Futurology...Crafts...

Cover of Futurology...Crafts...
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
MUMA
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Artlands
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Marion Marshall,craft practitioner from Victoria, and active in the Craft Council within her State, writes her prediction for the future of crafts in Australia.

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More from this Issue Full Issue Contents

The Watch, the Pen and the Biro
Feature
Pat Hoffie

To demonstrate the extent to which our relationship to the objects we possess has changed, Kevin Murray recently gave a short impromptu performance during a recent lecture, systematically removing a number of possessions and apparel from his person.

Published June 1992
Parables of Criticism
Feature
Sue Rowley

Looks at the current issues in the art versus craft debate and the impact of post modern theories.

Published June 1992
4 Jewellery Co-operatives: On Staying in the Black: Fluxus
Feature
Stephanie Britton

Looks at the workshop Fluxus in Dunedin in New Zealand, formed by Kobi Bosshard and Stephen Mulqueen in 1983.

Published June 1992
The Problem of Orthodoxy in Contemporary Glass
Feature
Geoffrey Edwards

In her introductory notes to the exhibition 'Glass: Material in the service of meaning' the artist Ginny Ruffner comments on the current field of glass art as "being awash in objects, some beautiful, some ugly, most about glass itself - material as content."

Published June 1992
Jill Smith: Artist/ Designer in Industry
Feature
Jenny Armstrong

Looks at the ceramic practice of Jill Smith. It often happens when people with different views and areas of expertise are brought together to solve a problem that something new emerges.

Published June 1992
Distant Lives/ Shared Voices
Feature
Kay Lawrence

Written with Janis Jefferies. Discusses the 1992 artist initiated and organised international forum for tapestry weavers in Lodz Poland.

Published June 1992
NSW Tafe: A Different Approach to Ceramics
Feature
Christine Lewis

It turned out that 95% of the symposiasts were blissfully unaware that, starting with the TAFEs, they are already in the era of funding allocation on the basis of conceptually incoherent doctrines of an 'arts industry' with about as much relevance to their interests as atonal music has to the board of BHP.

Published June 1992
...But Never by Chance..., Skin and From Women
Review
Jude Adams

Exhibition review ...but never by chance
(eroticism) editor/curator Linda Marie Walker Exhibitors Jennifer Hamilton, Melanie Howard, Bronia Iwanczak, Sheridan Kennedy, Rosemary Laing, Rosslund Piggott, Carol Rudyard
Skin
Curators Annette Bezor, Julianne Pierce, Exhibitors Maria Kozic, Jan Nelson, Sally Smart, Josie Starrs
Contemporary Art Centre Adelaide South Australia
May 1 - 31 1992
From Women
Curator Vivonne Thwaites
Exhibitors Maria Cruz, Michele Elliot, Nicole Page-Smith, Lucia Tancredi
Artspace Adelaide Festival Centre
10 April - 23 May 1992

Published June 1992
The Hermannsburg Potters
Feature
Beverly Knight

The Arrernte people from Hermannsburg a former Lutheran mission about 130 km west of Alice Springs in Central Australia are generally known for their Namatjira style watercolour paintings. Now they are making ceramics.

Published June 1992
Futurology...Crafts...
Feature
Helmut Lueckenhausen

Helmut Lueckenhausen, craft practitioner from NSW and active in the Craft Council within his State, writes his prediction for the future of crafts in Australia.

Published June 1992
From Italowie to Chambers Gorge - A New Tapestry
Feature
Kay Lawrence

When travelling by car over long distances the landscape outside the window endlessly unfolds as a field of subtly carying colour and texture punctuated by the irregular rhythm of straggling trees and bushes.

Published June 1992
The Archaeological Metaphor: A Personal Excavation
Feature
Diana Wood Conroy

Now as a much older woman with another career as an artist I have been reconsidering my experience in Museums, reconsidering the structures of archaeology which grid and measure the chaotic site.

Published June 1992
 
City of Unley
Ballarat Foto Biennale
Darwin Aboriginal Art Fair
MGNSW
ACE Open