The Traditional and the New - Artists and Teachers Please Note

Cover of The Traditional and the New - Artists and Teachers Please Note
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
UNSW
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
The Torch
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Explanation of the benefits to the artist and the environment of working with photopolymer plates (solar plates) in printmaking.

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More from this Issue Full Issue Contents

Polemic: Practice Makes Perfect: Art Museums, Audiences and the Future.
Feature
Trevor Smith

Examines how galleries, art spaces and arts infrastructure might evolve over the next 25 years to accommodate changes in interaction between artists and audiences. Focus is on the State Galleries and how we might present the multiplicity of view points from the last 30 + years. Resource issues are explored.

Published June 1999
Hypothetical Product
Feature
Peter Anderson

Critics rarely talk about money and art. How to price a work of art and how to make a living of about $35,000 per annum are discussed. Artist need to work out how to make a name for themselves to increase the base price of their artworks. And anyway if you have to think about the price, chances are you can't afford it.

Published June 1999
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Feature
Juliette Peers

Discusses the exhibition 'Diaphanous' at Span Galleries curated by Kirsten Rann, deconstructing and challenging the notion of multicultural artist.

Published June 1999
Riding on the Edge: Art, Identity and the Motorcycle
Review
Robert Nelson

Exhibition review Riding on the edge: Art Identity and the Motorcycle
7 February- 11 April 1999
Waverley City Gallery
Curated by John Pigot

Published June 1999
An Identity Crisis for Art Education?
Feature
Graeme Sullivan

Examines recent reports by the Department of Employment, Education, Training and Youth Affairs [DEETYA] and Strand 1998 'Research in the Creative Arts'. Should our retort be 'If you don't know much about art I don't care what you like.' ?

Published June 1999
How the Tail Now Wags the Dog
Feature
Rodney Crackers

One would have to be a marketing executive, or just extremely sanguine, to see much that is good in the current system for funding teaching and research in our universities. This is not to claim that the Dawkins reforms replaced something wonderful or fair. But we now have a system that is actively promoting mediocrity ona a national, even international scale. Let me explain, for the uninitiated how it works.

Published June 1999
Hossein Valamanesh: Taking the Intuitive Path
Feature
Chris Reid

Valamanesh has developed a unique and characteristic art vocabulary and his eloquent work occupies a distinct and prominent position in Australian art. Looks at 'the Untouchable' 1984, 'Pyramids with Light - Inside/Outside' 1980, 'Change of Seasons'.

Published June 1999
The Future of Art
Editorial
Stephanie Britton

Editorial for the issue -- not the definitive answer but a series of clues as to what direction the visual arts might be following. The issue picks up ideas addressed in the forum 'Art of Sight, Art of Mind: Speculations on the Future of the Visual Arts and Crafts in Australia' organised by the National Association of Visual Arts. NAVA

Published June 1999
Polemic: The End of Art Schools as we know them?
Feature
Ian Howard

Art and sport both attempt to construct value and meaning within our lives. For art this is a likely outcome. For media sport it is a contrived ingredient. Artists and art schools have perpetuated a myth about the importance and value of art objects. Suggests possible answers to the issues of teaching art in art and design schools.

Published June 1999
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
Feature
Adele Hann

ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.

Published June 1999
Virtual Futures for New Media Art: A Report on dLux Media Arts' Immersive Conditions Forum
Feature
Mitchell Whitelaw

New media art has developed a close if troubled relationship with the figure of the future. Discusses Troy Innocent's ICONICA, Mousetrap by Ian Haig, RAPT by Justine Cooper, OSMOSE and EPHEMERE by Char Davies and Immersive Conditions a forum held at the Powerhouse Museum Sydney. Examines concepts of virtual reality and apparent reality.

Published June 1999
The Rise and Rise of Michael Eather
Feature
Pat Hoffie

Examines the work of Michael Eather as art maker, gallery director, educator, project promoter and consultant. He established Campfire Consultancy with others. Also established the Fireworks Gallery: Aboriginal Art and other Burning Issues in Brisbane, Queensland.

Published June 1999
 
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