Anne Newmarch - Superimpositions

Cover of Anne Newmarch - Superimpositions
1.126
Noriko Nakamura: The force that the warrior adopts during the evolution of the pale pink rose

CAVES

Review
Amelia Wallin

Published 11 July 2019
1.324
The Hidden Garden: Travis de Vries

Gallery Lane Cove

Review
Djon Mundine

Published 03 July 2019
1
Virginia Cuppaidge: The Nature of Abstraction

Newcastle Art Gallery

Review
Una Rey

Published 01 July 2019
UTS
1.124
58th International Art Exhibition

La Biennale di Venezia

Review
Marco Marcon

Published 26 June 2019
1.126
From the Inside [Tokuremoar]

Praxis Artspace

Review
Chris Reid

Published 05 June 2019
1.126
Tom Nicholson: Public Meeting

Australian Centre for Contemporary Art

Review
Ian McLean

Published 05 June 2019
NAVA
1.22
Quilty

Art Gallery of South Australia

Review
Rebecca Freezer

Published 16 May 2019
1.124
The National 2019: New Australian Art
Review
Craig Judd

Published 15 May 2019

Exhibition review Superimposition Ann Newmarch Prospect Gallery Adelaide South Australia 23 February - 22 March 1992

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Two Countries, One Weave?
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Written with Phillip (Piri) Everett Over the last year Tandanya (National Aboriginal Cutural Institute) has received much bad publicity but is carrying on and slowly and steadily making history. It opened in 1989 with celebrations featuring Ernabella Inma and Yothu Yindi. Includes photographs of indigenous women at weaving workshops in the South East of South Australia at Camp Coorong Cultural Centre.

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Helmut Lueckenhausen, craft practitioner from NSW and active in the Craft Council within his State, writes his prediction for the future of crafts in Australia.

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The Problem of Orthodoxy in Contemporary Glass
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In her introductory notes to the exhibition 'Glass: Material in the service of meaning' the artist Ginny Ruffner comments on the current field of glass art as "being awash in objects, some beautiful, some ugly, most about glass itself - material as content."

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The Archaeological Metaphor: A Personal Excavation
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Now as a much older woman with another career as an artist I have been reconsidering my experience in Museums, reconsidering the structures of archaeology which grid and measure the chaotic site.

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