The Traditional and the New - Artists and Teachers Please Note

Cover of The Traditional and the New - Artists and Teachers Please Note
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Guildhouse
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
NAVA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Explanation of the benefits to the artist and the environment of working with photopolymer plates (solar plates) in printmaking.

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More from this Issue Full Issue Contents

Talking about Ethics: Marie Sierra takes on her audience
Feature
Rose Lang

Examines the career of Marie Sierra from her arrival in Australia in 1984, her coming to Melbourne in 1986 and her Barcelona studio residency in the mid 1990s. Explores how the roles of academic and artist sustain and inform each other. Deals specifically with works 'Justice' 1992 , 'Do that Job' 1993, 'Knowledge is Power' 1994, 'Planning' 1995, 'Public Address' 1995, 'Separation and Growth' 1996.

Published June 1999
The Artist and the Critic
Feature
Joanna Mendelssohn

Fortunately not all critics are so urgently in need of friends that they write hymns of praise after every long lunch. Some even relish being labelled 'ungrateful'. I would argue that the only critic worth reading is an ungrateful critic. Looks at the role of visual art criticism in the newspaper columns of the daily press.

Published June 1999
Hypothetical Product
Feature
Peter Anderson

Critics rarely talk about money and art. How to price a work of art and how to make a living of about $35,000 per annum are discussed. Artist need to work out how to make a name for themselves to increase the base price of their artworks. And anyway if you have to think about the price, chances are you can't afford it.

Published June 1999
Doll
Review
Vivonne Thwaites

Exhibition review Doll 19 March - 15May 1999
29 artists plus works from the SA Museum,
Artspace, Adelaide Festival Centre
South Australia
Curated by Vivonne Thwaites

Published June 1999
A Worthwhile Investment: The Ceramics of Pippin Drysdale
Feature
Dorothy Erickson

Examination of the ceramic works of Pippin Drysdale of Western Australia from her early years through to the 1999 Festival of Perth. Looks at her national and international successes.

Published June 1999
Unheard Voices: Asian Artists in Australia
Feature
Neil Manton

Discussion of the issues for artists of Asian descent in the Australian milieu, exploring issues of identity and displacement. Unheard voices could also characterise emerging artists as well as those from a multicultural background.

Published June 1999
Emblematic
Review
Cameron Stelzer

Exhibition review Emblematic 12-31 March 1999 Smith+Stonely, Queensland
Curated by Amelia Gundelach

Published June 1999
The Good the Bad and the GST
Feature
Tamara Winikoff

The role of the arts within the Federal Coalition portfolio. Proposed new tax arrangements suggest a contraction in support for new innovative work in favour of much more conservative, market driven high end focussed practice, and a drop overall in arts activity.

Published June 1999
Hossein Valamanesh: Taking the Intuitive Path
Feature
Chris Reid

Valamanesh has developed a unique and characteristic art vocabulary and his eloquent work occupies a distinct and prominent position in Australian art. Looks at 'the Untouchable' 1984, 'Pyramids with Light - Inside/Outside' 1980, 'Change of Seasons'.

Published June 1999
How the Tail Now Wags the Dog
Feature
Rodney Crackers

One would have to be a marketing executive, or just extremely sanguine, to see much that is good in the current system for funding teaching and research in our universities. This is not to claim that the Dawkins reforms replaced something wonderful or fair. But we now have a system that is actively promoting mediocrity ona a national, even international scale. Let me explain, for the uninitiated how it works.

Published June 1999
A Country Practice...
Feature
Peter Wynn-Moylan

The Northern Rivers Region of NSW has more practising artists per head of population than any other region of Australia. Issues such as surviving as a country artist, traditional art practice, commercial considerations, prescribed political and gender issues are raised. Critiques the project 'Beyond the Basin' funded by the NSW Ministry for the Arts and its resultant exhibition 'A Country Practice'.

Published June 1999
Virtual Futures for New Media Art: A Report on dLux Media Arts' Immersive Conditions Forum
Feature
Mitchell Whitelaw

New media art has developed a close if troubled relationship with the figure of the future. Discusses Troy Innocent's ICONICA, Mousetrap by Ian Haig, RAPT by Justine Cooper, OSMOSE and EPHEMERE by Char Davies and Immersive Conditions a forum held at the Powerhouse Museum Sydney. Examines concepts of virtual reality and apparent reality.

Published June 1999
 
MUMA
MGNSW
City of Unley
Darwin Aboriginal Art Fair
Experimenta