Anne Newmarch - Superimpositions

Cover of Anne Newmarch - Superimpositions
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
0.786
Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020
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2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
Artlink Promo
0.776
2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020
0.77
Cementa19

Kandos, New South Wales

Review
Marco Marcon

Published 05 February 2020
0.774
Therese Ritchie: Burning Hearts

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Review
Chips Mackinolty

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City of Melville
0.69
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

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Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019

Exhibition review Superimposition Ann Newmarch Prospect Gallery Adelaide South Australia 23 February - 22 March 1992

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More from this Issue Full Issue Contents

Tim Burns - Paintings and Drawings
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Peter Hill

Exhibition review Cape Bruny Winter 1990 - 1991
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Dick Bett Gallery Hobart Tasmania
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NSW Tafe: A Different Approach to Ceramics
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It turned out that 95% of the symposiasts were blissfully unaware that, starting with the TAFEs, they are already in the era of funding allocation on the basis of conceptually incoherent doctrines of an 'arts industry' with about as much relevance to their interests as atonal music has to the board of BHP.

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The Watch, the Pen and the Biro
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To demonstrate the extent to which our relationship to the objects we possess has changed, Kevin Murray recently gave a short impromptu performance during a recent lecture, systematically removing a number of possessions and apparel from his person.

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Distant Lives/ Shared Voices
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Kay Lawrence

Written with Janis Jefferies. Discusses the 1992 artist initiated and organised international forum for tapestry weavers in Lodz Poland.

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4 Jewellery Co-operatives: Ipso Factory Company
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Ipso Facto Company formed in 1984 by 5 ex-students from the Sydney College of the Arts.

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The Floating Web
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Dorothy Jones

For centuries now, textiles and the skills required in their creation - spinning, weaving, embroidery, sewing, quilting - have been considered women's work, occupying them indoors while men engaged in more serious activities like warfare.

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Design Visions: International Exchange: Time for a Stocktake
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Dorothy Erickson

Design Visions; The second Australian International Crafts Triennial on show at the Art Gallery of Western Australia in August September 1992 provided a chance for local viewers, historians, critics, artists, designers and 'craftspeople' to discuss and possibly take stock of our place in the international arena.

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Parables of Criticism
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Sue Rowley

Looks at the current issues in the art versus craft debate and the impact of post modern theories.

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The Archaeological Metaphor: A Personal Excavation
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Diana Wood Conroy

Now as a much older woman with another career as an artist I have been reconsidering my experience in Museums, reconsidering the structures of archaeology which grid and measure the chaotic site.

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Screenprinting the Tiwi Way: An Element of Spontaneity
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James Bennett

It is not accidentatl that amongst the Tiwis of Bathurst and Melville Islands, fabric printing has become such a significant craft form. Of all indigenous Australian cultures the Tiwis historically have perhaps the richest tradition of body painting.

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Contemporary Gipsland Artists
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Louise Dauth

Exhibition review Contemporary Gippsland Artists
A touring exhibition initiated by the LaTrobe Valley Arts Centre
Morwell Victoria
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9 April - 8 May 1992

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After the Art/Craft debate: Critical Writing into the 1990s
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Noris Ioannou

Most writers and researchers in the visual arts and crafts would now consider the debate about the difference between art and craft to be an old chestnut whose day has well and truly gone. Refers to the debates between David Bromfield and Anne Brennan.

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The Torch
UNSW
MGNSW
NAVA
Darwin Aboriginal Art Fair