The Traditional and the New - Artists and Teachers Please Note

Cover of The Traditional and the New - Artists and Teachers Please Note
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
NAVA
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Promo
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Explanation of the benefits to the artist and the environment of working with photopolymer plates (solar plates) in printmaking.

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More from this Issue Full Issue Contents

Hypothetical Product
Feature
Peter Anderson

Critics rarely talk about money and art. How to price a work of art and how to make a living of about $35,000 per annum are discussed. Artist need to work out how to make a name for themselves to increase the base price of their artworks. And anyway if you have to think about the price, chances are you can't afford it.

Published June 1999
Riding on the Edge: Art, Identity and the Motorcycle
Review
Robert Nelson

Exhibition review Riding on the edge: Art Identity and the Motorcycle
7 February- 11 April 1999
Waverley City Gallery
Curated by John Pigot

Published June 1999
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
Feature
Adele Hann

ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.

Published June 1999
Art Teachers Hampered by Lack of Training
Feature
Maria Whaley

Art teachers today are expected to have a greater proficiency in a broader range of art skills, yet due to the under funding of teacher training they are receiving less training and professional development to prepare them for the classroom. Discusses the 1999 International Society of Education through Art (InSEA) the theme being 'Cultures and Transitions' held in Brisbane. 1st conference held in 1951

Published June 1999
Immediate
Review
Maria Kunda

Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania
Curated by Leigh Hobba

Published June 1999
Butcher Cherel Janangoo, Julie Dowling, Julie Gough
Review
Judith McGrath

Exhibition review Butcher Cherel Janangoo, Julie Dowling, Julie Gough 10 February - 7 March 1999
Artplace Western Australia

Published June 1999
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Feature
Juliette Peers

Discusses the exhibition 'Diaphanous' at Span Galleries curated by Kirsten Rann, deconstructing and challenging the notion of multicultural artist.

Published June 1999
User-friendly Internet Options for the Arts
Feature
Chris Limmer

Dynamic interactive web-sites are becoming increasingly the norm. Lists the types of functions that are available using particular technology.

Published June 1999
Doll
Review
Vivonne Thwaites

Exhibition review Doll 19 March - 15May 1999
29 artists plus works from the SA Museum,
Artspace, Adelaide Festival Centre
South Australia
Curated by Vivonne Thwaites

Published June 1999
Polemic: Practice Makes Perfect: Art Museums, Audiences and the Future.
Feature
Trevor Smith

Examines how galleries, art spaces and arts infrastructure might evolve over the next 25 years to accommodate changes in interaction between artists and audiences. Focus is on the State Galleries and how we might present the multiplicity of view points from the last 30 + years. Resource issues are explored.

Published June 1999
Upping the Ante: SALA'99.Leter to the Editor
Feature
Paul Greenaway

Describes the nature of SALA South Australian Living Artists Week to celebrate the talent and imagination of SA artists and aims to promote widespread recognition of their achievements by exposing their work to new audiences. There were 50 venues, 28 of which were outside the metropolitan area.

Published June 1999
Talking about Ethics: Marie Sierra takes on her audience
Feature
Rose Lang

Examines the career of Marie Sierra from her arrival in Australia in 1984, her coming to Melbourne in 1986 and her Barcelona studio residency in the mid 1990s. Explores how the roles of academic and artist sustain and inform each other. Deals specifically with works 'Justice' 1992 , 'Do that Job' 1993, 'Knowledge is Power' 1994, 'Planning' 1995, 'Public Address' 1995, 'Separation and Growth' 1996.

Published June 1999
 
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