not Compute
Craft, Science and the Natural: An Introduction
The Watch, the Pen and the Biro
The Archaeological Metaphor: A Personal Excavation
Distant Lives/ Shared Voices
The Reflections of a Taxidermist
After the Art/Craft debate: Critical Writing into the 1990s
Touching Things Lightly: The Furniture of Kevin Perkins
Design Visions: International Exchange: Time for a Stocktake
Jill Smith: Artist/ Designer in Industry
NSW Tafe: A Different Approach to Ceramics
The Crafts Come of Age
The Problem of Orthodoxy in Contemporary Glass
Making a Living: The Jam Factory
Two Countries, One Weave?
Marketing from the Top End
From Italowie to Chambers Gorge - A New Tapestry
Futurology...Crafts...
Futurology...Crafts...
Futurology...Crafts...
4 Jewellery Co-operatives: On Staying in the Black: Fluxus
Futurology...Crafts...
4 Jewellery Co-operatives: On Staying in the Black: Fingers
4 Jewellery Co-operatives: Ipso Factory Company
4 Jewellery Co-operatives: Gray Street Workshop
The Western Way - Linney's, Argenta and Others
Yurundiali - Reasons for Optimism
Screenprinting the Tiwi Way: An Element of Spontaneity
The Hermannsburg Potters
Semiotically Speaking: A Craftperson's View
Tim Burns - Paintings and Drawings
Tasdance in Silk
Anne Newmarch - Superimpositions
...But Never by Chance..., Skin and From Women
Hossein Valamanesh Recent Work
Contemporary Gipsland Artists