Anne Newmarch - Superimpositions

Cover of Anne Newmarch - Superimpositions
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
0.786
Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
0.786
Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
ACE Open
0.786
The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
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The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020
NAVA
0.77
2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
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2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020

Exhibition review Superimposition Ann Newmarch Prospect Gallery Adelaide South Australia 23 February - 22 March 1992

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More from this Issue Full Issue Contents

...But Never by Chance..., Skin and From Women
Review
Jude Adams

Exhibition review ...but never by chance
(eroticism) editor/curator Linda Marie Walker Exhibitors Jennifer Hamilton, Melanie Howard, Bronia Iwanczak, Sheridan Kennedy, Rosemary Laing, Rosslund Piggott, Carol Rudyard
Skin
Curators Annette Bezor, Julianne Pierce, Exhibitors Maria Kozic, Jan Nelson, Sally Smart, Josie Starrs
Contemporary Art Centre Adelaide South Australia
May 1 - 31 1992
From Women
Curator Vivonne Thwaites
Exhibitors Maria Cruz, Michele Elliot, Nicole Page-Smith, Lucia Tancredi
Artspace Adelaide Festival Centre
10 April - 23 May 1992

Published June 1992
The Western Way - Linney's, Argenta and Others
Feature
Dorothy Erickson

Western Australia has a tradition of artist/craftspeople with studio - gallery -shops.

Published June 1992
Two Countries, One Weave?
Feature
Kerry Giles Kurwingie

Written with Phillip (Piri) Everett Over the last year Tandanya (National Aboriginal Cutural Institute) has received much bad publicity but is carrying on and slowly and steadily making history. It opened in 1989 with celebrations featuring Ernabella Inma and Yothu Yindi. Includes photographs of indigenous women at weaving workshops in the South East of South Australia at Camp Coorong Cultural Centre.

Published June 1992
The Hermannsburg Potters
Feature
Beverly Knight

The Arrernte people from Hermannsburg a former Lutheran mission about 130 km west of Alice Springs in Central Australia are generally known for their Namatjira style watercolour paintings. Now they are making ceramics.

Published June 1992
Tasdance in Silk
Review
Jane Deeth

Exhibition review Greg Leong
Launceston Country Club Tasmania

Published June 1992
The Reflections of a Taxidermist
Feature
Tim Ralph

I view my memories as a fragmented collage of life, constantly in review and abstracted through the shifting of time and place. Taking and putting together some of these fragments I recall how I became a taxidermist.

Published June 1992
Hossein Valamanesh Recent Work
Review
Leon Marvell

Exhibition review Hossein Valamanesh: Recent Work
Greenaway Gallery Adelaide South Australia
3 May - 3 June 1992

Published June 1992
After the Art/Craft debate: Critical Writing into the 1990s
Feature
Noris Ioannou

Most writers and researchers in the visual arts and crafts would now consider the debate about the difference between art and craft to be an old chestnut whose day has well and truly gone. Refers to the debates between David Bromfield and Anne Brennan.

Published June 1992
Futurology...Crafts...
Feature
Helmut Lueckenhausen

Helmut Lueckenhausen, craft practitioner from NSW and active in the Craft Council within his State, writes his prediction for the future of crafts in Australia.

Published June 1992
The Floating Web
Feature
Dorothy Jones

For centuries now, textiles and the skills required in their creation - spinning, weaving, embroidery, sewing, quilting - have been considered women's work, occupying them indoors while men engaged in more serious activities like warfare.

Published June 1992
The Crafts Come of Age
Book Review
Sylvia Kleinert

Book review The Crafts Movement in Australia: a history University of NSW Press $79.95

Published June 1992
Semiotically Speaking: A Craftperson's View
Feature
Jenni Dudley

One need not restrict this semiotic approach to an analysis of the objects of fashion given that the major role adopted by craftspeople in contemporary times is that of drawing attention to otherwise ordinary objects and processes by remaking them in a mode other than mass production.

Published June 1992
 
Bill Morrow
MGNSW
Guildhouse
UNSW
QAGOMA